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Which clippings match 'Expropriation' keyword pg.1 of 1
29 OCTOBER 2017

Artists appropriate when they adopt imagery, concepts and ways of making art other artists have used at other times

"Appropriation, first of all, is a common technique. People appropriate when they make things their own and integrate them into their way of life, by buying or stealing commodities, acquiring knowledge, claiming places as theirs and so on. Artists appropriate when they adopt imagery, concepts and ways of making art other artists have used at other times to adapt these artistic means to their own interests, or when they take objects, images or practices from popular (or foreign) cultures and restage them within the context of their work to either enrich or erode conventional definitions of what an artwork can be. As such, this technique could be described as comparatively timeless, or at least, as being practiced as long as modern society exists. For, ever since labour was divided and the abstract organization of social life alienated people from the way in which they would want to live, appropriation has been a practice of getting back from society what it takes from its members. At the same time, appropriation can be understood as one of the most basic procedures of modern art production and education. To cite, copy and modify exemplary works from art history is the model for developing art practice (neo)classicist tendencies have always championed. During the last two centuries this model was repeatedly challenged by advocates of the belief that modern individuals should produce radically new art by virture of their spontaneous creativity. The postmodern critics of this cult of individual genius in turn claimed that it is a gross ideological distortion to portray the making of art as a heroic act of original creation. Instead they advanced the paradigm of appropriation as a materialist model that describes art production as the gradual re-shuffling of a basic set of cultural terms through their strategical re-use and eventual transformation."

(Jan Verwoert, 2007)

ART&RESEARCH: A Journal of Ideas, Contexts and Methods, Volume 1. No. 2. Summer 2007, ISSN 1752-6388

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TAGS

2007 • acquiring knowledge • adopting concepts • adopting imagery • adopting ways of making art • appropriation practicesArt and Research (journal)art historyart practice • artistic appropriation • artistic meansartworkauthor as geniusauthorshipcitationcite • common creative technique • copy and modify • copy-and-paste culturecopying of artistic works • Craig Owens • creative genius • creative technique • cult of individual genius • cult of the author • Douglas Crimp • exemplary works • expropriation • Frederic Jameson • genial creatorgenius myth • heroic act • ideological distortion • Jan Verwoert • making of art • materialist model • modern art • modern art education • modern art production • neoclassicist tendencies • nothing is original • original creation • pastiche • postmodern critics • radically new art • Robert Longoromantic notion of the artist • spontaneous creativity

CONTRIBUTOR

Simon Perkins
21 JULY 2014

Jewish Voice for Peace: Israel/Palestine 101

Fig.1 short animated introduction to Israel–Palestine situation created by Jewish Voice for Peace.

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TAGS

1937194719482D animationautonomyawareness raisingbelligerencecivil libertiesconflictcontested state • David Ben-Gurion • demolition • expropriationfertile landGaza StripGeneva conventionhegemonyhistoryhistory of conflicthuman rights violationideological intoleranceillegal behaviourillegal settlement • indignities • international community • international consensus • IsraelIsraeli-Palestinian conflictJewish peopleJewish settlers • Jewish state • Jewish Voice for Peace • Middle Eastmilitarized resistance movements • military force • militia • nationhoodoccupied territoryoccupying powerownershipPalestine • Palestinian Arabs • Palestinian territories • partition • partition plan • peace • Peel partition plan • Peel plan • polemic • protestrefugeerespectRonald Reagansegregationsettlement • sovereign states • sovereigntyState of IsraelState of Palestineterritorial bordersterritorialisationterritorytoleranceUnited NationsUnited Stateswallwarwar over water • West Bank • Zionist

CONTRIBUTOR

Simon Perkins
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