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Which clippings match 'Intensive Agriculture' keyword pg.1 of 1
06 JUNE 2014

Co-option used to promote ethical consumption practices

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TAGS

1967advertising analysisanimal farmschickenco-option • Compassion in World Farming (organisation) • consumption practicescrueltyemotive manipulationethical consumptionethical practicesevocative advertising • factory farming practices • farm animal • farm animal welfare • farming • food marketing • food productionintensive agriculture • intensive factory farming • intensive farminglecture formatmarketing communicationmeat production • Nestle Shreddies • poultry • poultry farming • product innovation • product labelling • product rebranding • public presentation • rhetorical fearsystemised crueltywillful ignorance

CONTRIBUTOR

Simon Perkins
26 MAY 2014

An animated meditation on destructive consumption practices

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20122D animationAdobe FlashAfter Effectsalien beingsanimationapocalypseassembly lineblack humour • central species on the planet • consumptiondepletiondepletion of natural resourcesdestructive practicesdeus ex machina • Edvard Grieg • environmental consequencesexploitation of natural resourcesextinctionfast foodfood productionhave dominion over all other living creatureshuman activities • humanocentrism • In the Hall of the Mountain King • instrumental view of natureintensive agriculture • KFC • Man (2012) • mass extinctionmeat production • most significant species on the planet • natural environmentnatural resourcesnatural world • natural world has value only as it benefits humankind • non-renewable resource • patterns of consumptionpollutionrhythm of the planetrubbishsatirical illustrationSteve Cuttsterrestrial ecosystemunsustainablewanton destructionwastewelcomewildlife reserves

CONTRIBUTOR

Simon Perkins
24 DECEMBER 2013

Roundtable on Sustainable Palm Oil: transforming markets to make sustainable palm oil the norm

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Africa • animal fat • Asia-Pacific • better management practices • biodiversity • biofuel • Caribbean • confectionary • cooking oil • cosmeticscritical habitatdeforestationdestructive practicesdetergent • edible oils • elephantendangered speciesenvironmental challengesethical consumption • feeding the planet • foodfood ingredientfood productionforest-dwelling peoplesglobal challenge • global oil production • GreenPalm • Greenpeace • habitat • herbicide • ice-cream • Indonesia • industrial lubricant • intensive agricultureLatin America • lipstick • MalaysiamargarinemonocultureNGONigeriaoil • oil palm tree • oil producing plant • orangutan • Oxfam • palm fruit • palm oil • palm oil industry • palm oil production • pesticideplant oil • plantation • rainforest • Rainforest Alliance • rainforest protection • rapeseed oil • rhino • Roundtable on Sustainable Palm Oil (RSPO) • RSPO • shampoo • smallholders • soapSoutheast Asia • soya oil • sunflower oil • sustainabilitysustainable agriculturesustainable production practicestigertropical forestvegetable oilwaxWWF

CONTRIBUTOR

Simon Perkins
09 JANUARY 2013

Samsara: a visual meditation on modern living

"Expanding on the themes they developed in BARAKA (1992) and CHRONOS (1985), SAMSARA explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of man's spirituality and the human experience. Neither a traditional documentary nor a travelogue, SAMSARA takes the form of a nonverbal, guided meditation. Through powerful images, the film illuminates the links between humanity and the rest of nature, showing how our life cycle mirrors the rhythm of the planet.

The filmmakers approach non verbal filmmaking with an understanding that it must live up to the standard of great still photography, revealing the essence of a subject, not just its physical presence. SAMSARA was photographed entirely in 70mm film utilizing both standard frame rates and with a motion control time–lapse camera designed specifically for this project. This camera system allows perspective shifts to reveal extraordinary views of ordinary scenes. The images were then transferred through the highest resolution scanning process available to the new 4K digital projection format that allows for mesmerizing images of unprecedented clarity. SAMSARA will be a showpiece for the new, high–resolution 4K digital projection, the HD format, as well as standard digital and film projection."

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2011 • 4K digital projection • 70mm film • assembly line • Baraka (1992) • cabinet of curiosities • Chronos (1985) • desertdocumentary filmethnographic film • ever turning wheel of life • factoryfactory workerfood productiongrotesquely beautiful imagery • guided meditation • human experience • human robotics • humanityindustrial ageindustrialisationintensive agricultureintensive farminginterconnectedness • life-cycle • Lisa Gerrard • manufactoriesmanufacturing processes • Marcello De Francisci • Mark Magidson • mesmerising images • Michael Stearns • modern centres • modern living • modern technology • motion control time-lapse • natural world • non verbal filmmaking • production linerhythm of the planet • Ron Fricke • rubbish • Samsara (2011) • spirituality • Super Panavision 70 • sweeping landscapes • tableau vivanttimelapse • timelapse photography • traffic congestiontravelogue • visual meditation • visual patternwordless

CONTRIBUTOR

Simon Perkins
06 MARCH 2012

Home: a call to action to halt global warming

"In the past 200,000 years, humans have upset the balance of planet Earth, a balance established by nearly four billion years of evolution. We must act now. It is too late to be a pessimist. The price is too high. Humanity has little time to reverse the trend and change its patterns of consumption.

Through visually stunning footage from over fifty countries, all shot from an aerial perspective, Yann Arthus–Bertrand shows us a view most of us have never seen. He shares with us his sense of awe about our planet and his concern for its health. With this film, Arthus–Bertrand hopes to provide a stepping–stone to further the call to action to take care of our HOME.

HOME is the first film that has been made using aerial–only footage. The film marks artist–activist Yann Arthus–Bertrand's feature film directorial debut.

HOME the movie is carbon offset. All of the CO2 emissions engendered by the making of the film are calculated and offset by sums of money that are used to provide clean energy to those who do not have any. For the last ten years, all the work of Yann Arthus–Bertrand has been carbon offset."

(Yann Arthus–Bertrand)

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CONTRIBUTOR

Simon Perkins
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