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Which clippings match 'Cigarette' keyword pg.1 of 1
15 DECEMBER 2010

The World of 100: Our Global Village

"If the world were a village of 100 people, what would its composition be? This set of 20 posters is built on statistics about the spread of population around the world under various classifications. The numbers are turned into graphics to give another sense a touch – Look, this is the world we are living in."

(Toby Ng, 2009)

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TAGS

2009 • access to clean water • access to computers • access to education • access to electricity • age demographics • air quality • banana • birth and deathcigarettecloud • comparative data • computer mousecountry and comparative datacrocodile • cultural privilege • datademographicsdifferent strata of societyenergyfoodgender • gender symbol • global populationgraphic communicationHIV • ideogram • infographicsinformation designkangaroolightbulbliteracy • living in fear • match flamemoney • mortarboard • personal freedompictorial statisticspig • pinwheel • pizza • plastic windmill • population statisticsposter design • privilege • religion • ribbon • sexual orientationskin coloursocial commentary • social conscience • social consciousnesssocial inequality • social privilege • social statisticssocial stratificationstatistical informationstatistics • sun glasses • The World of 100 • Toby Ng • villagevisual communicationvisualisation • wind wheel • windmill • windmill spinner • world information • world population • worm • zebra

CONTRIBUTOR

Simon Perkins
24 FEBRUARY 2004

A disturbing little film called A Little Death

"It's a long time since I've seen a film as genuinely disturbing as A Little Death. The title refers to the phrase 'un petite mort'. French slang for orgasm. This surreal film explores all the ambiguity of that phrase to devastating effect. A couple are making love. Or rather having sex – the hostility between them is palpable. The moment of climax flings them both into another dimension where the emotional savagery of their relationship is played out for real. Luscious colour photography gives way to crisp black and white, as Davison crashes through their bed into an identical room where everything, including her lover, is literally two–dimensional, bleached of life but tilled with an almost impersonal hatred. The tension that previously simmered beneath the surface is unleashed in images of extraordinary violence. Brophy, trapped in the 'wallpaper' of this unnatural room, can only scream as she takes her revenge. This ambitious script is well supported by its technically immaculate execution. It is tightly constructed, beautifully edited and the superb soundtrack is unusually effective, an integral part of the film rattler than (as too often happens) an afterthought. Much of the power of the film has to do with its purely visual logic, it didn't start to make sense to me until I stopped trying to figure out what was going on and just let the images wash over me. This is one of those rare films that can stand repeated viewings (providing you can) and serious philosophical debate, despite the fact its violent take on gender relations is more than a little disturbing. A Little Death is an uncommonly brave and passionate piece of filmmaking that stays in the mind long after it's been seen."

(Pavement magazine, 1995)

Fig.1 Simon Perkins and Paul Swadel (1994). "A Little Death", James Wallace Productions: 16mm, 11 minutes. [A Little Death externalises conflict between characters through the use of physical obstacles and camera perspectives. The film is an evolution of the "Into The Void" project.]
Fig.2 Natalie Robertson (1994). Josephine Davison is confused to find herself on a photocopied floor.

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CONTRIBUTOR

Simon Perkins
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