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Which clippings match 'Leonardo Da Vinci' keyword pg.1 of 2
29 JANUARY 2016

Why Man Creates: the great (Western) progress narrative

"How unlikely that one of the least definable films from the last half-century would also be one of the most beloved. A favorite of classroom AV diversions, and an abridged presentation on the very first episode of '60 Minutes' helped make it the most viewed educational film of all time. 'I don't know what it all means,' Saul Bass himself admitted, and his 'Why Man Creates' (1968) is far more loose and playful than the rigid thesis its title might imply. In fact, it is the searching and open-ended nature of the various vignettes that perhaps makes the film resonate so strongly with viewers. Though an Oscar®-winner for Documentary Short Subject, the film is almost entirely invented, apart from recollections of old masters like Edison, Hemingway and Einstein, and brief encounters with scientists striving to innovate for the betterment of mankind. Creators invariably encounter problems, and have no choice but to persevere in the face of discouragement. If the film argues anything, it is that the unbridled pursuit of new ideas makes us uniquely human."

(Sean Savage)

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1968Albert Einstein • Alfred Nobel • American Revolution • Ancient Greeceanimated filmArab • birth of civilization • cancer research • cave painting • cavemen • celebrating human achievement • creative inspirationcreativitydark ages • development of writing • dynamite • early humans • Ernest Hemingway • Euclid • Great Pyramids at Giza • Greek achievements • hand-drawn animationhistory of ideashuman civilizationinvention of the wheelinventiveness • James Bonner • Jesse Greenstein • Leonardo da VincilibertyLouis PasteurLudwig van Beethovenman • mathematical discovery • Mayo Simon • Michelangelo • nature of creativity • nature of justice • organised labour • origin of the universe • Paul Saltman • pioneering mathematicsprogress narratives • pursuit of happiness • religion • Renato Dulbecco • Saul Bassscience historyscientific progressThomas EdisonvignetteWestern culture • Why Man Creates (1968) • zero

CONTRIBUTOR

Simon Perkins
15 APRIL 2015

Webcam Venus (and other NIRL Masterpieces)

"In Webcam Venus, we asked online sexcam performers to replicate iconic works of art. This piece is an experimental homage to both fine art and the lowbrow internet phenomenon of cams. Sexcams use webcams and chat interfaces to connect amateur adult performers with an audience. Users log on to see men, women, transsexuals, couples and groups broadcast their bodies and sexuality live for the public, often performing for money. To create this experiment in high and low brow media, we assumed anonymous handles and spent a few hours each day for a month asking performers: 'Would you like to pose for me?'

What is beauty today? By operating in the language of sexcams, we alter the contemporary ideal of beauty with the ubiquitous display of sexuality online. We challenge the institutions which enforce false perceptions of propriety—via nudity in classical painting—as the only form of acceptable safe-for-work beauty. Publicly presented traditional paintings and sculptures are prevalent with sexuality and gender politics, and yet the display of nudity online is usually defined as 'pornography'. Amateur adult broadcasters also resist the popular, contemporary definition of beauty. They are not the typical definition of beauty prevalent main stream media: heavily Photoshopped image in the name of advertising, which destroys self image and confidence while encouraging materialism. Sexcam performers are the apotheosis of the most honest parts of us and yet typically the least valued part of a society. Even though they are transmitted virtually, they are real people and they are beautiful."

(Addie Wagenknecht, 5 March 2013, Free Art and Technology Lab)

