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Which clippings match 'Casual Sex' keyword pg.1 of 2
06 MARCH 2015

Sexed up: theorizing the sexualization of culture

"This paper reviews and examines emerging academic approaches to the study of ‘sexualized culture’; an examination made necessary by contemporary preoccupations with sexual values, practices and identities, the emergence of new forms of sexual experience and the apparent breakdown of rules, categories and regulations designed to keep the obscene at bay. The paper maps out some key themes and preoccupations in recent academic writing on sex and sexuality, especially those relating to the contemporary or emerging characteristics of sexual discourse. The key issues of pornographication and democratization, taste formations, postmodern sex and intimacy, and sexual citizenship are explored in detail."

(Feona Attwood, 2006)

ATTWOOD, F. (2006). Sexed up: theorizing the sexualization of culture. Sexualities, 9 (1), 77-94.

TAGS

2006Anthony Giddens • attitudes to sex • auto-eroticism • Brian McNair • Brigid Costello • casual sex • Catharine Lumby • commercial sex services • consumption spectacle • contemporary sexual discourse • cybersex • David Bell • David Buckingham • David Evans • Debbie Stoller • Dennis Altman • diverse sexual identities • Elisabeth Beck-Gernsheim • email affairs • erotic life • Eva Illouz • excitation • female sexualityfemininity • Feona Attwood • gender relations • hedonism • Hilary Radner • Imelda Whelehan • intimate relations • Jane Arthurs • Jane Juffer • Jeffrey Weeks • Jon Binnie • Joseph Bristow • Juniper Wiley • Kenneth Plummer • liquid love • literature review • Mandy Merck • Marcelle Karp • Marj Kibby • Mark Jancovich • Michel Foucault • Natasha Forrest • obscenityonline datingpersonal life • personal relationships • phone sex • physical pleasure • physical sensation • plastic sexuality • pornographication • postmodern sex • radical sexual politics • renewable pleasures • romantic encounters • romantic relationships • Rosalind Gill • Rosalind Given-Wilson • Sara Bragg • sex and commitment • sex and reproduction • sex toysexismsexual behaviour • sexual citizenship • sexual commodification • sexual democratisation • sexual desire • sexual discourse • sexual encounter • sexual experience • sexual fitness • sexual identities • sexual intimacy • sexual meaning • sexual objectification • sexual obscenity • sexual practices • sexual preoccupation • sexual propriety • sexual regulation • sexual representation • sexual sensibilities • sexual subjectification • sexual values • sexualised culture • sexualised depictionssexuality • sexualization • sexually explicit texts • Sheffield Hallam University • SHURA • Simon Hardy • Stacy Gillis • taste formations • transient pleasures • Ulrich Beck • Walter Kendrick • William Simon • Zygmunt Bauman

CONTRIBUTOR

Simon Perkins
05 MARCH 2015

Cartelle Interactive Arts: Love letters from Craig (NSFW)

"'Love letters from Craig' is a romantic exploration into the perversions of modern-day digital hookups. The narrator reads aloud personal ads from anonymous people seeking love & affection on the internet. The contents are not moderated and completely automated, only enhanced by sensual porno beats and tasty, sexy visuals. Content is scraped hourly from Craigslist casual encounters."

'Love letters from Craig', created by Cartelle Interactive Arts, music by We Work For Fun.

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Amsterdamanonymity • Cartelle Interactive Arts • casual encounters • casual sex • computer-voiced narrator • CraigsListdata scrapingdeadpan expressiondeviance • digital hookups • disembodied robot voice • erotic ambiguityhookup • husky voice • looking for love • Love letters from Craig • male voice • new media artNSFW • personal ads • personal ads read aloud • raspy voice • read aloud • robot voice • scraped data • seeking affection • seeking love • sensual porno beats • sexual fantasy • sexual innuendosexual perversion • sexy visuals • snippets • sultry • tasty visuals • text to speech • unmoderated content • updated hourly

CONTRIBUTOR

Simon Perkins
20 NOVEMBER 2014

Tinder: becoming a commodity through consumption practices

"While most people know about online dating sites like Match.com and eHarmony, a new app called Tinder is proving to be popular with younger users. Tinder takes a users Facebook profile and connects them with other users in their area. From there, it takes both people to like each other (or swipe right), to become a match and start talking. ...

