"The directors of The Best of Enemies, a documentary about the 1968 debates between Gore Vidal and William F. Buckley, could have produced a riveting movie simply by splicing together old debate footage. This movie is about many weighty matters--politics, ideology, history, society and the media--but the delicious spectacle of watching two sexy men in their prime, with rapier wit, speaking in the accents of a gone American elite, slicing each other into fine ribbons, makes the film a guilty indulgence.
These two ghosts from a bygone era still make great television. It worked so well, in fact, that the series of debates, created by ABC to attach to the two 1968 conventions–Republicans in Miami and Democrats in Chicago–became the prototype for every television talking head show for the next half-century.
Sadly, no one has ever done it better. ...
The Buckley-Vidal debates could be the high moment in the history of the televised American political debate. But the spectacle contained within itself the seed of the end too. Extreme civility was about to explode and cool William Buckley, whose fate it was to manifest that explosion, would regret it for the rest of his life."
(Nina Burleigh, 1 February 2015, Newsweek)
"There is a great gulf between the research community and practice. Moreover, there is often a great gull between what designers do and what industry needs. We believe we know how to do design, but this belief is based more on faith than on data, and this belief reinforces the gulf between the research community and practice.
I find that the things we take most for granted are seldom examined or questioned. As a result, it is often our most fundamental beliefs that are apt to be wrong.
In this talk, deliberately intended to be controversial. I examine some of our most cherished beliefs. Examples: design research helps create breakthrough products; complexity is bad and simplicity good; there is a natural chain from research to product."
Fig.1 Directed by: Max Hattler. Sound and music: Eduardo Noya Schreus. Animation: Matt Abbiss, Tony Comley, Valeria Fonseca, Max Hattler, Siobhan Mcelhinney, Luiz Stockler. Special Thanks to Sandra Sykorova.
"This new instrument, known as the 'Grand Letar,' is the invention of Letritia Kandle shown here playing it. She designed it and had it built specially for her. The instrument as 26 strings and a lighting effect that is very new and novel, being he first instrument to change color while it is played.
The string grouping used on the I 'Grand Letar' which has complete harmony has been studied and developed by Miss Kandle over a period of six years, the development being derived from an eighteen string triple–neck Hawaiian guitar which he also designed and had built for her. Miss Kandle has played coast to coast programs over NBC and has done electrical transcription work for RCA. She also has had her own string ensemble for which she did all the arranging.
Miss Kandle demonstrated this instrument at the recent manufacturers convention in New York City."
(Down Beat, 1937)
"Designs New 24 String Guitar", Down Beat Chicago, October, 1937 [http://1.bp.blogspot.com/–RWXEdfUowkI/UKYBHr–Te2I/AAAAAAAABd0/1lOE20w_nC8/s1600/LetritiaDownBeatArticle.jpg]
CHARACTERIZED Kuala Lumpur 2013, Tuesday 30 April 2013, 7:00pm, MAPKL, Black Box–Publika, Dutamas, Kuala Lumpur, Malaysia.
"Over the past few decades, Malaysia has been bearing a rapidly fast changing landscape within the creative industries. As Malaysia establishes its national creative policy to be at sync with the heartbeat of the emerging global creative economy – there has been nationwide expansion of creative establishments, particularly in graphic design, motion, product and web design. From here numerous surfacing of young budding talents and self initiated art collectives – all adhere with a single aspiration – and that is to create a vibrant and energetic design scene that is not only modern but also infused with a rich cultural heritage."