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Which clippings match 'Media Art Timeline' keyword pg.1 of 1
05 AUGUST 2014

ICC × Media Art Chronology 1988 - 2013

"ICC×メディア・アート年表 この年表では,メディア・アートを軸に編集された年表と,ICCの過去の活動の両方を見ることができます"



1988art museumchartchronological visualisationchronologydiagramdigital media timeline • digital media works • ICC Online • information designinteractive worksmedia art • media art chronology • media art timeline • media culture timeline • net artnew media artnew media art timelineNTT InterCommunication CentertimelineTokyovisualisation


Simon Perkins
14 JULY 2006

Telematics Timeline

Walker Art Center
The Internet––specifically the World Wide Web––has become such a successful "meme" in our society, that there is almost a cultural amnesia about telecommunications–based art that pre–dates the Web. As powerful as early projects such as Muntadas's "File Room" (1994) or Ken Goldberg's "Telegarden" (1995) were (and are), many artists were working in the embrace of telecommunications for almost twenty years prior. Kit Galloway and Sherrie Rabinowitz's 1977 "Satellite Arts Project" first introduced the notion of a virtual space––a video space in–between physical spaces––and their 1980 "Hole–in–Space" was a kind of magic of open–systems, bi–coastal communications that may have since become commonplace but which directly inspired several of the artists in the exhibition. Many others, from Bob Adrian to Roy Ascott to Carl Loeffler to Heidi Grundmann, proseletyzed the aesthetics and politics of a global connectivity over the ensuing years, using the available means, from fax to Slowscan TV to early computing networks. Their work and thoughtfulness about it is inspirational. The telematics timeline attempts to capture some of these highlights as well as a longer history of enabling technological innovation. Most importantly, it is open source. Anyone can upload new information or interpretations into the timeline via the Internet.


16 NOVEMBER 2004

A Net Art Idea Line: mapping lines of thought through time

"The Idea Line displays a timeline of net artworks, arranged in a fan of luminous threads. Each thread corresponds to a particular kind of artwork or type of technology. The brightness of each thread varies with the number of artworks that it contains in each year, so you can watch the ebb and flow of different lines of thought over time."

(Martin Wattenberg)




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