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Which clippings match 'Site-specific Interventions' keyword pg.1 of 1
23 NOVEMBER 2014

Protofarm 2050: guide to free farming (urban agricultural speculation)

"Design Indaba invited five designers to look beyond the possibilities and predictions currently in the public domain. Futurefarmers, 5.5 designers, Dunne&Raby, Revital Cohen and Frank Tjepkema each created a unique vision of the year 2050 with increased urbanisation and population, limited natural resources, climate challenges and digital–biological integration. Defining farming as the sustainable cultivation of a renewable resource, Design Indaba presented Protofarm 2050 at the ICSID World Design Congress in Singapore from 23 to 25 November [2009]."

(Design Indaba)

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TAGS

20092050 • 5.5 designers • agricultural futures • agricultureAnthony Dunne • Anthony Lebosse • bookletcamouflage • Cape Town Design Festival • Claire Renard • climate challenges • climate change • dandelion • dark humour • Design Indaba • designers • digital-biological integration • Dunne and Raby • edible fauna • edible flora • ethical consumptionfarmingFiona Rabyfishingflora and faunafood • food design • food gathering activitiesfood security • food system • Frank Tjepkema • fruit • Futurefarmers (artist collective) • gleaning • hunting and gathering tactics • ICSID World Design Congress • Jean-Sebastien Blanc • leftovers • limited natural resources • meat consumption • Paris • pate • pigeon • poodlepopulation growth • Protofarm 2050 • prototype tools • rat • renewable resource • Revital Cohen • Seine • Singaporesite-specific interventionsSouth Africa • speculative approaches • speculative designspeculative proposals • speculative scenarios • speculative urbanism • starlingssustainabilitysustainable consumption • sustainable cultivation • tactical behaviourtactics • urban food • urbanisation • Vincent Baranger

CONTRIBUTOR

Simon Perkins
15 MARCH 2014

Organ of Corti (2010-11) an experimental acoustical intervention

"Organ of Corti is an experimental instrument that recycles noise from the environment. It does not make any sound of its own, but rather it attempts to draw our attention to the sounds already present by framing them in a new way. Named after the organ of hearing in the inner ear, it uses the acoustic technology of sonic crystals to accentuate and attenuate frequencies within the broad range of sound present in road traffic or falling water. By recycling surplus sounds from our environment, we hope to challenge expectations of what might constitute a piece of music by adding nothing to the existing soundscape but rather offering new ways of listening to what is already there. This instrument is a device that, for us, rematerializes our experience of sound, inviting us to 'listen to ourselves listen'."

(Frances Crow and David Prior)

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2011 • acoustic properties • acoustical experimentacousticsambient soundarchitectural conjecture • architectural interventions • architectural speculation • David Prior • design research project • experimental acoustical intervention • experimental music • experimental music composition • experimental musical instrumentexperimental soundexploratory projects • Frances Crow • interdisciplinary investigationlandscape futures • Liminal (partnership) • listening • music production • noisenoise pollutionorgan • Organ of Corti • persistence of sound • PRS New Music Award • public sound art • research and consultancy • site-specific interventionssonic artssonic environment • sound and music environments for exhibition • sound artsound artistsound designsound experimentssound performancesound sculpture • sound walk • soundscape • spatialised sound installations • spatialised soundscapes • speculative researchUKurban experienceurban landscapeurban speculationuser paths

CONTRIBUTOR

Simon Perkins
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