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Which clippings match 'Aaron Koblin' keyword pg.1 of 1
08 DECEMBER 2015

eCLOUD: a dynamic sculpture that visually represents weather data

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TAGS

2010Aaron Koblinairport • centrepiece artwork • changing states • cloud • Dan Goods • dynamic digital installation • dynamic sculpture • eCLOUD (2010) • Nik Hafermaas • permanent sculpture • polycarbonate tiles • public art • real-time data visualisation • real-time visualisation • real-time weather • real-time weather changes • San Jose • San Jose International Airport • site-specific visualisationtile • transparent and opaque • turning numbers into meaningweather

CONTRIBUTOR

Simon Perkins
09 NOVEMBER 2014

Examples of web based non-linear narratives

Bear 71 (2012); Clouds over Cuba (2012); Donnie Darko (film website); Gravity (2003) by Olia Lialina; Here at Home (webdoc); My Boyfriend Came Back from the War (1996) by Olia Lialina; Neon Bible (2007) by Arcade Fire; Prison Valley (2013); Random Paths (2001) by Jody Zellen; Telescopic Text (interactive); The (Former) General in his Labyrinth (2007); The 21 Steps (2008) by Charles Cumming; The Wilderness Downtown (2011) by Arcade Fire; Waterlife (2009); We Choose the Moon (2009); Welcome to Pine Point (2011).

TAGS

Aaron Koblinalternate reality gameArcade Fire • Arcade Fire (band) • archive footage • B-Reel (digital production company) • Banff National Park • Bear 71 (2012) • Charles Cumming • Chris Milk • Clouds over Cuba (2012) • Cuban Missile Crisis • David Dufresne • digital storytelling • Donnie Darko (film website) • Google Maps • Gravity (2003) • grizzly bear • Here at Home (webdoc) • hypermediainteractive digital narrativesinteractive documentaryinteractive experienceinteractive mediainteractive multimedia documentaryinteractive multimedia video • interactive online story • interactive storytellinginteractive web documentary • Jeremy Mendes • Jody Zellen • Joe Davis • Kevin McMahon • Leanne Allison • Michael Simons • Mohsin Hamid • My Boyfriend Came Back from the War (1996) • narrative nonfictionNational Film Board of Canada • Neon Bible (2007) • new mediaNFB • non-linear narrative • Olia Lialina • Paul Shoebridge • Philippe Brault • Prison Valley (2013) • Random Paths (2001) • Telescopic Text (interactive) • The (Former) General in his Labyrinth (2007) • The 21 Steps (2008) • The Wilderness Downtown (2011) • Tool of North America • travelogue • Waterlife (2009) • We Choose the Moon (2009) • We Tell Stories • web based non-linear narrativesweb documentarywebdoc • Welcome to Pine Point (2011)

CONTRIBUTOR

Simon Perkins
30 MAY 2014

Digital Revolution: an immersive exhibition of art, design, film, music and videogames

Exhibition: Digital Revolution at The Barbican Centre, London from 3rd July – 14th September 2014.

"Digital Revolution is the most comprehensive presentation of digital creativity ever to be staged in the UK. This immersive and interactive exhibition brings together for the first time a range of artists, filmmakers, architects, designers, musicians and game developers, all pushing the boundaries of their fields using digital media. It also looks at the dynamic developments in the areas of creative coding and DIY culture and the exciting creative possibilities offered by augmented reality, artificial intelligence, wearable technologies and 3–D printing.

Contribute to new commissions including Google's DevArt, an installation by global music artist and entrepreneur will.i.am and artist Yuri Suzuki and works by artists Umbrellium, Universal Everything, Seeper and Susan Kare (Mac Paint designer). Experience Oscar–winning visual effects behind Christopher Nolan's Inception and Tim Webber's Gravity, or go back in time to play classic videogames like Pacman and Space Invaders."

Chris Milk The Treachery of Sanctuary, 2012 The Creators Project, a partnership with Intel and VICE photography by Bryan Derballa.

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CONTRIBUTOR

Simon Perkins
13 NOVEMBER 2009

Radiohead: 'House of Cards' music video created using Geometric Informatics and LIDAR

"Radiohead just released a new video for its song 'House of Cards' from the album 'In Rainbows'.

No cameras or lights were used. Instead two technologies were used to capture 3D images: Geometric Informatics and Velodyne LIDAR. Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes."

(Google)

[In the search for new ways of 'telling the same story' Radiohead have managed to provide the necessary spectacle through their redeployment of surveying technology in their 'House of Cards' music video.]

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TAGS

20083DAaron Koblinanalogue correspondence • camera-free • cinematographycontourcontour linesdatadesigndevice • drawing with light • form • Geometric Informatics • graphic representation • HDL-64E • information aesthetics • James Frost • laserLIDAR • LIght Detection And Ranging • mappingmathematicsmusic videopattern • Radiohead • relief • remote sensing • sensorspacespectacle • surveying • surveyor • technology • Thom Yorke • topographic data • topography • Velodyne • visual communicationvisualisation • Zoo films

CONTRIBUTOR

Simon Perkins
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