"This narrated computer animation shows results from a research project involving simulated Darwinian evolutions of virtual block creatures. A population of several hundred creatures is created within a supercomputer, and each creature is tested for their ability to perform a given task, such the ability to swim in a simulated water environment. The successful survive, and their virtual genes containing coded instructions for their growth, are copied, combined, and mutated to make offspring for a new population. The new creatures are again tested, and some may be improvements on their parents. As this cycle of variation and selection continues, creatures with more and more successful behaviors can emerge.
The creatures shown are results the final products from many independent simulations in which they were selected for swimming, walking, jumping, following, and competing for control of a green cube."
(Karl Sims, Internet Archive)
"The Public Domain Review is a not–for–profit project dedicated to showcasing the most interesting and unusual out–of–copyright works available online.
All works eventually fall out of copyright–from classic works of art, music and literature, to abandoned drafts, tentative plans, and overlooked fragments. In doing so they enter the public domain, a vast commons of material that everyone is free to enjoy, share and build upon without restriction.
(Adam Green and Jonathan Gray)
Fig.1 [http://publicdomainreview.org/2011/08/15/labillardiere–and–his–relation/], Fig.2 [http://publicdomainreview.org/2012/07/30/the–flowers–personified–1847/]
"This experimental film ('Venom and Eternity') by Isidore Isou constitutes the Letterist manifesto of film. Rejecting film conventions by 'chiseling' away at them, Isou introduced several new concepts, including discrepancy cinema where the sound track has nothing to do with the visual track. In addition, the celluloid itself was attacked with destructive techniques such as scratches and washing it in bleach. Causing a scandal at the 1951 Cannes Film Festival, this film was later introduced in the United States where it influenced avant–garde film makers such as Stan Brakhage."
Fig.1 Isidore Isou (1951). Traité de bave et d'éternité. Venom And Eternity.
"The New Museum is accepting requests from the public for digital preservation of artist–produced moving image and born–digital content. Appointments for transfer and recovery are available from July 17 through September 8, 2013, transfers occur as part of the exhibition/lab 'XFR STN' ...
All moving image materials that are digitized as part of the exhibition will be made publicly available by the New Museum on the Internet Archive, a nonprofit institution whose mission includes offering 'free and open access to all the world's knowledge' and to provide permanent access for researchers, historians, scholars, people with disabilities, and the general public to cultural heritage collections. All artists submitting moving image materials will be able to download preservation–grade digital versions of their materials from the Internet Archive. Born–digital materials that are digitized as part of the exhibition can be made available by the New Museum on the Internet Archive at the artist's discretion. As part of 'XFR STN,' selections from the digitized content posted on the Internet Archive will be informally screened in the exhibition galleries."
Fig.1 Matthew Geller answering phones during the live call–in segment of Cara Perlman's End of the World show, produced for Potato Wolf, a project of Colab TV, ca. 1978
"In the last few years we've seen government open data initiatives grow from a handful to hundreds, and we've seen open data become important in areas such as research, culture and international development. This event will explore how open data is not only expanding geographically but also touching new sectors and new areas. How should governments and international institutions such as the UN react to these changes? How should business take advantage of new opportunities and contribute to the open data economy? How do citizens and civil society organizations turn data into accountability and into change?"