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09 JANUARY 2013

Digital Humanities Now

"Digital Humanities Now showcases the scholarship and news of interest to the digital humanities community through a process of aggregation, discovery, curation, and review. Digital Humanities Now also is an experiment in ways to identify, evaluate, and distribute scholarship on the open web through a weekly publication and the quarterly Journal of Digital Humanities."

Editorial Board: Dan Cohen, Editor–in–Chief; Joan Fragaszy Troyano, Managing Editor; Sasha Hoffman, Editor; Jeri Wieringa, Editor.

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CONTRIBUTOR

Simon Perkins
22 JULY 2012

Fountain: an ordinary article of life without useful significance

"Fountain is one of Duchamp's most famous works and is widely seen as an icon of twentieth–century art. The original, which is now lost, consisted of a standard urinal, laid flat on its back rather than upright in its usual position, and signed 'R. Mutt 1917'. The Tate's work is a 1964 replica and is made from glazed earthenware painted to resemble the original porcelain. The signature is reproduced in black paint. Fountain is an example of what Duchamp called a 'readymade', an ordinary manufactured object designated by the artist as a work of art. It epitomises the assault on convention and good taste for which he and the Dada movement are best known.

The idea of designating such a lowly object as a work of art came from a discussion between Duchamp and his American friends the collector Walter Arensburg and the artist Joseph Stella. Following this conversation, Duchamp bought an urinal from a plumbers' merchants, and submitted it to an exhibition organised by the Society of Independent Artists. The Board of Directors, who were bound by the constitution of the Society to accept all members' submissions, took exception to the Fountain and refused to exhibit it. Duchamp and Arensburg, who were both on the Board, resigned immediately in protest. An article published at the time, which is thought to have been written by Duchamp, claimed, 'Mr Mutt's fountain is not immoral, that is absurd, no more than a bathtub is immoral. It is a fixture that you see every day in plumbers' shop windows. Whether Mr Mutt with his own hands made the fountain has no importance. He CHOSE it. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object.' ('The Richard Mutt Case', The Blind Man, New York, no.2, May 1917, p.5.)"

(Sophie Howarth, April 2000)

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TAGS

1917196420th centuryabsurdAlfred Stieglitzartart historyassault • assault on convention • assault on good taste • avant-garde • black paint • contextconventioncultural signalscultural significance of objectscurationDadaDada movement • designated by the artist • everydayexhibition • fixture • Fountain (work of art) • glazed earthenware • good taste • icon of twentieth-century art • immoral • information in context • Joseph Stella • layers of meaning • lowly object • Marcel Duchampmodern artobjet trouve • ordinary article of life • ordinary manufactured objectporcelain • R. Mutt 1917 • readymadereplica • Society of Independent Artists • Tate Modern • took exception • twentieth-century art • urinaluseful significance • Walter Arensburg • work of art

CONTRIBUTOR

Simon Perkins
15 APRIL 2012

The UK Digital Curation Centre

"Creation of a Digital Curation Centre (DCC) was a key recommendation in the JISC Continuing Access and Digital Preservation Strategy, which argued for the establishment of a national centre for solving challenges in digital curation that could not be tackled by any single institution or discipline.

Its remit would also include the provision of generic services, some development activity and research."

(The Digital Curation Centre)

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TAGS

2004 • building capacity • consultancy and support • curationdata • data custodians • data management • data management planning • data protectiondata sharing • data storage • DCC • digital curation • Digital Curation Centre (DCC) • digital information • digital information curation • Digital Preservation Strategy • digital research data • expert advice • generic services • HEhigher education • higher education research community • how-to guidesinformation managementJISCJoint Information Systems Committee • manage and share • online services • policy development • practical help • research community • research data • researchersresources • training programme • UKUniversity of BathUniversity of EdinburghUniversity of Glasgow

CONTRIBUTOR

Simon Perkins
06 FEBRUARY 2012

Pinterest is a new online platform for sharing personal interests

"Pinterest is a virtual pinboard. Pinterest allows you to organize and share all the beautiful things you find on the web. You can browse pinboards created by other people to discover new things and get inspiration from people who share your interests. People use pinboards to plan their weddings, decorate their homes, and share their favorite recipes."

(Ben Silbermann, Pinterest)

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CONTRIBUTOR

Simon Perkins
15 SEPTEMBER 2011

Nina Wenhart's blog on the prehysteries of new media

"this blog is nina wenhart's collection of resources on the various histories of new media art. it consists mainly of non or very little edited material i found flaneuring on the net, sometimes with my own annotations and comments, sometimes it's also textparts i retyped from books that are out of print.

it is also meant to be an additional resource of information and recommended reading for my students of the prehystories of new media class that i teach at the school of the art institute of chicago in fall 2008.

the focus is on the time period from the beginning of the 20th century up to today."

(Nina Wenhart, 26/06/2008)

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TAGS

20th centuryAlan Turingapplied researchARarchiveArs Electronicaart • art + science • art + technologyart of codeartificial intelligenceartificial life • artistic molecules • artistic practice • artistic software • artistsASCIIASCII-Artatom • atomium • audiofiles • augmented realityavant-gardebody • Cave Automated Virtual Environment (CAVE) • code art • cold warcollection • collection of resources • computercomputer animationcomputer graphicscomputer history • computer programming language • computer research • computer sculptureconcept artconceptual artconceptualisationconcrete poetry • copy-it-right • creative practicecritical theorycross-disciplinaryculture industrycuratingcurationcut-up techniquecybernetic artCybernetic Serendipitycyberneticscyberpunkcyberspacecyborgdata miningdata visualisationdesign research • dream machine • E.A.T. • early new media • Edward Ihnatowiczengineers • Eugen Roth • exhibitionsexpanded cinemaexperimental musicexperimentation • female artists and digital media • flaneur • flaneuring on the net • Fluxusfoundgenerative artgenetic artglitch • Gordon Pask • GPSgraffiti • Grey Walter • GUI • hackers and painters • hackinghacktivismHCIHerbert FrankehistorieshistoryhypermediahypertextIannis Xenakisimagineeringinformation theoryinsightinstructionsinteractive artinterdisciplinaryInternet • Ivan Picelj • Jack Burnham • Julije Knifer • Ken Rinaldo • kinetic sculpture • Lidija Merenik • live visualsmagic • Manchester Mark 1 • manifestomappingmediamedia archaeologymedia art • media art histories • minimalism • mother of all demos • mousemusical scorenetartnew medianew media art • new media exhibition • new media festival • Nina Wenhart • open sourceopen space • out of print • particle systems • Paul Graham • performance • phonesthesia • playlistpoetrypoliticspractice-led • prehysteries of new media • prehystories of new mediaProcessing (software)programmingprogramming languageprojectspsychogeographyradio artrare • re:place • real-timeresearch artefactresources • retyped • ridiculous • rotten + forgotten • SAIC • sandin image processor • School of the Art Institute of Chicagoscientific visualisation • screen-based • SIGGRAPHSituationistsslide projectorslit-scansoftwaresoftware studiesspeculative designspeculative research • Stewart Brand • surveillancetactical mediataggingtechniquetechnologytelecommunicationtelematic arttelematic experiencetext • textparts • Theo Jansentheoretical contexttheory buildingtimeline • Turing Test • ubiquitous computingunabomberundergraduate researchvideo artvideo synthesizervirtual realityvisual musicvisual research • Vladimir Bonacic • VRWalter Benjaminwearable computing • Williams Tube • world fair • world machine • Xerox PARCZKM • [Nove] tendencije

CONTRIBUTOR

Simon Perkins
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