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Which clippings match 'Critical Art' keyword pg.1 of 1
24 MAY 2015

Wunderland an exhibition by Frank Kunert at La Chambre

Photography exhibition 'Wunderland' by Frank Kunert, 10 April to 7 June 2015, La Chambre, 4 place d’Austerlitz, 67000 Strasbourg.

"More than simply a photographic satire, the 'miniature worlds' of Frank Kunert are compositions of ideas, models of sets which he spends weeks and months meticulously putting together from plastic, modeling clay and paint until the results are perfect, almost lifelike. These 'miniature worlds' are funny, bizarre, grotesque, contemplative, dreamy, but also provocative and critical. It's up to the viewer to decide if he finds them entertaining or macabre, or how far he's willing or able to follow the stories Kunert tells."

(The Eye of Photography, L’Oeil de la Photographie)

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TAGS

absurdist humourabsurditybanalityblack humour • contemplative • critical art • Frank Kunert • funny scenes • humourlifelikemacabreminiatureminiature worlds • photographic satire • photography exhibition • provocative scenes • small sculpturesstupidity

CONTRIBUTOR

Simon Perkins
17 APRIL 2015

Tactical Media Files: a living archive of social-political action

"Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.

To challenge dominant (strategic) structures in society, it was necessary develop new (tactical) means of producing and distributing media. Not a specialised task separate from the social movements, but a key activity around which social movements could coalesce. And of equal importance, the media environment characterised by a broadcast logic of geography was being supplemented with an environment characterised by a many-to-many logic of access.

Though much has changed these insights remain as valid today as they did in the early 1990s."

(Eric Kluitenberg and David Garcia)

Fig.1 Image from: Critical Art Ensemble, Digital Resistance: Explorations in Tactical Media, 2001. http://critical-art.net/books/digital

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TAGS

1990sagency of access and engagementamateur cultural productionAmsterdamartist collectivebig media • broadcast logic • broadcast mediacollective actioncritical artcritical engagementcritical perspectivescritical practices • David Garcia • digital resistance • Eric Kluitenberg • hegemonic discourse • International Institute for Social History in Amsterdam • living archive • living practice • many-to-many • media activism • media archive • media environment • media representation • multimedia organisation • new media activism • new tactical means • participative mediapolitical action • political struggles • politics of resistance • power and agency • producing and distributing media • renewal and re-invention • social historysocial movementstactical engagementtactical media • Tactical Media Files • television programming

CONTRIBUTOR

Simon Perkins
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