"From ancient times to the present 'spectacle' (the visual aspects of human performance–architecture, scenery, costumes, makeup, lighting, special effects, and staging) has been used to expressively embody and evoke meaning in rituals, ceremonies, and artistic performances. This course [Eye Appeal: Spectacle on Stage and in Life at The University of North Carolina at Greensboro] will examine the use of spectacle as an expressive mode of communication in human performance from antiquity to the present."
(Bob Hansen, 2004)
"In this edition from Birmingham, the Coventry band the Specials had just finished playing and George is sitting beside Martin Degville, just in front of Jane Kahn, partner in the seminal outrage shop Kahn & Bell."
(David Johnson, 28 June 2010)
"Prime Cuts is unique graduate motion arts organisation which is focused on supporting students of moving image in the UK through; events, festivals, work placement opportunities, national screenings, press articles and free advice.
The 2013 festival was our first venture with New Designers, Europe's leading graduate design show. The festival was a great success, and we are all very happy to have found a new home with New Designers."
"Most little girls grow up playing with Barbie dolls. Some even want to look like them. One 21–year–old has become one, or so she says.
Valeria Lukyanova has become an internet sensation in her home country of Russia, claiming on her blog to be the most famed woman on the Russian–language internet.
Her doll–like features, long blonde hair and 'perfect' body make her look like a real life Barbie."
(Laura Cox, PUBLISHED: 18:14, 22 April 2012 | UPDATED: 01:40, 25 April 2012, Dailymail.co.uk)
"The film commences with a fast moving introduction to the very stylish world of a hot fashion photographer, Thomas, played by that emblematic '60s actor, David Hemmings. This is the world made notorious by magazines like Tatler and Queen as well as all the tabloids of the world, all Pucci fashion, dolly birds (Jane Birkin made her name in this film), drugs, fast cars and rock–and–roll. ...
Throughout Blow Out and Blowup there is always a sense in which recording media themselves are seen as, somehow, treacherous. Antonioni's Blowup forcefully reminds us that even the latest technologies can mislead or betray us. In the computer age, it this remaining element of ontological uncertainty that still troubles the human observer–for we are not, quite yet, masters of information"
(Jonathan Dawson, February 2005, Senses of Cinema)