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Which clippings match 'Associative' keyword pg.1 of 1
08 JANUARY 2014

Kafka's Wound by Will Self

"I am guilty of an association of ideas; or rather: I am guilty–that's a given, and in casting about for the source of my guilt I find I cannot prevent myself from linking one idea with another purely on the basis of their contiguity, in time, in place, in my own mind. It's not only ideas I connect like this, I do it with images, sensory impressions and the most epiphenomenal of mental glitches. Hume writes in his An Enquiry Concerning Human Understanding that the imagination is best conceived of as a combinatorial faculty: there is nothing intrinsically imaginative about the idea of 'gold', nor the idea of 'mountain', but join them together and you have a fantastically gleaming 'gold mountain'. And might not that gold mountain be the Laurenziberg in Prague? After all, it looms over contemporary Prague–under its Czech language moniker, the Petřín–just as it loomed in the consciousness of Franz Kafka, whose earliest surviving narrative fragment, 'Description of a Struggle', is in part an account of a phantasmagorical ascent of its slopes: 'But now the cool light which precedes the rising of the moon spread over the mountain and suddenly the moon itself appeared from beyond one of the restless bushes. I on the other hand had meanwhile been gazing in another direction, and when I now looked ahead of me and suddenly saw it glowing in its almost full roundness, I stood still with troubled eyes, for my precipitous road seemed to lead straight into this terrifying moon.'"

(Kafka's Wound by Will Self)



associative • associative logic • between people and things • combinatorial faculty • contiguity • Czech language • Czech RepublicDavid Hume • epiphenomenal • essay • fantastically gleaming • Franz Kafkaglitch • gold mountain • hypermedia • idea association • imaginationinformation visualisationinterlinking • linking one idea with another • linking structure • London Review of Books • mental glitch • moonnodal structureorganisational relationship • Petrin • phantasmagoricalPraguerelatednessrhizomatic associationsrhizome • sensory impressions • similitude • Will Self


Anna Troisi
19 OCTOBER 2008

Creative Thinking

"Much of the thinking done in formal education emphasises the skills of analysis––teaching students how to understand claims, follow or create a logical argument, figure out the answer, eliminate the incorrect paths and focus on the correct one. However, there is another kind of thinking, one that focuses on exploring ideas, generating possibilities, looking for many right answers rather than just one. Both of these kinds of thinking are vital to a successful working life, yet the latter one tends to be ignored until after college. ... In an activity like problem solving, both kinds of thinking are important to us. First, we must analyse the problem; then we must generate possible solutions; next we must choose and implement the best solution; and finally, we must evaluate the effectiveness of the solution. As you can see, this process reveals an alternation between the two kinds of thinking, critical and creative. In practice, both kinds of thinking operate together much of the time and are not really independent of each other."
(Robert Harris, 1998)


analysisargumentassociativecreative thinkingexploration • formal education • generative • Robert Harris


Simon Perkins
27 DECEMBER 2007

Joseph Cornell: navigating the imagination

"American artist Joseph Cornell (1903–1972) ... forever altered the concept of the box – from a time–honoured functional container into a new art form, the box construction. ...

His ... exhibition is organised thematically to suggest his understanding of the imagination as an echo chamber where possibilities and connections can be discovered through subtle repetition and variation. Each thematic section mingles the series, media, and time frames in which he worked. ...

It is also central to the modern concept of creativity as the collision and recombination of ideas. Traditions can be reinterpreted; connections can be forged between the seemingly random or disparate. Cornell believed that artists renew and transform materials, experiences, and ideas, and this belief fuelled his ability to communicate the beauty and magic in ordinary, often forgotten things."

(Lynda Roscoe Hartigan, Peabody Essex Museum)



appropriationassemblingassociativeboxclassificationcompartmentephemera • Joseph Cornell • marvelsmaterial cultureminor objectsmodular organisationmodular systemordering • Peabody Essex Museum • recombinantsimilitudevisual arts

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