"Charlotte Perkins Gilman's novel, Herland, is regarded by many as the pioneering feminist utopian novel. Authored in 1915 (but published as a monograph only in 1978), Herland is intended as a social critique, and as a sociological theorist, Gilman sees herself as a change agent for a better social life for women especially, as well as society in general. Like other intellectuals at the turn of the 20th century, Gilman struggled to theorise her social vision, whilst simultaneously placing great efforts at promoting her vision in a package that is attractive to the masses. By self-consciously distancing herself from the intellectuals of her time, she crafted her works as endeavours at transforming society. With the utopian novel as her genre of choice, Gilman provides readers with a deeper sense of understanding of the ills of a society that subscribes to and is fixated with masculinity. As such, it is the contention of this paper to discuss Gilman's second novel, Herland as a feminist utopian novel critiquing some aspects of culture Gilman describes as androcentric and to briefly link the images portrayed by Gilman in Herland to the Jungian theory of archetypes with some reference to female archetypal images."
(Shahizah Ismail Hamdan and Ravichandran Vengadasamy, 2006)
Shahizah Ismail Hamdan, and Ravichandran Vengadasamy , (2006) Herland and Charlotte Perkin Gilman's Utopian Social Vision of Women And Society. e-BANGI: Jurnal Sains Sosial dan Kemanusiaan, 1 (1). pp. 1-8. ISSN 1823-884x
"Brands are about meaning. In this case, Leo Burnett was able to transform a mild woman's cigarette into a rugged masculine product virtually overnight by using iconic imagery. The brand was literally re–imagined and thrust into the number 1 position as a result. The state of California realized that they needed to disempower this same iconic imagery and bluntly point out that even rugged cowboys can suffer serious diseases like lung cancer, emphysema, and heart disease caused by smoking."
(Kurian M. Tharakan)
"John Sturges is a rather curious case in Hollywood history: a director responsible for a trio of extremely famous films, films whose titles have all but entered the language (Gunfight at the OK Corral, The Magnificent Seven and The Great Escape) but with whose own name only specialists are conversant."
(The Independent, 24 August 1992)
Fig.1 Intro to "Gunfight at the O. K. Corral" by John Sturges starring Burt Lancaster and Kirk Douglas. Soundtrack "Gunfight at the O.K. Corral", lyrics by Ned Washington, music by Dimitri Tiomkin, performed by Frankie Laine: Ok corral ok corral; there the outlaw band make their final stand; ok corral; oh my dearest one must die; lay down my gun or take the chance of losing you forever; duty calls; my backs against the wall; have you no kind word to say; before i ride away; away; Your love your love; i need; your love; Keep the flame let it burn; until i return; from the gunfight at ok corral; if the lord is my friend; we'll meet at the end; Of the gunfight at ok corral; gunfight at ok corral; Boot hill Boot hill; so cold so still; There they lay side by side; the killers that died; in the gunfight at ok corral; ok corral; gunfight at ok corral.
"Like drawing back a curtain to let bright light stream in, Miss Representation (90 min; TV–14 DL) uncovers a glaring reality we live with every day but fail to see. Written and directed by Jennifer Siebel Newsom, the film exposes how mainstream media contribute to the under–representation of women in positions of power and influence in America. The film challenges the media's limited and often disparaging portrayals of women and girls, which make it difficult for women to achieve leadership positions and for the average woman to feel powerful herself.
In a society where media is the most persuasive force shaping cultural norms, the collective message that our young women and men overwhelmingly receive is that a woman's value and power lie in her youth, beauty, and sexuality, and not in her capacity as a leader. While women have made great strides in leadership over the past few decades, the United States is still 90th in the world for women in national legislatures, women hold only 3% of clout positions in mainstream media, and 65% of women and girls have disordered eating behaviors.
Stories from teenage girls and provocative interviews with politicians, journalists, entertainers, activists and academics, like Condoleezza Rice, Nancy Pelosi, Katie Couric, Rachel Maddow, Margaret Cho, Rosario Dawson and Gloria Steinem build momentum as Miss Representation accumulates startling facts and statistics that will leave the audience shaken and armed with a new perspective."
(Jennifer Siebel Newsom)
"Godard is right at home here, especially following his 80s fare like Passion and First Name: Carmen. In this decade more than ever before, Godard was preoccupied with the fusing of image and sound, in the vein of Renaissance art and music. This means that he's obsessed with the human form, male and female bodies. Historically, this creates something curiously hybrid. While classical opera may have to do with bodies, Godard's style is decidedly closer to that of pre–Classical painting, with uncovered figures posing still in order to be admired or, better, worshiped. Godard's use of male bodies juxtaposing the females here fits nicely into his standard approach to bodies along with everything else: exchange of commodities. The transaction doesn't take place in the segment; the problem is an imbalance of supply with demand, a Marxist cliché that Godard is only too glad to inject into a series of films supposedly just about art and love."
(Zach 'Andrews idea', 29/08/2010)