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Which clippings match 'Video Remix' keyword pg.2 of 2
11 APRIL 2016

Vidding is a fan-made music video genre using appropriated content

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amateur cultural productionamateur videoappropriationauthorship • cast video • consumption spectaclefan art • fan filmmaking • fan made • fan-made video • fandomidentity performanceinternet culturemediated culture • multifandom • music videoparticipatory media culturere-cutremix cultureviddingvideo collagevideo re-cutvideo reinterpretationvideo remixvideo repurposing • Visionary Vidding Contest (VVC) • YouTube

CONTRIBUTOR

Simon Perkins
04 JANUARY 2015

The Emergency Broadcast Network

"EBN works to harness the power of multimedia audio–visual technology into the most effective electronic behavior control system.

EBN's techniques involve a collection and analysis of massive amounts of randomly recorded audio and video television programming. After a careful screening internal process, the choicest bits are chosen for inclusion in compositions using internal digital sampling and video editing in their own production facility."

(fUSION Anomaly, 12 January 2003)

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TAGS

1990s1991appropriationaudiovisual mash-upsauthor as editor • Brian Kane • cable televisioncritical reinterpretationculture jammingcut-up technique • digital sampling • driving beatediting through selection • Emergency Broadcast Network (EBN) • experimental video • Gardner Post • George Bush Snr • Greg Deocampo • Gulf Warhip-hop beatsinfluential video artists • Joshua Pearson • multimedia performance group • re-editre-purposerecombinantrepurposingRhode Island School of Designsampled footagespoken-word samplingstutter effecttelevision programmingVHSvideo collagevideo remix • video scratching • video turntablist • VJ

CONTRIBUTOR

Simon Perkins
09 JULY 2013

Museum of the Moving Image: Cut Up (exhibition)

Exhibition: 'Cut Up'; 29 June–14 October 2013; In the Amphitheater Gallery; Organized by Jason Eppink, Associate Curator of Digital Media at The Museum of the Moving Image.

"From supercuts to mashups to remixes, Cut Up celebrates the practice of re-editing popular media to create new work, presenting contemporary videos by self-taught editors and emerging artists alongside landmarks of historic and genre-defining reappropriation.

Easy access to editing tools and distribution platforms now gives more people than ever before the opportunity to respond to the commercial products that shape our cultural dialogues. By plumbing a vast shared vocabulary of image and sound, audiences can express affiliation, criticize, or construct entirely new content using popular media as raw material. Re-edited videos are created and shared online daily by publics that spend increasing amounts of social time in front of networked screens. As the distinction between consumer and participant becomes ever more fluid, re-editing popular media has emerged as a common way of participating in a shared cultural conversation.

The exhibition presents a selection of short-form video works that take movies, music videos, television series, and news broadcasts as their source material, focusing on genres and techniques that have emerged online over the past decade and their on- and offline precedents."

TAGS

2013amateur cultural productionamateur videoappropriationcut-upcut-up videos • distribution platforms • editing tools • exhibition • genre-defining reappropriation • Jason Eppink • mash-upMuseum of the Moving Image • music video mashup • networked publics • networked screens • participatory media culture • political parody • popular media • re-cut • re-edited videos • re-editing popular media • recompositing • recut trailer • remix cultureremixes • self-taught editors • shape our cultural dialogues • shared cultural conversation • short-form • short-form video works • songification • supercutsupercut mashuptrackjackinguser-generated contentviddingvideo re-cutvideo reinterpretationvideo remixvideo repurposing

CONTRIBUTOR

Simon Perkins
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