Not Signed-In
Which clippings match 'Stalker (1979)' keyword pg.1 of 1
18 OCTOBER 2016

HyperNormalisation: our retreat into a simplified version of the world

"The documentary is inspired by the unpredictable events of recent times – from the rise of Donald Trump to Brexit, the war in Syria, the endless migrant crisis, and random bomb attacks. It seeks to explain both why these chaotic events are happening, and why we and our leaders can't understand them. Curtis's theory is that Westerners - politicians, journalists, experts and members of the public alike - have retreated into a simplified, and often completely fake version of the world. But because it is all-encompassing, we accept it as normal.

HyperNormalisation explores this hollow world by looking back at 40 years of events, and profiling a diverse cast of characters such as: the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, the early performance artists in New York, President Putin, intelligent machines, Japanese gangsters and suicide bombers."

(Holly Barrett, 22nd September 2016, Royal Television Society)

1

TAGS

20169/11 • Acid Phreak (pseudonym) • Adam CurtisAfghanistan • AirBnB • Alexei Yurchak • Anthony GiddensArab Spring • Arkady Strugatsky • BBC documentary • BBC iPlayer • Boris Strugatsky • Brexit • British filmmaker • British National Front • Carl Rogers • cartoon villain • chaos • chaotic events • chatbot • civil rights movement • Corrupt (pseudonym) • cyber activism • cyberspace • Damascus • David Frost • Declaration of Independence in Cyberspace • delusion • digital rightsdisruptive innovationdocumentaryDonald Trump • Eli Ladopoulos • ELIZA (natural language processing) • fakeness • functioning society • Gulf War • HAC (pseudonym) • Hafez al-Assad • Henry Kissinger • hippies • hypernormalisation • HyperNormalisation (2016) • intelligent machines • internet utopianismIraq • John Barlow • John Lee • Joseph Weizenbaum • Judea Pearl • Julio Fernandez • late communist period • Lester Coleman • liability theory • Lionel Ritchie • machine fetishisation • Mark Abene • Martha Rosler • Masters of Deception (MOD) • migrant crisis • Muammar Gaddafi • Muslim Brotherhood • New YorkNigel FarageOccupy Wall Street • Outlaw (pseudonym) • paradoxPatti Smith • Paul Stira • performance artists • Phiber Optik (pseudonym) • powerlesspretence • random bomb attacks • retreat into simplified views of the world • Roadside Picnic (1972) • Ronald Reagan • Royal Television Society • Scorpion (pseudonym) • self-absorbed baby boomers • self-fulfilling prophecy • Soviet UnionStalker (1979)suicide bombersSyria • Tahir Square • techno-panic • techno-utopiaterrorism • time of great uncertainty • Timothy LearyTron • Uber • Vladimir PutinVladislav Surkov • War in Syria • Yakuza

CONTRIBUTOR

Simon Perkins
08 OCTOBER 2003

Deleuzian Memory of Sans Soleil

"Deleuze's notion of time–image cinema describes a revolutionary and political cinema. To understand time–image cinema, we must contrast it with movement–image cinema, 'in which frame follows frame according to necessities of action, subordinating time to movement.'1 Clearly, Sans Soleil is nothing like movement–image cinema. The film has no action or plot that could subordinate time; instead, Marker claims that the only qualification these images have for being included in the film is that they quicken the heart. These images span many different time periods from World War II to the present, and a scene is just as likely to cut to West Africa or San Francisco as it is to cut to a different angle within the same room. In the film, an unnamed and unseen narrator reads the fictitious letters of Sandor Krasna, a traveling cameraman (a thinly–veiled alter–ego for Marker)."

(B.C. Holmes)

TAGS

16mm • Alexandra Stewart • Anne-Marie L Hote • Antoine Bonfanti • Arielle Dombasle • authorial intrusion • Bajazet (1672) • Beaulieu (camera) • Catherine Adda • Charlotte Kerr • Chris Markercinema • Daniele Tessier • Eugenio Bentivoglio • fictitiousness • Florence Delay • Gilles Deleuze • global histories • Guinea-Bissau • Haroun Tazieff • Hayao Yamaneko • human memory • IcelandJames StewartJapan • Jean Racine • Jean-Michel Humeau • Judy Burton • Kasabian (band) • Kim NovakLa Jeteeletters • Madeleine Elster • Mario Marret • meditation • Modest Mussorgsky • movement-imagenarrationnarratorParis • Paul Bertault • personal histories • Pierre Camus • Riyoko Ikeda • San Francisco • Sana Na N hada • Sandor KrasnaSans Soleil (1983) • Spectron video synthesizer • Stalker (1979)stock footageThomas Stearns Eliottime-imagetravelogueVertigo (1958)video synthesizerWorld War II
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.