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Which clippings match 'Content Producer' keyword pg.1 of 1
31 MARCH 2014

Copyright User: online resource for UK content producers

"We aim to provide answers to the most pressing concerns that creators have about copyright. To find out what was most confusing to users, we took two approaches. First, we analysed the 200 most frequently asked questions about copyright posted online by creators and consumers, and we filtered those down to the most important 20 which you can find answered in the 'FAQs' section. Second, we spoke to creators themselves. For each of the main artistic mediums we produced a video which contains interviews with creators about their artistic process, thoughts and questions about copyright."

(27 March 2014)

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TAGS

2014archives • Bartolomeo Meletti • content producercopyrightcopyright lawcopyright legislation • Copyright User (site) • Court of Justice of the European Union • creative industriescreditscriticism • current legislation • data mining • Davide Bonazzi • educationEuropean Unionfilmmakers • getting permission • interactive developers • IPR • legal access • legal issueslegal rightslegal rights holderslicensing • Marco Bagni • musiciansnews reportingonline resourceoriginalityorphan worksparodypasticheperformersplagiarismpreservation • private copying • private study • public domainre-useresearchreview • Sarc:o • text miningUK • UK Copyright Act • UK Copyright Law • visual artistsvisual plagiarismwriters

CONTRIBUTOR

Ashley Woodfall
28 SEPTEMBER 2012

Creative Industries KTN: Partnering For Innovation

"Creative Industries KTN will be hosting a half day event around challenge 3 of the funding competition which seeks projects that investigate the potential of Cross–Platform analytical metrics and feedback tools to help content producers better understand the consumption of their products in a converged landscape.

This session will provide an opportunity for potential applicants to learn more about the programme and how to apply to it."

(Creative Industries Knowledge Transfer Network)

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TAGS

2012aggregator • analytical feedback • analytical metrics • audience research • business of being a resident • content origination tools • content producer • converged landscape • creative contentcreative economyCreative Industries Knowledge Transfer NetworkCreative Industries KTNcross-platform • data ecology • digital content • emergent ecology • feedback tools • funding competitionGPS • GPS technology • hyperlocal • hyperlocal media • hyperlocal media models • knowledge-based economylocalisationlocationLondonmedia audiencemedia consumptionmedia convergencemetrics toolsmobile applications • publication mechanisms • quantitative data • resident • textual content • UKuser behavioursuser interactionsworkshop

CONTRIBUTOR

Simon Perkins
11 NOVEMBER 2008

Death of the Author 2.0

"The user–producer is a concept that speak to the digital experience and the freedoms that this digital culture allow for ordinary people to become artist and producer. This model fundamentally challenges the traditional assumptions of author, it moves away from the idea of the romantic notion of authorship, which saw authorship and cultural production as an isolated activity of a genius sitting and creating something out of nothing.
...

Some factors as the democratic diffusion of tools for create and for spread content, the explosion of economy of imagination, the sharing of intellectual products, the figure of prosumer and the social network of web 2.0, these have desacralised the figure of author, these have stripped its aura, it has been plunged in the Pangea of Knowledge, which is the only one creator of human culture, transversely in time and in place.
...

Authorship becomes indistinguishable from the multiplicity of authors, this profusion transforms the culture and their creators in a unique body. It's the collective intelligence, it's the return of the rules of oral and folk culture. Collaborative creativity, influences, remix, sampling, reshaping and mesh of diffuse publications of intellectual products, from ideas and concepts, to arts and researches; these are the causes that have diminished the character of originally, individually and autonomy composition. Culture consists of multiple writing, indeed, everything is to be distinguished. This multiplicity is collected, united and this place is not the author, as we have hitherto said it was."

(Bruce Sterling, Wired Magazine, September 26, 2007)

CONTRIBUTOR

Simon Perkins
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