Not Signed-In
Which clippings match 'Handicraft' keyword pg.1 of 1
25 JANUARY 2015

Soundweaving: playing traditional Hungarian folk embroidery

"At the core of the Soundweaving project is the traditional cross–stitching pattern used in Hungarian folk embroidery transformed into sound by a punch card comb music player. The cross–stitch pattern of holes on the tape in the musical box were punched by the creator, Zsanett Szirmay.

In this case, the punched tape acts as the score. Embroidered shirts and pillows from the Transylvanian Bukovina, and from Kalotaszeg and Hungary served as a basis for the patterns. As part of the transformation, embroidery patterns turned into laser cut textile pieces, and cross–stitched patterns into melodies. Soundweaving equally stimulates all senses, and calls for interaction. The project uses multiple media and communicates on diverse planes, combining the borderlands of folk art, design and music. It belongs to the analogue and digital realms at the same time as the handmade embroidery is translated into laser cut patterns. At the same time, the visual world is presented in audio, or rather the graphic aspect of music gets a role in developing the tunes. Bálint Tárkány–Kovács, folk musician and composer was instrumental in the audio mapping and developing the tunes."

(Rita Mária Halasi, Moholy–Nagy Művészeti Egyetem, 2014)

1
2
3

4

5

6

7

8

9

10

TAGS

2014analogue correspondence • Balint Tarkany-Kovacs • Bucovina • Carpathians • computational aesthetics • cross-stitch pattern • design and music • design student projectembroidered patternsembroidered textiles • embroidery pattern • folk decoration • handicraft • handmade embroidery • Hungarian folk embroidery • Hungary • Kalotaszeg • laser cut patterns • laser cut textile pieces • listening to imagesMA Textile Design • melodies • Moholy-Nagy Muveszeti Egyetem • music boxmusic player • musical box • musical scoreprogrammable device • punch card comb • punch cardspunched-card systemsequencer • Soundweaving project • traditional crafts • traditional handicrafts • Transylvania • Transylvanian Bukovina • Ukrainevisual pattern • weaving pattern • Zsanett Szirmay

CONTRIBUTOR

Simon Perkins
28 DECEMBER 2014

The beautiful decorative patterns of faux tribal masks

"The young Dutch designer starts each of his creations on the basis of a material experiment. This enables him to discover production techniques and aesthetic developments. The result lies within unusual and attractive patterns, colours and structures. ... His love for materials has given birth to a passion for textiles that have a strong impact on his creations and pushed him to imagine a series of bizarre masks, in 2010; masks that are to Matisse, 'a characteristic sign of our essence'."

(The Red List)

1

2

3

TAGS

2010abstract forms • aesthetic developments • aesthetic objectsanimal resemblances • animal-mask • Bertjan Pot • carpetcolour • colour combinations • colourful designs • costume designcraft and materialscraftingdecorative artsdecorative sewingdesign craftDutch designfabric • faux tribal art • geometric designs • geometric patterns • handicraft • human face • maskmask-making • material experiment • material practicesmaterials investigationnaive stylepastiche • production technique • rope • rope masks • sewing and craft • sewn together • stylised formstextile artstextile design • The Red List • vibrant colourvisual patternzoomorphism

CONTRIBUTOR

Simon Perkins
29 MAY 2009

The Photomontages of Hannah Höch

"The 'bob–haired muse', the 'holy shears' and 'Dada's good girl' are a few of the epitaphs that prevail in the comfortable little niche art history has carved out for Hannah Höch. These sound bites are seriously challenged by this travelling retrospective organised by the Walker Art Center. 'The Photomontages of Hannah Höch' momentously reconstructs her marginalised role in early 20th–century art and perhaps even ordains her as the single most influential female artist of the century. The exhibition surveying Höch's 55 years of photomontage not only rescues her from the anti–art antics of the legendary Berlin Dada circle but inclusively chronicles her private and aesthetic journey through the social and cultural constructs that have emerged in the 20th century. While she may have been remembered by her bombastic Dada colleagues for her 'sandwiches, beer and coffee', her lifetime of artistic practice reveals a vital and critical woman who could magically collide disparate reproductions of needlepoint patterns, political figures, film stars, animal life and non–Western artefacts into explorations of androgyny, Aryan activity, gender roles, imperialism, race and lesbianism."

(Michelle Grabner, Issue 33 March–April 1997, Frieze Magazine)

Fig.1 Hannah Höch "Entwurf für das Denkmal eines bedeutenden Spitzenhemdes", 1922, Entwurf, Tafelmalerei, Collage, 27,4 x 17 cm, Hamburg, Hamburger Kunsthalle, Ikonographie (Iconclass)

1

2

TAGS

1920s • abstract collage • aesthetic journey • androgyny • anti-art posture • anti-composition • artartistartistic practiceBauhaus School • Berlin Dada • collagecoloured papercultural constructs • cut-and-sew lines • cut-outDadadecorationdecorative arts • decorative beauty • decorative sewingdesign formalismearly 20th centuryembroideryembroidery design • erotic photomontage • female activity • female artist • female features • female leisure • feminist artist • film starformal elementsFrieze (magazine)gender rolesgenetic engineering • good girl • handicraftHannah Hoch • hausfrau • homosexualityillustrative styleimperialism • kitchen knife • manipulative propaganda • marginalisation • mens work • modern womanmodernist tradition • needlepoint patterns • New Weimer Woman • non-Western artefacts • photomontage • pictorially ordered • political satirequeernessretrospective exhibitionRussian constructivismsewing and craftsocial construction • social constructs • traditional crafts • tulle netting • tulle patterns • typography • vital and critical • Walker Art CenterWeimar Republicwomanwomen artistswomen in art and design • womens activities

CONTRIBUTOR

Simon Perkins
14 NOVEMBER 2008

take-g toy: Fururistic Japanese Wooden Toys

(Takeji Nakagawa)

[bespoke wooden toys]

1

TAGS

craftdesignhandicrafthandmadeJapan • keyaki • Nakagawa • teak • toy • walnut • white ash • wood

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.