Not Signed-In
Which clippings match 'Large Scale Work' keyword pg.1 of 2
29 FEBRUARY 2016

Tomás Saraceno: Galaxies Forming along Filaments, Like Droplets along the Strands of a Spider’s Web (2008)

"In his dramatic installation Galaxies Forming along Filaments, Like Droplets along the Strands of a Spider's Web (2008) Tomas Saraceno applied another analogy inspired by that finding: the comparison between our 'spongy' universe and a complex spider web in which groups of stars and other matter are strung like shining beads of water along invisible strands. Saraceno, a former architect known for following in the tradition of other maverick designers who have developed provocatively inventive projects with the goal of changing human behaviour and living conditions – such as Buckminster Fuller, Archigram and the Ant Farm group – also has a knack for presenting his conceptual projects in ways that capture the imagination."

(Kristin M. Jones, 2008, Frieze)

Jones, K. M. (2008). "Tomas Saraceno" Frieze(116).

1
2

3

4

5

6

TAGS

2008 • airborne biosphere • alternate ways of living • analogyAnt Farm (architecture)Archigramart installationbiosphereblack and whiteBuckminster Fuller • capture the imagination • changing human behaviour • cloud formations • complex networks • conceptual projects • droplet • filament • Frieze (magazine) • galaxies forming • galaxy • inflatable biosphere • inventive projects • invisible strands • large scale workliving conditionsmaterials science • maverick designer • morphology of soap bubbles • network model • network morphology • neural networks • provocatively inventive • shining beads • soap bubbles • speculative models • spider web • sponge • spongy universe • stars • Tomas Saraceno • visual representations of mathematical conceptswaterweb of connectionswhite box

CONTRIBUTOR

Simon Perkins
28 FEBRUARY 2016

Infinity Mirrored Room: The Souls of Millions of Light Years Away

"Yayoi Kusama's Infinity Mirrored Room, a mirror-lined chamber housing a dazzling and seemingly endless LED light display, will be featured in the inaugural installation."

1
2

3

CONTRIBUTOR

Simon Perkins
04 NOVEMBER 2015

Light projection works by American artist James Turrell

"For over half a century, the American artist James Turrell has worked directly with light and space to create artworks that engage viewers with the limits and wonder of human perception. ...

Turrell often cites the Parable of Plato's Cave to introduce the notion that we are living in a reality of our own creation, subject to our human sensory limitations as well as contextual and cultural norms. This is evident in Turrell's over eighty Skyspaces, chambers with an aperture in the ceiling open to the sky. The simple act of witnessing the sky from within a Turrell Skyspace, notably at dawn and dusk, reveals how we internally create the colors we see and thus, our perceived reality. ...

Turrell's medium is pure light. He says, 'My work has no object, no image and no focus. With no object, no image and no focus, what are you looking at? You are looking at you looking. What is important to me is to create an experience of wordless thought.'"

1

2

3

4

5

6

7

TAGS

aesthetic experienceallegory of the cavechamber • childhood fascination • colour and lightcolour fieldcolour light • colour projection • design formalismflat colourformalist design aestheticsgeometric primitive • high-intensity projector • human sensory limitations • immaterialityimmersive experienceimmersive works • interior and exterior spaces • James Turrelllarge scale worklightlight and spacelight artlight projectionlight works • no focus • no image • no object • non-representationalNorth American artistop art • open sky spaces • perceptual psychology • physical presence of lightpresence • projection pieces • projection works • pure light • sensory form • sky • skyspaces • visual abstraction • wordless thought

CONTRIBUTOR

Simon Perkins
20 MARCH 2014

Information visualisation through the analysis of image sources

Lev Manovich speaking about his work on the Selfiecity.net project (part 1) at the 'Visualized' conference in New York, 6-7 February 2014.

1
2

3

CONTRIBUTOR

Simon Perkins
19 FEBRUARY 2014

Artwork by Lena Nyadbi installed on Musee du quai Branly roof

"29 April 2013, marks the Australian launch of a unique project that will see a giant work of art by Australian Aboriginal artist Lena Nyadbi installed on the roof of the musée du quai Branly in Paris. To be officially revealed on June 6, the 700 square-metre installation is viewable from the Eiffel Tower and accessible by Google Earth users, making it one of the largest artworks made by an Australian artist and an important new addition to the world renowned museum dedicated to the arts and cultures of Africa, Asia, Oceania and the Americas."

(International Development for Australian Indigenous Art)

1
2
3

TAGS

2013artwork • Australia Council • Australian Aboriginal artist • Australian artist • barramundi • black and white • black and white painting • charcoal • commissioned work • Dayiwul Country • Dayiwul Lirlmim (Barramundi Scales) • female artist • fish scales • Gija People • indigenous art • indigenous artist • Indigenous cultural knowledge • International Development for Australian Indigenous Art (IDAIA) • Kimberley region • large scale work • Lena Nyadbi • Musee du quai Branlymuseumochre • Paddy Jaminji • paintingParis • roof • rooftop • simple forms • spare aesthetic • Stephane Martin • Western Australia

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.