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Which clippings match 'Cultural Identity' keyword pg.1 of 5
01 NOVEMBER 2015

Brett Leavy: The Virtual Meanjin Project

"Brett Leavy is an immersive heritage specialist, virtual historian and artist. His innovative idea to recreate the real environment for mapping Indigenous culture and heritage stems from his passion to educate the community about Indigenous history."

(ABC Open)

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TAGS

ABC Open • arts and cultural practices • Australian Indigenous communities • Brett Leavycultural heritagecultural identitycultural spacesculture and customs • culture and heritage • First Nationsfloraflora and faunafood gathering activities • guesstimation • historical recreation • Human Ventures • immersive gaming • immersive heritage • immersive heritage experienceIndigenous AustraliansIndigenous communitiesIndigenous cultural knowledge • Indigenous culture • Indigenous heritageindigenous history • Indigenous stories • interactive immersive simulation experience • Jagera people • social enterprise • Turrabull people • virtual environmentvirtual heritage • virtual heritage environments • virtual historian • Virtual Meanjin • virtual recreationvirtual time machineVirtual Warrane ll

CONTRIBUTOR

Simon Perkins
10 FEBRUARY 2013

第29届北京奥运会开幕式 (Beijing Olympics Opening Ceremony)

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CONTRIBUTOR

Guannan (cassie) Du
21 JANUARY 2013

Hyper-connectivity is transforming the nature of identity

"Social networks such as Facebook and on–line gaming are changing people's view of who they are and their place in the world, according to a report for the government's chief scientist. The report, published by Prof Sir John Beddington, says that traditional ideas of identity will be less meaningful. ... It states that the changing nature of identities will have substantial implications for what is meant by communities and by social integration.

The study shows that traditional elements that shape a person's identity, such as their religion, ethnicity, job and age are less important than they once were. Instead, particularly among younger people, their view of themselves is shaped increasingly by on–line interactions of social networks and on online role playing games.

The study found that far from creating superficial or fantasy identities that some critics suggest, in many cases it allowed people to escape the preconceptions of those immediately around them and find their 'true' identity. This is especially true of disabled people who told researchers that online gaming enabled them to socialise on an equal footing with others."

(Pallab Ghosh, 21 January 2013, BBC News)

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2013civic engagementcountry of origincultural identitycyberpsychologyDepartment for Business Innovation and Skills (BIS) • differently enabled • digital identitydisability and social networksethnicityflash mobs • Future Identities (report) • Government Office for Sciences Foresight • greater connectivity • hyper-connectivity • hyperconnectedidentity constructionidentity performanceinterlinked dataInternet • John Beddington • LARPoccupational identitiesonline and real world identitiesonline interactions • Pallab Ghosh • personal life • place in the world • religious identity • role playing gamessmart mobssmart phonesocial changesocial cohesion • social exclusion • social identity • social integration • social networking sitessocial networkstraditional society • work identities • workplace

CONTRIBUTOR

Simon Perkins
05 JANUARY 2013

The Museum of Contemporary Native Arts

"The Museum of Contemporary Native Arts is the country's [USA] leading museum for exhibiting, collecting and interpreting the most progressive work of contemporary Native artists for local, national and international audiences. MoCNA is a venue for exhibitions of artists who merit, local, national and international recognition. The Museum belongs at the forefront of contemporary Native art presentation and strives to be flexible, foresighted and risk–taking in its exhibitions and programs."

(MoCNA)

Richard Glazer–Danay, Jan, 2012, "Shake, Rattle & Roll", Museum of Contemporary Native Arts, [http://www.iaia.edu/museum/exhibition/shake–rattle–roll/].

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1962 • American Indian • art museumartworkscontemporary art • contemporary Native artists • cultural appropriation • cultural discourse • cultural identitycultural interpretations • cultural programme • exhibiting artists • folk museumfostering discourse • IAIA • indigenous artIndigenous people • Institute of American Indian Arts • international audiences • MoCNA • museummuseum of contemporary culture • Museum of Contemporary Native Arts • National Collection of Contemporary Native Art • national cultural identitiesNative Americans • Native art • Native artists • New Mexico • North America • progressive work • sacred • Santa Fe

CONTRIBUTOR

Simon Perkins
27 JUNE 2012

Design + Culture: A Return to Fundamentalism?

"whilst the application of design is multiplying exponentially, it is also loosing its validity as an authentic cultural icon. It has become synonymous with cloning the face of global culture itself, more often representing the uniformity of mass globalisation, rather than reflecting the facets of cultural difference and diversity.

The cultural attributes of difference and diversity have been fundamentally weakened, and like face that has undergone cosmetic surgery, the result is a facsimile vaguely familiar but disturbingly without a true sense of identity. It is everyone's and no one's, and belongs in no single place more than another. ...

Design has become omnipresent within Culture, as it has been adopted as a convenient badge to add value and market commodity, and to signify identity. Following Designer era of 1980's, the added value of design was replaced by design as cultural value, embodied in leading Brands of the 1990's. ...

in the 21st Century the task of capturing Culture has become more and more difficult in terms of expressing culture through the medium of design. Design increasingly struggles for a clear sense of definition, and one is left asking, what can Culture really mean today, if it is no longer tied to consumer lifestyle? We remain in a post–contemporary state where we require a redefinition of meaning, value and identity. ...

The uncertainty of a designed fusion Culture has replaced the certainty of traditional cultural monoculture. Which in turn has been diluted by an obsession with 'cultural materialism'. What remains of the original cultural sources are being plundered in order to restock our lack of creative DNA. The net result is an erosion of the remaining authentic sources, but also the creation of a 'cultural time lag' which has been generated by a convergence of trans–cultural fusions, hybridisation, and of recurrent cultural cross referencing."

(David Carlson on 21 Mar 21 2011, David Report)

Fig.1 paper sculptures made by Jennifer Collier [http://jennifercollier.co.uk/].

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1980199021st centuryadded valueadded value through designaestheticisationapplication of designart and design doctrinearts and craftsauthentic cultural iconauthentic materials • authentic sources • authenticityconsumer brandsconsumer lifestyles • cosmetic surgery • craftcraft nostalgiacreative fundamentalismcreativitycultural cross referencingcultural identitycultural materialismcultural monoculturedecorationderivativedesign • design as cultural value • design craftdesign essentialismdesign fundamentalismdesign innovationdesign revisionism • difference and diversity • expressing culture • global culture • globalisationhomogenizationhybridisationlegitimacymarket commodity • mass globalisation • monoculturenostalgia • original cultural sources • post-contemporary • post-traditional • redefinition of meaning • sewn typography • traditional cultural monoculture • trans-cultural fusions • trendsuniformityvalidityvisual design

CONTRIBUTOR

Simon Perkins
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