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Which clippings match 'David Bordwell' keyword pg.1 of 1
08 OCTOBER 2017

Heinrich Wölfflin's planimetric composition in films

"The 1960s saw the development of an opposite approach, what we might call the telephoto aesthetic. Improvements in long focal-length lenses, encouraged by the growing use of location shooting, led to a very different sort of imagery. Instead of exaggerating the distances between foreground and background, long lenses tend to reduce them, making figures quite far apart seem close in size. (In shooting a baseball game for television, the telephoto lens positioned behind the catcher presents catcher, batter, and pitcher as oddly close to one another.) Planes seem to be stacked or pushed together in a way that seems to make the space 'flatter,' the objects and figures more like cardboard cutouts."

(David Bordwell, 2005)

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TAGS

Buster Keaton • cardboardy space • cinematographyDavid Bordwellflat picture planeflat space • flatter-looking space • frame stacking • Heinrich Wolfflin • imageryJean-Luc Godard • less voluminous • long lenses • Michelangelo Antonioni • planar composition • planimetric composition • rectangular geometry • stacking • telephoto shot • wide-angle lenses

CONTRIBUTOR

Simon Perkins
26 SEPTEMBER 2014

Intermediality in Film: A Historiography of Methodologies

"Abstract: After a short survey of the key questions regarding intermediality in cinema and placing them into the context of current debates in media studies and film theory, the paper addresses the key issues of the methodology of studying intermediality in film. In assessing the import of intermedial studies on film, the paper focuses on certain characteristic methodologies that have emerged in treating intermedial occurrences within films throughout the history of theorizing about the movies in general. Some of the major historical paradigms to be briefly described are: the normative aesthetic viewpoints in the spirit of cinematic New Laocoöns, the trans–medial theorizing of the moving image, inter–art theories, and parallax historiographies. Finally methodologies aiming at modelling intermediality and mapping the rhetoric of intermedial cinema are presented in somewhat more detail."

(Ágnes Pethő, 2010)

Ágnes Pethő (2010). "Intermediality in Film: A Historiography of Methodologies", Acta Universitatis Sapientiae, Film and Media Studies, 2 (2010) 39−72.

TAGS

2010 • Agnes Petho • artformconvergence • current debates • David Bordwell • David Rodowick • film theoryFriedrich Kittler • hybrid artform • hybrid form • inter-art theories • intermedial cinema • intermedial occurrences • intermedial studies • intermediality • intermediality in cinema • intermediality in film • Irina Rajewsky • Jay David Bolter • Laocoon • Malcom Turvey • media convergencemedia studiesmoving image • multimedial nature • Murray Smith • Noel Carroll • normative aesthetic viewpoints • parallax historiographies • post-medium • remediation • Richard Allen • Richard GrusinSapientia Hungarian University of Transylvania • Stanley Cavell • Sven Lutticken • trans-media

CONTRIBUTOR

Simon Perkins
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