'Our research continually shows that in fact, many college aged woman are having sex to get the relationships, whereas guys are having sex to get the sex,' Dr. Liahna Gordon said. In that way, Dr. Gordon argues, Tinder, with what many see as a hookup app, favors the motivations of men. ...

Gordon is concerned about Tinder being another way to commodify humans. 'It's like shopping! I'm going to try this one on, oh don't like that one,' Gordon said. 'It's a continual supply and that there's always more. That provides a lot of excitement in some lives that where people aren't so content with their lives.' At least for now, it seems young people will continue to shop."

(Brian Johnson and Debbie Cobb, 14 February 2014, Action News Now)

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TAGS

affective consumption • Austin Schumacher • awkward situations • back button • casual sex • Chico State University • commodification of self • commodify humans • commodifying myselfconsumption practicesconsumption spectaclecross-context sharing • dating app • eHarmony • Facebook profile • fear of rejection • fill the void • having sexhookup • hookup app • identity performance • Liahna Gordon • Match.com • meeting peoplemobile apponline dating • online dating sites • online profilesprofile imageromantic relationshipsspectacular societyswipe left • swipe right • swipingTinder (app)window shopping

CONTRIBUTOR

Gaby Rock
01 JANUARY 2014

Tinder: swiping yes to intimate invitations from relative strangers

"Tinder uses your existing social networking data from Facebook to locate people in the immediate vicinity, tell you a bit about them, whether you have any friends in common and (most importantly) show you a pic.

It has slimmed down the emotional, cognitive and financial investment required by the virtual dating process to one simple question: 'Do I want to do you?' What more modern way to make that most basic binary decision of whether you want to shag someone than a game of real–world 'Hot or Not'?

Social media has made us expert first–daters, well–versed in smalltalk and over–sharing with strangers. The quick follow–though from swipe to sex is similarly instinctive for a generation with an appetite for immediacy."

(Caroline Kent, 19 Sep 2013)

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TAGS

automatic predictions • binary decision • casual sexcommodifying myselfcomparison site • compass • cross-context sharingdatadata matchingdatingFacebook • friends in common • hot or not • identity performance • immediate vicinity • iPhonelikedlikeslocation-basedlocation-based social networkingmobile appnormalising over-sharingonline datingonline profilesoversharingpersonal brandingproximityrecommendation platformself-disclosure • shag • shared friends • small talksocial mediasocial networkingspectacular societyswipingTinder (app)user data • vicinity • virtual dating

CONTRIBUTOR

Simon Perkins
11 APRIL 2011

Onscreen discussion of the ontology of the photographic image

"The film commences with a fast moving introduction to the very stylish world of a hot fashion photographer, Thomas, played by that emblematic '60s actor, David Hemmings. This is the world made notorious by magazines like Tatler and Queen as well as all the tabloids of the world, all Pucci fashion, dolly birds (Jane Birkin made her name in this film), drugs, fast cars and rock–and–roll. ...

Throughout Blow Out and Blowup there is always a sense in which recording media themselves are seen as, somehow, treacherous. Antonioni's Blowup forcefully reminds us that even the latest technologies can mislead or betray us. In the computer age, it this remaining element of ontological uncertainty that still troubles the human observer–for we are not, quite yet, masters of information"

(Jonathan Dawson, February 2005, Senses of Cinema)

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TAGS

1960s1966 • Blow Out (1981) • Blow-Up (1966) • Carlo Ponti • casual sexcontextcoolcountercultureDavid Bailey • David Hemmings • diegetic sound • Edward Bond • fashionfashion modelfashion photographerfashion photography • fashion shoot • feature filmfilm grainHerbie Hancockhuman perception • Jane Birkin • John Castle • Julio Cortazar • layeringLondonmake-upMichelangelo Antonionimod fashionmurderobscured view • ontology of the photographic image • photographphotographer • photographers studio • photographic blow-upsphotographic image • Sarah Miles • Senses of Cinema (journal)sixtiessixties cool • swinging sixties • The Yardbirds • Tonino Guerra • transparency • transparent layers • truth of perception • Tsai Chin Gillian Hills • Vanessa Redgrave • Vera Grafin von Lehndorff-Steinort • Veruschka von Lehndorff • whole is other than the sum of the parts • young lovers

CONTRIBUTOR

Simon Perkins
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