Not Signed-In
Which clippings match 'Guerrilla Tactics' keyword pg.1 of 2
01 SEPTEMBER 2017

Truth In Advertising: Guerrilla Art in Santa Cruz 1980-1985

"The photographs in this exhibit are of actual altered billboards that appeared on the streets of Santa Cruz, California from 1980 to 1985. The photographs have been adjusted for brightness, contrast, and parallax, but no content changes were made.

The billboards were made over by a clandestine network of midnight billboard editors operating under the name of Truth In Advertising, or TIA for short.

This exhibit of their historic work was first presented in 2007 at the Santa Cruz Museum of Art and History. The exhibit is made up of 12 billboards presented in the order in which they appeared on the streets of Santa Cruz. The sequence also tells the story of Truth in Advertising, and documents publicity and commentary."

(Bob Stayton)

1

2

3

4

5

6

7

TAGS

1980sactivismadadvertising billboardsadvertising hijackingappropriation practicesbillboardbillboard bandit • Bob Stayton • critical cultural hijacking • culture jammingdetournement publicitaire • guerrilla art • guerrilla tacticsmedia hijacking • media reinterpretation • re-purposerecombinatory practiceridicule • Santa Cruz • transformative works • Truth in Advertising (TIA) • William Board (pseudonym)

CONTRIBUTOR

Simon Perkins
13 APRIL 2017

Sonic Outlaws Documentary (1995)

"Sonic Outlaws, a fragmented, gleefully anarchic documentary by Craig Baldwin, approaches this incident from several directions. Some of the film is about the legal nightmare that ensued from Negativland's little joke. In a highly publicized case, U2's label, Island Records, charged Negativland with copyright and trademark infringement for appropriating the letter U and the number 2, even though U2 had in turn borrowed its name from the Central Intelligence Agency. SST then dropped Negativland, suppressed the record and demanded that the group pay legal fees. Trying to remain solvent, Negativland sent out a barrage of letters and legal documents that are now collected in 'Fair Use', an exhaustive, weirdly fascinating scrapbook about the case.

Sonic Outlaws covers some of the same territory while also expanding upon the ideas behind Negativland's guerilla recording tactics. Guerilla is indeed the word, since these and other appropriation artists see themselves as engaged in real warfare, inundated by the commercial airwaves, infuriated by the propaganda content of much of what they hear and see, these artists strike back by rearranging contexts as irreverently as possible. Their technological capabilities are awesome enough to mean no sound or image is tamper-proof today."

1

TAGS

1995 • Alan Korn • anarchic documentary • appropriation art • appropriation artist • audio collage • Bill Daniel • billboard bandit • bone-dry educational film • Casey Kasem • cellular phone scanner • Chris Grigg • commercial airwaves • copyright infringement • Craig Baldwin • cultural criticismculture jamming • David Wills • documentary collage • Don Joyce • Doug Kahnfair usefound footage • guerilla recording tactics • guerrilla tactics • independent rock band • John Heck • John Oswald • Josh Pearson • Linda Morgan Brown • Lloyd Dunn • Lone Ranger • Mark Hosler • media jammer • media piracy • media recontextualisation • multimedia plagiarism • music samplingNegativland • noise maker • Paul Neff • pirated audiotape • public information film • Public Works Productions • Ralph Johnson • recontextualisation • Richard Lyons • Roger CormanRonald Reagan • sample based artist • sampled music • satirical samplings • Silly Putty • sly commentary • Sonic Outlaws Documentary (1995) • stealing ideas • subversive fun • tape music • Tape-Beatles • trademark infringement • U-2 spy plane • U2 (band) • video collage

CONTRIBUTOR

Simon Perkins
12 APRIL 2013

Guerrilla Gardening: Seed Bombs & Seed Balls

"I've been following guerrilla gardening on Twitter for quite some time, and have become familiar with the term 'seed bombing' as a result. It's an idea that's always appealed to me – it's a kind of eco–friendly, bee–friendly, slightly radical anti–vandalism activism – but it's just one of those things that I'd never pursued. ...

So how do they work? It's a simple process really – the seeds I bought are encased in a ball of peat–free compost, dried clay and chilli, which are hand–rolled in North London (yes, really, and no, it's not what you're thinking). The dried clay acts as a protective casing from common seed predators (such as ants, mice and birds). When enough rain permeates the clay, the seeds inside begin to germinate – helped along by the nutrients and minerals contained within the balls. So it's like a tiny self–sufficient seeding system. Maya [http://www.mayaproject.org/] have added chili powder to the mix to help to deter predators while the seed ball slowly degrades, and eventually the seeds sprout."

(Lucy Small, 5 April 2013)

1

2

TAGS

activismagriculture • anti-vandalism activism • ball • bee-friendly • chili • compost • DIY gardening • earthcare • eco-friendly • fairshare • gardening • germination • guerrilla gardeningguerrilla tacticsNative Americans • peat-free compost • peoplecare • permacultureplants • project MAYA • seed • seed balls • seed bomb • seed bombing • seed bombs • seeding system • self-sufficientsustainable society

CONTRIBUTOR

Simon Perkins
28 DECEMBER 2008

Band re-purpose CCTV cameras to create low-fi music video

"Unable to afford a proper camera crew and equipment, The Get Out Clause, an unsigned band from [Manchester] city, decided to make use of the cameras seen all over British streets. ... They set up their equipment, drum kit and all, in eighty locations around Manchester – including on a bus – and proceeded to play to the cameras. Afterwards they wrote to the companies or organisations involved and asked for the footage under the Freedom of Information Act. ... Only a quarter of the organisations contacted fulfilled their obligation to hand over the footage – perhaps predictably, bigger firms were reluctant, while smaller companies were more helpful – but that still provided enough for a video with 20 locations."

(Tom Chivers , 08 May 2008)

1
2

TAGS

2007bandCCTVdigital mediafootage • Freedom of Information Act • guerrilla advertising • guerrilla promotion • guerrilla tacticslow-fiManchestermusic videore-purposetactic • The Get Out Clause • UK

CONTRIBUTOR

Simon Perkins
16 NOVEMBER 2008

Peter Kennard: photomontage activist

"Peter Kennard has spent most of his life in London, and has been considerably more involved than most in the capital's political gatherings during the last 25 years.
...
His two major subjects quickly emerged: armaments and poverty. This was the early eighties with 3 million unemployed, Thatcher in her first term girding her loins for the Falklands War, and the CND at the height of its popularity. Kennard had an audience.
...

'The point of my work is to use easily accessible iconic images, but to render them unacceptable. To break down the image of the all–powerful missile....after breaking them, to show new possibilities emerging in the cracks and splintered fragments of the old reality.'

His belief at this time was that photomontage had the power to show the causes rather than the results. In recent times however, he seems to have had his doubts: 'There is a problem with montage in that you see it everywhere now because of digital technology. There is so much transformed imagery around that people accept constructed images without questioning their meaning. I think my work was losing impact because of that.'"
(David Palmer)

1

TAGS

activismart • CND • culture jammingcut and paste • Falklands War • guerrilla tacticsMargaret Thatcherparody • Peter Kennard • photographyphotomontagepolitical satirepoliticspropagandare-purposeridiculetacticTony BlairUK

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.