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2013 • Addie Wagenknecht • adult imagery • adult performer • Amadeo Modigliani • amateur adult broadcasters • body politics • cam space • cam-girl • camgirl • chat model • classical beautycritical reinterpretation • Danae • de-sexualisation • depictions of mendepictions of women • digiphrenia • display of sexuality • Edgar Degas • Eugene Delacroix • fine art masterpiece • Free Art and Technology Lab • gender politicsgraphic sex actsin real life (IRL) • interactive online spaces • intimate interactions • IRL • James McNeill Whistler • La Fornarina (1518) • la Gioconda (1506) • La Vague (1896) • Leonardo da Vinci • live cam • Mademoiselle Rose (1824) • mediated representation • Mona Lisa (1506) • NIRL • not in real life (NIRL) • NSFWnude in western art • Pablo Garcia • porn performer • public intimacy • Raphaelreal peoplereclining nudeRembrandt van Rijn • self-aware • self-conscious • sex chat • sexcam • sexcam performer • sexual depictions • sexuality online • spectacular societytableau vivantTitianVenus of Urbino (1538)webcam sex • Webcam Venus (2013) • western artWilliam-Adolphe Bouguereau • Woman with a Comb (1884)

CONTRIBUTOR

Simon Perkins
22 FEBRUARY 2015

Eye Appeal: Spectacle on Stage and in Life

"From ancient times to the present 'spectacle' (the visual aspects of human performance–architecture, scenery, costumes, makeup, lighting, special effects, and staging) has been used to expressively embody and evoke meaning in rituals, ceremonies, and artistic performances. This course [Eye Appeal: Spectacle on Stage and in Life at The University of North Carolina at Greensboro] will examine the use of spectacle as an expressive mode of communication in human performance from antiquity to the present."

(Bob Hansen, 2004)

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2004 • aesthetician • antiquityart historyartifice • artistic performances • Ben Jonson • Bryan Holmes • ceremony • Cinquecento • circus • commanding form • costume design • court spectacles • creation of spectacle • dramatic literature • entertainment spectacle • expressive mode of communication • eyecatching • George Kernodle • high renaissance • human performance • Inigo Jones • Jean-Baptiste Poquelin • John Lahr • Jonathan Price • lecture programmeLeonardo da Vincilightingmake-upMichelangelo • Moliere • parade • Phyllis Hartnoll • physiological reactions • psychological reactions • public showsRaphael • religious rites • renaissanceritualscene designsceneryscenographysetting • Shakespeare • show (spectacle)special effectsspectacle • spectacles • spetakel • stage magic • stagecraft • staging • Susanne Langer • Sybil Rosenfeld • technical theatre • theatre architecture • Thomas Heck • TitianTiziano • Tiziano Vecelli • Tiziano Vecellio • University of North Carolina • University of North Carolina at Greensboro • visual and performance elements • visual spectaclevisual spectacular • visually striking

CONTRIBUTOR

Simon Perkins
29 DECEMBER 2012

Dara Ó Briain's Science Club: The Story of Music

"Special guest James May explores how music is inextricably linked to our emotions, materials scientist Mark Miodownik takes apart an electric guitar and neuroscientist Tali Sharot reports on the ground breaking research which treats Parkinson's Disease with rhythm. Plus, science journalist Alok Jha asks whether computers are ruining music."

(BBC Two, UK)

Fig.1 this animation is from Episode 6 of 6 of Dara Ó Briain's Science Club, Tuesday 30 Dec 2012 at 9pm on BBC Two, voiced by Dara Ó Briain, animated by 12Foot6, Published on YouTube on 19 Dec 2012 by BBC.

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CONTRIBUTOR

Simon Perkins
26 JULY 2010

Drawing study: Head of a Girl

"The eminent art expert Bernhard Berenson called this sheet 'the most beautiful drawing in the world.' It is thought to be a study for the angel in the Virgin of the Rocks in the Musée du Louvre, Paris."

(Web Gallery of Art)

Fig.1 Leonardo da Vinci, c. 1483. Silverpoint and white highlights on prepared paper, 181 x 159 mm, Biblioteca Reale, Turin.

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1483 • angelartistic practice • Bernhard Berenson • conceptualisationcreative practicedesign processdrawingdrawing studyfine art • Head of a Girl • Leonardo da Vinci • Musee du Louvre • polymathsketchsketchbook • Virgin of the Rocks • visual artsvisual depiction

CONTRIBUTOR

Simon Perkins
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