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Which clippings match 'Michelangelo Merisi Da Caravaggio' keyword pg.1 of 1
27 JANUARY 2014

BEAUTY: animating Western romantic paintings

CREDITS: Director RINO STEFANO TAGLIAFIERRO Assistant Director LAILA SONSINO 2nd Assistant Director CARLOTTA BALESTRIERI Editing – Compositing – Animation RINO STEFANO TAGLIAFIERRO Sound Design ENRICO ASCOLI Art Direction RINO STEFANO TAGLIAFIERRO Historiographer GIULIANO CORTI.

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TAGS

2D space • Adrien Henri Tanoux • Albert Bierstadt • Andrea Vaccaro • animated painting • Arnold Bocklin • art history • Asher Brown Durand • Augustin Theodule Ribot • beauty • Carlotta Balestrieri • Caspar David Friedrich • classical subjects • Claude Lorrain • Correggio • Elizabeth Jane Gardner Bouguereau • enliven • Enrico Ascoli • Enrique Simonet • Felice Boselli • figuration • figure painting • Franz von Stuck • Fritz Zuber-Buhle • Gabriel Cornelius von Max • Gabriel von Max • Gioacchino Pagliei • Giuliano Corti • Guido Reni • Guillaume Seignac • Gustave Dore • Herbert Draper • homage • Hugues Merle • Ilya Repin • interpretation • Ivan Shishkin • Jacques-Luois David • Jakub Schikaneder • James Sant • Jan Lievens • Jan van Huysum • Johannes VermeerJohn Everett Millais • John William Godward • Joseph Rebell • Jules Joseph Lefebvre • Laila Sonsino • living paintingliving pictures • Louis Jean Francois Lagrenee • Luca Giordano • Luis Ricardo Falero • Marcus Stone • Martin Johnson Heade • Martinus Rorbye • Michelangelo Merisi da Caravaggio • motion painting • movementmoving paintingpainting • Paul Delaroche • Paul Hippolyte Delaroche • Paul Peel • Peter Paul Rubens • Pierre Auguste Cot • Pieter ClaeszreenactmentRembrandt van Rijnremediation • Rino Stefano Tagliafierro • Roberto Ferri • salon painter • Sophie Gengembre Anderson • tableau vivanttableaux changeanttableaux mouvantsTheodore Gericault • Thomas Cole • Thomas Eakins • Thomas Hill • Tiziano • Victor Karlovich Shtemberg • William-Adolphe Bouguereau

CONTRIBUTOR

Simon Perkins
25 OCTOBER 2008

Jarman's Caravaggio: injection of period anachronisms

"Arguably the director's most approachable film, Caravaggio feels like a work more concerned with tone and texture than storytelling. The narrative does move in a coherent fashion if one is paying attention, but the succession of ravishing images ultimately overwhelms the senses to the extent that any character development is secondary. Jarman's usual idiosyncracies are in evidence, such as his injection of period anachronisms (modern formal dress, typewriters, and so on) at odd moments to provide modern analogies"
(Nathaniel Thompson)

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CONTRIBUTOR

Simon Perkins
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