Not Signed-In
Which clippings match 'Chronological Visualisation' keyword pg.1 of 1
05 AUGUST 2014

ICC × Media Art Chronology 1988 - 2013

"ICC×メディア・アート年表 この年表では,メディア・アートを軸に編集された年表と,ICCの過去の活動の両方を見ることができます"



1988art museumchartchronological visualisationchronologydiagramdigital media timeline • digital media works • ICC Online • information designinteractive worksmedia art • media art chronology • media art timeline • media culture timeline • net artnew media artnew media art timelineNTT InterCommunication CentertimelineTokyovisualisation


Simon Perkins
15 JANUARY 2010

Organising via: Location, Alphabet, Time, Category, Continuum

"The first step in transforming data into information is to explore its organization. This simple yet crucial process can appear futile, but often you can discover something through it that you had never seen before. It is important to realize that the very organization of things affects the way we interpret and understand their separate pieces. Take any set of things: students in a classroom, financials for a company, information about a city, or animals in a zoo. How would you organize these? Which is best? Richard Saul Wurman suggests five ways to organize everything... Literally everything can be organized by alphabet, location, time, continuum, number, or category...

Often, there are often better ways to organize data than the traditional ones that first occur to us. Each organization of the same set of data expresses different attributes and messages."

(Nathan Shedroff)




Simon Perkins
14 JULY 2006

Telematics Timeline

Walker Art Center
The Internet––specifically the World Wide Web––has become such a successful "meme" in our society, that there is almost a cultural amnesia about telecommunications–based art that pre–dates the Web. As powerful as early projects such as Muntadas's "File Room" (1994) or Ken Goldberg's "Telegarden" (1995) were (and are), many artists were working in the embrace of telecommunications for almost twenty years prior. Kit Galloway and Sherrie Rabinowitz's 1977 "Satellite Arts Project" first introduced the notion of a virtual space––a video space in–between physical spaces––and their 1980 "Hole–in–Space" was a kind of magic of open–systems, bi–coastal communications that may have since become commonplace but which directly inspired several of the artists in the exhibition. Many others, from Bob Adrian to Roy Ascott to Carl Loeffler to Heidi Grundmann, proseletyzed the aesthetics and politics of a global connectivity over the ensuing years, using the available means, from fax to Slowscan TV to early computing networks. Their work and thoughtfulness about it is inspirational. The telematics timeline attempts to capture some of these highlights as well as a longer history of enabling technological innovation. Most importantly, it is open source. Anyone can upload new information or interpretations into the timeline via the Internet.



to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.