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Which clippings match 'Critical Investigation' keyword pg.1 of 1
26 MARCH 2013

Drawing as a conversation which prompts new imaginings

"Perception of external sources of inspiration prompts new imaginings. Research on the role of externalisations in design thinking has concentrated on the role of sketching[14]. Schön[15] has shown that for many architects, sketching is an essential part of creative design, and creation is driven by making and perceiving sketches; Schön characterises design as an interactive conversation between mind and sketch. Designers directly appreciate different types of information in their own sketches[16], alternating between seeing that and seeing as[17]. Ambiguity in sketches facilitates reinterpretation triggered by dissatisfaction with the current design[18]. For designers who make active use of sources of inspiration in designing, they play a similar role to designers' own sketches."

(Claudia Eckerta, Martin Stacey, p.526, 2000, Design Studies)

[14] Purcell, A T and Gero, J S 'Drawings and the design process' Design Studies Vol 19 (1998) pp 389–430
[15] Schön, D A The reflective practitioner: how professionals think in action Basic Books, New York (1983)
[16] Schön, D A and Wiggins, G 'Kinds of seeing and their functions in designing' Design Studies Vol 13 (1992) pp 135–156 [17] Gabriela Goldschmidt 'The dialectics of sketching' Creativity Research Journal Vol 4 (1991) pp 123–143 [https://blog.itu.dk/DIND–E2010/files/2010/10/goldsmidt_dialectics_paper.pdf]
[18] McFadzean, J, Cross, N G and Johnson, J H 'Notation and Cognition in Conceptual Sketching' in Proceedings, VR'99 Visual and Spatial Reasoning in Design MIT Press, Cambridge MA (1999)

Claudia Eckerta, Martin Stacey (2000). "Sources of inspiration: a language of design", Design Studies, Volume 21, Issue 5, September 2000, Pages 523–538

TAGS

2000architectsClaudia Eckert • conceptual prompt • conversation with the situationcreative designcritical investigationdesign inspirationdesign languagedesign methodDesign Studies (journal)design thinkingdesigningDonald Schondoodlingdrawing • drawing experiments • drawing ideasdrawing studyimagining • inspiration prompts • interactive conversation • knitwear design • making sketches • Martin Stacey • new imaginings • reinterpretationseeing and doingseeing asseeing thatshared cultural referencesketchingsources of inspirationthinking through drawingthinking toolstriggering ideasvisual problem-solving • visual prompt • visual study

CONTRIBUTOR

Simon Perkins
12 FEBRUARY 2013

UK Arts & Humanities Research Council: A Definition of Research

"research activities should primarily be concerned with research processes, rather than outputs. This definition is built around three key features and your proposal must fully address all of these in order to be considered eligible for support:

It must define a series of research questions, issues or problems that will be addressed in the course of the research. It must also define its aims and objectives in terms of seeking to enhance knowledge and understanding relating to the questions, issues or problems to be addressed

It must specify a research context for the questions, issues or problems to be addressed. You must specify why it is important that these particular questions, issues or problems should be addressed; what other research is being or has been conducted in this area; and what particular contribution this project will make to the advancement of creativity, insights, knowledge and understanding in this area

It must specify the research methods for addressing and answering the research questions, issues or problems. You must state how, in the course of the research project, you will seek to answer the questions, address the issues or solve the problems. You should also explain the rationale for your chosen research methods and why you think they provide the most appropriate means by which to address the research questions, issues or problems.

Our primary concern is to ensure that the research we fund addresses clearly–articulated research questions, issues or problems, set in a clear context of other research in that area, and using appropriate research methods and/or approaches.

The precise nature of the research questions, issues or problems, approaches to the research and outputs of the work may vary considerably, embracing basic, strategic and applied research. The research questions, issues, problems, methods and/or approaches may range from intellectual questions that require critical, historical or theoretical investigation, to practical issues or problems that require other approaches such as testing, prototyping, experimental development and evaluation. The outputs of the research may include, for example, monographs, editions or articles; electronic data, including sound or images; performances, films or broadcasts; or exhibitions. Teaching materials may also be an appropriate outcome from a research project provided that it fulfils the definition above.

The research should be conceived as broadly as possible and so consideration should also be given to the outcomes of, and audiences for, the research. The outcomes of the research may only benefit other researchers and influence future research, but consideration must be given to potential opportunities for the transfer of knowledge into new contexts where the research could have an impact.

Creative output can be produced, or practice undertaken, as an integral part of a research process as defined above. The Council would expect, however, this practice to be accompanied by some form of documentation of the research process, as well as some form of textual analysis or explanation to support its position and as a record of your critical reflection. Equally, creativity or practice may involve no such process at all, in which case it would be ineligible for funding from the Council."

(Arts and Humanities Research Council)

TAGS

academic research • accompanying documentation • advancement of creativity • AHRCapplied researchartwork and exegesisbasic researchclinical researchcontribution to knowledge • creative output • critical investigationcritical reflection • definition of research • experimental development • historical investigation • impact and engagement • knowledge and understandingknowledge transfer • new contexts • new insights • problem for action • problems to be addressed • prototyping • record and reflect • research activities • research aims and objectives • research context • research impactresearch methodsresearch outcomeresearch processesresearch projectresearch questions • strategic research • testingtextual analysis • theoretical investigation • transfer of knowledgeUK

CONTRIBUTOR

Simon Perkins
27 NOVEMBER 2008

Publiccurating - Methods Resources Theories

"PUBLICCURATING–METHODS RESOURCES THEORIES was a research–project by the Vienna–based organisation CONT3XT.NET collecting methods, resources, and theories concerning the curation of (New) Media and Internet–based Art. It is now closed to to the development of other projects, but, the resource will be kept online as an archive. If you want to send us feedback about our work please send an e–mail to cont3xt@cont3xt.net.

CONT3XT.NET is a Vienna–based organisation founded in 2006 as a collaborative platform for the discussion and presentation of issues related to Media Art. Against the background of an interdisciplinary theoretical approach to all forms of communications technologies its mission is the critical investigation and documentation of actual tendencies in contemporary art production. The platform works both online and offline and offers regularly news and announcemnets as well as initiatives developed by its members in collaboration with artists, theorists, curators, writers and other Media Art affiliated people. The organisation was founded by Sabine Hochrieser, Michael Kargl (a.k.a. carlos katastrofsky) and Franz Thalmair."
(Sabine Hochrieser, Michael Kargl & Franz Thalmair)

TAGS

2006artart productionartistscommunication • CONT3XT.NET • contemporary artcreative practicecritical investigationcuratingcuratordigital curationdigital media • Franz Thalmair • innovationinteractive mediainterdisciplinaryInternetmedia art • Michael Kargl • multimedianew media • Publiccurating • research • Sabine Hochrieser • Viennavisual design

CONTRIBUTOR

Simon Perkins
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