Not Signed-In
Which clippings match 'Entertainment Spectacle' keyword pg.1 of 1
22 FEBRUARY 2017

“Bang bang” di Umberto e Stefano Cinquini

"Nell’America che ha eletto Donald Trump nuovo Presidente degli Stati Uniti c’è chi si batte per la difesa del diritto costituzionale e al porto delle armi da fuoco. Ma le conseguenze ce la racconta la cronaca con il lungo elenco di delitti o di incidenti per l’uso domestico di pistole e fucili. Come se fossimo in un moderno Saloon del Far West Donald Trump è, per i costruttori, il simbolo di tutto ciò."

(Carnevale di Viareggio, 2017)

1
2

TAGS

2017 • American Idiot (2009) • American politics • Bang Bang (2017) • caricature • Carnevale di Viareggio • carnival • carnival float • cowboycritical commentarydepictions of real-life peopledistorted appearanceDonald Trumpentertainment spectacleexaggerated appearance • float designer • forelock • giant marionettegunshumouriconic imagery • Italian design • Mexican • Muslim • myth of the West • neon-litNorth Americaparody • political statement • politician caricaturepuppet • satirical float • satirical representation • Statue of Liberty • Stefano Cinquini • Thank God Im a Country Boy (1974) • The West • Tuscany • Umberto Cinquini • Viareggio • Wild West frontier

CONTRIBUTOR

Simon Perkins
22 FEBRUARY 2015

Eye Appeal: Spectacle on Stage and in Life

"From ancient times to the present 'spectacle' (the visual aspects of human performance–architecture, scenery, costumes, makeup, lighting, special effects, and staging) has been used to expressively embody and evoke meaning in rituals, ceremonies, and artistic performances. This course [Eye Appeal: Spectacle on Stage and in Life at The University of North Carolina at Greensboro] will examine the use of spectacle as an expressive mode of communication in human performance from antiquity to the present."

(Bob Hansen, 2004)

1

TAGS

2004 • aesthetician • antiquityart historyartifice • artistic performances • Ben Jonson • Bryan Holmes • ceremony • Cinquecento • circus • commanding form • costume design • court spectacles • creation of spectacle • dramatic literature • entertainment spectacle • expressive mode of communication • eyecatching • George Kernodle • high renaissance • human performance • Inigo Jones • Jean-Baptiste Poquelin • John Lahr • Jonathan Price • lecture programmeLeonardo da Vincilightingmake-upMichelangelo • Moliere • parade • Phyllis Hartnoll • physiological reactions • psychological reactions • public showsRaphael • religious rites • renaissanceritualscene designsceneryscenographysetting • Shakespeare • show (spectacle)special effectsspectacle • spectacles • spetakel • stage magic • stagecraft • staging • Susanne Langer • Sybil Rosenfeld • technical theatre • theatre architecture • Thomas Heck • TitianTiziano • Tiziano Vecelli • Tiziano Vecellio • University of North Carolina • University of North Carolina at Greensboro • visual and performance elements • visual spectaclevisual spectacular • visually striking

CONTRIBUTOR

Simon Perkins
15 AUGUST 2013

Busby Berkeley: choreographing the epic visual spectacle

"Berkeley's choreography is important less for its movement of the dancers than for its movement of the camera. To overcome the limitations of sound stages, he ripped out walls and drilled through ceilings and dug trenches for his film crews. When a desired effect could not be accomplished with traditional film equipment, he had his budget expanded to include costs for developing custom rigs. His innovations explored ideas that the stationary camera could not. He wanted to take the audience through waterfalls and windows. He wanted lines of dancers to fall away to reveal scenery that in turn would fall away to expose an even larger setting. His dreams were big, but his determination to see them actualized was even bigger.

Even his worst attempts resulted in eminently watchable movies of exhilarating movement, but his best efforts produced startling effects that bordered on surrealistic dream states. In the quintessential Berkeley films Footlight Parade (1933) and 42nd Street (1933), cameras mounted on tracks are sent soaring past a multitude of dancing legs, flailing arms and orchestra instruments. In all, he directed more than twenty musicals, including an underwater sequence with aquatic star Esther Williams."

(Scott Smith, 6 February 2013, Keyframe)

1
2

TAGS

42nd Street (1933) • aesthetic spectacleBusby Berkeleycamera angle • camera movement • camera rig • choreographic imaginationchoreographies for camerachoreographydance • dance productions • dancers • dancing legs • design formalismentertainment spectacle • Esther Williams • figures in space • flailing arms • Footlight Parade (1933) • geometryglamourgroupingkaleidoscopelegs • Lloyd Bacon • mirrored effectmovementmusical (genre)perspective viewscenerysound stage • stationary camera • surrealist stylesymmetry • underwater sequence • visual designvisual effectsvisual spectaclevisual spectacular • waterfa

CONTRIBUTOR

Simon Perkins
12 MAY 2006

The Sultan's Elephant: Disrupting The Spectacle Of Everyday Life

"If art is about transformations, there is no more transforming experience than The Sultan's Elephant, a large–scale outdoor free spectacle produced by French company Royal de Luxe. This is a show that disrupts the spectacle of everyday life and transforms the city from an impersonal place of work and business into a place of play and community. It does something very simple and important: it makes you feel incredibly happy and it gives you permission to let your imagination take flight. It turns us all into beautiful dreamers with silly grins on our faces."

(Lyn Gardner, 6 May 2006, The Guardian)

1
2

TAGS

2006communityelephantentertainment spectacleexperiencegiant marionetteLondonmarionette • NZ House • puppetRoma Patel • Royal de Luxe • spectacle • Sultans Elephant • transformationUK
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.