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Which clippings match 'Performance Art' keyword pg.1 of 2
09 MAY 2015

Six years: the dematerialization of the art object from 1966 to 1972

"Lippard was a primary critic and theorist of Conceptual art; this book, however, provides not commentary but, instead, primary documentation. It takes the form of an annotated, thematic timeline: the chapters list books (including exhibition catalogs) published each year, followed by articles, statements, activities, and works arranged by month. Photographs illustrate selected works. The annotations are, for the most part, as documentary as possible (transcripts, excerpts of artists' statements, etc.). Lippard's editorial hand is most visible in her inclusions and exclusions; less so in her only occasional textual insertions. As such, the book performs as Lippard had envisioned: 'to expose the chaotic network of ideas in the air, in America and abroad, between 1966 and 1971' (5)."

Lucy Lippard (1973). "Six years: the dematerialization of the art object from 1966 to 1972; a cross-reference book of information on some esthetic boundaries". New York: Praeger.

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1973 • Adrian Piper • Agnes Denes • Alighiero Boetti • Allan Kaprow • Allen Ruppersberg • annotationsart objectArt-Language • arte povera • Athena Tacha Spear • Barry Flanagan • Barry Le Va • Bas Jan Ader • Bernar Venet • Bruce McLean • Bruce Nauman • Carl Andre • Catherine Morris • chaotic network of ideas • Charles Harrison • Christine Kozlov • chronology • Claes Oldenburg • conceptual artcontemporary art • Dan Graham • Daniel Buren • David Askevold • dematerialisation of the art object • Dennis Adrian • Dennis Oppenheim • digital art production • Donald Burgy • Douglas Huebler • earth art • Edward Ruscha • Eldritch Priest • Eleanor Antin • ephemeral art • Franz Erhard Walther • Franz Walther • Frederick Barthelme • Gerald Ferguson • Gerry Schum • Gilbert and George • Guerrilla Art Action Group • Hanne Darboven • Hans Haacke • Ian Burn • Ian Wilson • idea art • immateriality • information art • Jack Burnham • James Lee Byars • Jan Dibbets • John Baldessari • John Latham • Joseph BeuysJoseph Kosuth • Keith Arnatt • Keith Sonnier • La Monte Young • land art • Lawrence Weiner • Lee Lozano • Lucy Lippard • material concerns • materiality of artefacts • Mel Bochner • Mel Ramsden • Michael Asher • Michael Heizer • Michael Snow • Michelangelo Pistoletto • minimal art • N.E. Thing Co. • object art • On Kawara • performance art • Peter Downsbrough • Peter Hutchinson • post-conceptual • post-conceptual art • post-conceptualism • postconceptual • postconceptualism • provocative book • Rafael Ferrer • Richard Artschwager • Richard Long • Richard Serra • Robert Barry • Robert Morris • Robert Ryman • Robert SmithsonSeth SiegelaubSigmar PolkeSol LeWitt • Stanley Brouwn • Stephen Kaltenbach • Tony Smith • Victor Burgin • video art movements • Vincent Bonin • Vito Acconci • Walter de Maria • William Wegman • William Wiley • Willoughby Sharp • Wolf Vostell • Yoko Ono

CONTRIBUTOR

Simon Perkins
21 JUNE 2014

Nothing Lasts Forever: a low budget parody about a struggling artist

"Writer–director Schiller is best known for his short films from the early days of SNL and in 1984, together with producer Lorne Michaels, concocted this imaginative fantasy–comedy about true love, bad art, magical hobos, Carnegie Hall and space travel. Sweet, absurd and crammed with an incredible cast and countless hilarious moments of inspired brilliance, it was never released and never found the cult–audience it so rightfully deserved."

(Zack Carlson, 16 December 2012)

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1984 • Alles Ist Verganglich (1984) • anti-consumerist • Apollonia Van Ravenstein • art test • artistauthoritarianism • becoming an artist • Bill Murrayblack and whiteblack humourbus • Calvert Deforest • Carnegie Hallconceptual artcult film • Dan Aykroyd • dream sequence • Eddie Fisher • forgotten works • Holland Tunnel • Imogene Coca • kindness • Lauren Tom • Lawrence Tierney • Lorne Michaels • low budgetManhattan • Marc Alderman • melange • menial job • moon • Mort Sahl • New YorkNew York City • Nothing Lasts Forever (1984) • Odessa Stepsparodypasticheperformance art • Port Authority • repurposingromantic notion of the artist • Sam Jaffe • Saturday Night Livespace travel • starving artist • stock footage • struggling artist • Tom Schiller • tramp • treadmill • underground culture • unreleased films • Zach Galligan

CONTRIBUTOR

Simon Perkins
13 FEBRUARY 2014

Souvenirs From Earth: TV Channel for Film & Video art

"SOUVENIRS FROM EARTH is an international Cable TV station, currently broadcasting in France and Germany, presenting a 24h art program, based on Video art, Film, Visual art, Music, Installations and Performances.

Founder Marcus Kreiss and Curator Alec Crichton conceived this channel as a platform where artists of different sensibilities can find a high–end environment to experience new forms of distribution and presentation. Our production section also produces comissioned and free video art."

