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Which clippings match 'Aesthetic Spectacle' keyword pg.1 of 2
16 MARCH 2016

Lucea: kinetic sculpture by artist Anthony Howe

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TAGS

aesthetic spectacle • algorithmic logic • Anthony Howe • artistelegancefractal patterngenerative designgeometry • kaleidoscopic • kinetic sculptorkinetic sculpturemovementmoving machinesNorth American artistoptical art • Orcas Island • outdoor works • perpetual motion • sculptorsculpturestainless steelsymmetrical balancesymmetrical patternsymmetry • Walla Walla Foundry • wind sculpture

CONTRIBUTOR

Simon Perkins
11 OCTOBER 2015

David Cross: A Question of Trust (visceral and embodied experience)

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2015actions have consequencesaesthetic spectacleaffect theory • anecdote • anthropomorphismAustralian artistclaustrophobic spaces • concepts of affect • David Cross • Deakin Universitydisarmamentembodimentfeel thingshandlehold mehuman bodyhyper-sensualityinflatableinstallation sculptureintimate transaction • non visual art • phobia • playful spacepropinquitypublic artscopophiliasense of touch • sensory modalities • sensory phenomenashow (spectacle)social exchangespatial intimacytactile experienceTED Talks • TEDxDeakinUniversity • touch metrust • unguarded experience • visceral experiencevisceral journeyvisceral theorywe experience the world

CONTRIBUTOR

Simon Perkins
10 JUNE 2015

PomPom Mirror: a camera-based interaction artwork

"Rozin's anthropomorphic PomPom Mirror features a synchronized array of 928 spherical faux fur puffs. Organized into a three-dimensional grid of beige and black, the sculpture is controlled by hundreds of motors that build silhouettes of viewers using computer-vision. Along its surface, figures appear as fluffy animal-like representations within the picture plane, which is made permeable by a 'push-pull' forward and backward motion of meshed 'pixels'. Ghostly traces fade and emerge, as the motorized composition hums in unified movement, seemingly alive and breathing as a body of its own."

Daniel Rozin, "PomPom Mirror", 2015, 928 faux fur pom poms, 464 motors, control electronics, video camera, custom software, microcontroller, wooden armature, 48 x 48 x 18 in / 121.9 x 121.9 x 45.7 cm

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2015aesthetic experienceaesthetic spectacleanalogue correspondenceanthropomorphismartwork • beige and black • Bitforms Gallery • black and whitecamera-based interactioncomputer based interactive artcomputer visionDaniel Rozindynamic visual representationdynamically changing • fade and emerge • faux fur • fur • ghostly traces • image processing • implied tactile experience • implied texture • interactive artinteractive artworkinteractive visualisationkinetic art • mechanical mirror • microcontrollermicrosoft kinect cameramirror • moving tiles • NYCperceptual organisation • physical pixels • pom pom • PomPom Mirror (2015) • puff • push-pull • real-time motion • surface quality • synchronised array • tessellationtexturetransposing materials • unified movement • Victoria Sendra • visual appearance • visual feedback

CONTRIBUTOR

Simon Perkins
07 JUNE 2015

Passive digital experience forms backdrop to annual trade convention

"Working with with illustrator and Art Director Katie Scott, we created an unique 15m x 3.5m animated wallpaper that slowly evolved over a 4 hour period. Created for Pernod Ricards' annual creative meeting on the private island of Embiez in the south of France and installed by Paris based Events agency Auditoire. The installation became a passive digital experience that functioned as a thought provoking backdrop to the schedule of creative speakers. Using 'Foley' artist Michael to create the audio effect and Lewis and myself to create the animation we were able to take Katie's illustration into an animated form, and her unique world became an animated experience."

(Christopher Pearson)

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20132D animation • advertising convention • aesthetic spectacleambient artanatomiesanimal physiologyanimated experienceanimated painting • animated wallpaper • annual convention • Auditoire (events agency) • backdropbiomedical illustration • Christopher Pearson • corporate events • creative meeting • Embiez • energizing corporate cultureevents design • experiential advertising • foley artist • immersive experience • Katie Scott • large scale installation • Lewis White • Michael Floyd • passive digital experience • Pernod Ricard • physiologyphytotomyplant anatomy • private island • sceneryscientific illustrationsouth of Francetrade conventionvideo muralvisual spectaclewomen illustrators

CONTRIBUTOR

Simon Perkins
22 MARCH 2015

The digital positions the spectacle within circulations of power and authorship

"Mid- to late-20th century theories of the spectacle take little or no account of the creation of the spectacle, because they are so preoccupied with the effects of its consumption. As Dean (2010) has observed, this made sense at a time when most images were produced in a context of 'broadcast media', but offers no way to think about what she calls the 'reflexive circuit' of social media and user-generated content (pp.108-9). As Bayne (2008) points out, 'the incursions of the digital add a mutable new dimension to decades of theorising of the visible and visual in culture' (p.395). The digital positions the spectacle within circulations of power and authorship, and needs alternative perspectives through which to theorise the spectacle for spaces where people create, appropriate and consume."

(Jen Ross, p.261)

Proceedings of the 8th International Conference on Networked Learning 2012 , Edited by: Hodgson V, Jones C, de Laat M, McConnell D,. Ryberg T & Sloep P.

TAGS

20th centuryaesthetic spectacle • alternative perspectives • authorship • creation of the spectacle • Jodi Dean • power • power and authorship • reflexive circuit • reflexive foregrounding • Sian Bayne • social mediaspectacle • theorising the visible • user-generated content • visual in culture

CONTRIBUTOR

Simon Perkins
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