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19 JANUARY 2016

Love Punks: online game created by Australian Indigenous kids

"The Love Punks online game was created by a gang of 9,10 and 11 year old Love Punks from Roebourne in WA. For the last 8 months the Love Punks have been sweating it out, in 40 degree heat, on computers creating stop motion animations of themselves and friends in photoshop and flash."

(26 April 2012)

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TAGS

2012 • 9-11 year olds • Aboriginal Australian kids • Aboriginal culture • Aboriginal kids • Adobe Flash • bearded dragon • Big hART • Burrup Peninsula • childhood imagination • Chynna Campbell • comic bookcommunity participatory projectcreative participationdesert • designers of the future • disadvantaged communitiesDIY • Duncan Gates • First Nations youthfroggame designgreen screenhomemade gamesimagineeringIndigenous Australiansindigenous community • indigenous games and play • Indigenous people • Indigenous young people • interactive comic • kids • lizard • Lovepunks Game • mining • mud flats • Murujuga • NEOMAD • online game • outdoor game • peacockpersonal empowerment • Pilbara desert • pogona • remote communities • Roebourne • salt flats • Satellite Sisters • sea • social arts • stop motion animationstop-frame animation • Stu Campbell • Telen Rodwell • Trevor Jamieson • video gamevideo games and Indigenous peopleWestern Australia • Woodside (natural gas company) • Yijala Yala Project • young designersyoung peoplezombie

CONTRIBUTOR

Simon Perkins
08 APRIL 2011

The Aesthetic Movement: Art for Arts Sake

Exhibition: The Cult of Beauty: The Aesthetic Movement is at the Victoria & Albert Museum, London SW7 from 2 April to 17 July 2011.

"The movement started in a small way in the 1860s in the studios and houses of a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti. These were angry young reformers who explored new ways of living in defiance of the horrendous design standards of the age as revealed in the 1851 Great Exhibition.

Over the next two decades aestheticism burgeoned, drawing in architects and craftworkers, poets, critics and philosophers to create a movement dedicated to pure beauty. The aesthetic movement stood in stark and sometimes shocking contrast to the crass materialism of Britain in the 19th century. "Art for art's sake" was its battle cry, a slogan that originated with the French poet Théophile Gautier."

(Fiona MacCarthy, 26 March 2011, The Guardian)

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TAGS

1860s187719th centuryAesthetic Movementaestheticisationaestheticism • Albert Moore • angular aesthetic • architecture • art fabrics • art for arts sake • art furniture • art historyart movement • Arthur Liberty • Aubrey Beardsley • beautyceramic tile • Christopher Dresser • colour • Cult of Beauty (exhibition) • Dante RossettiDe Stijldecadencedecordecorationdecorative artsdepartment stores • design standards • eclectic mixEdward Burne-Jones • Edward William Godwin • excessexhibitionexoticfine art • Frederic Leighton • Frederick Leyland • frieze • furniture design • George Du Maurier • George Frederic Watts • Gerrit Rietveld • Green Dining Room (1865) • Grosvenor Gallery • interior decorationinterior designJames McNeill Whistler • Japonism • Kate Vaughan • Libertys (department store) • lifestyleLondon • Maurice Maeterlinck • Oscar Wildeoutlandish • painted panels • Patience (1881)peacockperformance art • provincial towns • Punch (cartoon) • pure beauty • Queen Anne style • radical art movement • sensuality • shabby chic • silliness • South Kensington Museum • spectacularstained glass • tenebrous house • The Great Exhibition (1851)The Guardian • Theophile Gautier • turquoise • Victoria and Albert MuseumVictorian artvisual style • Walter Crane • Walter Pater • western art • Whistlers Peacock Room • William Morris

CONTRIBUTOR

Simon Perkins
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