"'Kunuuksaayuka,' an Iñupiaq tale that was recounted by the late Iñupiaq storyteller Robert Nasruk Cleveland. In its traditional incarnation, the tale recounts the adventures of a boy – the product of a nomadic society – who goes on a quest to save his community from an apocalyptic blizzard. After securing the consent of Cleveland’s daughter, Minnie Aliitchask Gray, the development team in conjunction with representatives from the Iñupiat community reworked the story until they settled on a script that would become the basis for 'Never Alone.' (The game’s Iñupiaq sub-title, 'Kisima Ingitchuna,' translates to 'I am Not Alone.')".
(Simon Parkin, 17 November 2014, The New Yorker)
"[Fredrick Winslow] Taylor sought to precisely measure the movements of factory workers and their timings to make them as efficient as humanly possible. This made him beloved by executives and detested on the factory floor, and it also made him one of the world's first management consultants. In a recent article in The New Yorker, 'Not So Fast,' the historian Jill Lepore takes a hard look at Taylor and his claims for scientific management. According to new research, he was a better salesman than consultant. Many of his facts were made up, and most of his results never materialized. We now know that Lillian Gilbreth, an early proponent of scientific management, had serious doubts about the movement she helped proselytize.
All this is important because Taylor, with his system of scientific management, was the father of efficiency. From scientific management we get the lust for efficiency in business. It became part of the dogma of business schools, almost none of which existed before his time. Business schools from their earliest days have promoted efficiency and the handling of business as something like industrial engineering. From operations to finance, from marketing to sales, business school education has focused on narrowing problems, identifying resources and working to get the most out of the least."
(Adam Hartung, 16 October 2009, Forbes)
"Gerald Scarfe is known for thirty years of brilliant caricatures that have appeared in Private Eye, the New Yorker and the Sunday Times, as well as his artwork for Disney's Hercules, the titles fo Yes Minister and Pink Floyd's The Wall. In this film, shot in his studio, the distinguished British illustrator and cartoonist draws us a picture and discusses the lasting influence of the V&A."
[Steinberg's] New York is a self–absorbed city. It is us versus them. In the all–important city you can see that taxicabs, people, water towers and windows matter. And far, far away are all those places that don't really matter: the Midwest [, the Pacific Ocean, China, Japan and Russia]
A famous cover illustration from the "New Yorker" magazine from the 1970's.