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Alec Crichton • alternative cultural initiatives • ambient art • art programme • artistsarts and culture channelavant-garde artists • cable TV station • Captain Kirk • digital revolutionfine artFranceGermany • immersive form • independent cultural initiativesinstallation art • Marcus Kreiss • media art • moving wallpaper • Nam June Paik • new aesthetic possibilities • new forms of distribution and presentationonline televisionperformance art • projection technologies • souvenir • Souvenirs From Earth (television channel) • special interest programmes • television channel • TV broadcast • TV stationvideo art • video painting • video paintings • videokunst • visual art

CONTRIBUTOR

Simon Perkins
08 JULY 2013

The Media and Performance Laboratory at Utrecht School of the Arts

"The Media and Performance LAB (MAPLAB) is founded by the Research Centre Theatre Making Processes at the Faculty of Theatre, Utrecht School of the Arts. It is initiated and led by Joris Weijdom, head of the research group Virtual Theatre.

The main goal of the MAPLAB is to provide a space for research into the possibilities of interactive technology in a performative context, and to translate this into didactic strategies.

The modular approach to space, tools and diversity of interdisciplinary making processes the MAPLAB provides outstanding conditions to research, design and develop at the intersection of the performing arts, media and interaction."

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artistic research • augmented stage • creative making • culture and innovation • design research • didactic strategies • engagement and participationinteraction design research • interactive digital media • interactive technology • interdisciplinarity • interdisciplinary making processes • Joris Weijdom • MAPLAB • media and interaction • media and performance • Media and Performance LAB • mixed realitymotion-trackingnew media artperformance art • performance lab • performance research • performative context • practice-based research • professional know-how • reactive spaceresearch centreresearch group • technology and interfaces • theatretheatre arts • theatre making • theatre making process • theatre technology • UtrechtUtrecht School of the Arts • virtual theatre • Virtual Theatre (research group)

CONTRIBUTOR

Simon Perkins
22 JUNE 2013

ArtUp! Media Art in Bulgaria, Greece and Turkey

"ArtUP! is a multilingual portal for media art in Bulgaria, Greece and Turkey expresses the diversity of media art outlines current trends in and around media art fuels discussion about society processes and posts information about media art presents artists links up artists presents media artworks curates exhibitions initiates workshops ArtUP! is a project of the Goethe–Instituts in Ankara, Athens and Sofia."

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2013 • abstract fields • Adelina Popnedeleva • Afroditi Psarra • Albena Baeva • Ali Mahmut Demirel • Ali Miharbi • Alper Sen • Andreas Sitorengo • Angeliki Avgitidou • Angelo Plessas • Anna Lascari • Artemis Papageorgiou • ArtUP • artwork • Babis Venetopoulos • Bill Balaskas • Bill Psarras • Borjana Ventzislavova • Boryana Rossa • Boyan Dobrev • Bulgaria • Bulgarian media art • Burak Arikan • Can Altay • Candas Sisman • Caterina Antonopoulou • Costantino Luca Rolando Kiriakos • Cvetan Krastev • Daniela Kostova • Dimitris Charitos • Dimitris Fotiou • Ergin Cavusoglu • Erkan Ozgen • Esra Ersen • exhibition • Ferhat Ozgur • Genco Gulan • George Drivas • George Ruzhev • Goethe-InstitutGreece • Greek media art • Guven Incirlioglu • Hakan Akcura • Hakan Topal • HR-Stamenov • installation artinteractive art • Ioanna Myrka • Isil Egrikavuk • Iv Toshain • Ivan Moudov • Ivo Ivanov • Jenny Marketou • Kalin Serapionov • Kamen Stoyanov • Kiril Kuzmanov • Kleoni Manoussakis • Koken Ergun • Konstantinos Tiligadis • Koray Tahiroglu • Kosta Tonev • Kostas Daflos • Krassimir Krastev • Krassimir Terziev • Levent Kunt • Lina Theodorou • Luchezar Boyadjiev • Makis Faros • Maria Lalou • Maria Paschalidou • Maria Varela • Mariana Vassileva • Marianne Strapatsakis • Marinos Koutsomichalis • Medea Electronique • media art • Nadezhda Oleg Lyahova • Nancy Atakan • Neno Belchev • Neriman Polat • net artnew media art • new media art exhibition • Nezaket Ekici • Nil Yalter • NINA Kovacheva • Oktay Ince • Oleg Mavromatti • Panagiotis Tomaras • Panayiotis Kokoras • Panos Kouros • Pegy Zali • performance art • personal cinema • Petko Dourmana • Petros Moris • Rada Boukova • Raycho Stanev • rural spaces • Samuil Stoyanov • Sener Ozmen • Sibin Vassilev • Simge Hough • sound art • Stanimir Genov • Stefan Nikolaev • Svetlana Mircheva • The Erasers • Theodoros Giannakis • TurkeyTurkish media art • Tzeni Argyriou • urban spaces • Valentin Stefanoff • Vasilys Bouzas • Venelin Shurelov • Ventsislav Zankov • video artvirtual spacesvisual art organisation • Vladimir Mitrev • Volkan Senozan • Yiannis Melanitis • Zeyno Pekun

CONTRIBUTOR

Simon Perkins
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