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Which clippings match 'Aesthetic Movement' keyword pg.1 of 1
10 AUGUST 2014

Patience, Satire, and Self-Righteousness

"Gilbert and Sullivan's fifth Savoy Opera, Patience (1881), is a shining example of the critical role of satire in popular culture, and a most important record of how many self–righteous upper middle class contemporaries viewed fringe schools of thought and pop culture during the dissipation of the Evangelical church. The operetta's premise is that Reginald Bunthorne and Archibald Grosvenor––characters reputedly based upon Oscar Wilde and Charles Swinburne respectively, although the actor who originally played Bunthorne drew on Whistler––are shams as bogus as the aesthetic movement that they embody."

(William R. Terpening, 1998, Victorian Web)

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1881 • 19th centuryAesthetic Movementaestheticismaesthetics • Algernon Swinburne • Archibald Grosvenor • Arthur Sullivan • Charles Swinburne • chauvinismcolour • comic opera • critical commentarycultural critiqueDante Rossettidecadence • decadentismo • dissipation • electric lighting • Evangelical church • fringe • Gilbert and Sullivan • Harold Bloom • James McNeill Whistler • male vanity • musical theatreopera • Opera Comique • operetta • Oscar WildePatience (1881)pop culturepopular cultureProtestantism • Reginald Bunthorne • satire • Savoy Opera • Savoy Theatre • Savoyards • schools of thought • self-righteous • self-righteousness • theatrical production • upper middle class • vanityVictorian literature • William Gilbert

CONTRIBUTOR

Simon Perkins
08 APRIL 2011

The Aesthetic Movement: Art for Arts Sake

Exhibition: The Cult of Beauty: The Aesthetic Movement is at the Victoria & Albert Museum, London SW7 from 2 April to 17 July 2011.

"The movement started in a small way in the 1860s in the studios and houses of a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti. These were angry young reformers who explored new ways of living in defiance of the horrendous design standards of the age as revealed in the 1851 Great Exhibition.

Over the next two decades aestheticism burgeoned, drawing in architects and craftworkers, poets, critics and philosophers to create a movement dedicated to pure beauty. The aesthetic movement stood in stark and sometimes shocking contrast to the crass materialism of Britain in the 19th century. "Art for art's sake" was its battle cry, a slogan that originated with the French poet Théophile Gautier."

(Fiona MacCarthy, 26 March 2011, The Guardian)

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1860s187719th centuryAesthetic Movementaestheticisationaestheticism • Albert Moore • angular aesthetic • architecture • art fabrics • art for arts sake • art furniture • art historyart movement • Arthur Liberty • Aubrey Beardsley • beautyceramic tile • Christopher Dresser • colour • Cult of Beauty (exhibition) • Dante RossettiDe Stijldecadencedecordecorationdecorative artsdepartment stores • design standards • eclectic mixEdward Burne-Jones • Edward William Godwin • excessexhibitionexoticfine art • Frederic Leighton • Frederick Leyland • frieze • furniture design • George Du Maurier • George Frederic Watts • Gerrit Rietveld • Green Dining Room (1865) • Grosvenor Gallery • interior decorationinterior designJames McNeill Whistler • Japonism • Kate Vaughan • Libertys (department store) • lifestyleLondon • Maurice Maeterlinck • Oscar Wildeoutlandish • painted panels • Patience (1881)peacockperformance art • provincial towns • Punch (cartoon) • pure beauty • Queen Anne style • radical art movement • sensuality • shabby chic • silliness • South Kensington Museum • spectacularstained glass • tenebrous house • The Great Exhibition (1851)The Guardian • Theophile Gautier • turquoise • Victoria and Albert MuseumVictorian artvisual style • Walter Crane • Walter Pater • western art • Whistlers Peacock Room • William Morris

CONTRIBUTOR

Simon Perkins
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