"EBN works to harness the power of multimedia audio–visual technology into the most effective electronic behavior control system.
EBN's techniques involve a collection and analysis of massive amounts of randomly recorded audio and video television programming. After a careful screening internal process, the choicest bits are chosen for inclusion in compositions using internal digital sampling and video editing in their own production facility."
(fUSION Anomaly, 12 January 2003)
"Then, one night, I was watching TV and happened to tape a documentary–it was ABC's Vietnam Requiem–about the war. When I watched it back, what struck me was how young the soldiers were: the documentary said their average age was 19. I was out having fun in pubs and clubs when I was 19, not being shoved into jungles and shot at. One line–'None of them received a hero's welcome'–really struck a chord. When the soldiers came home, people wondered what had happened to the smiling kids who went out there. What did they expect if they'd been through that shit?
I started messing around and adding music to the narrative. The main sound was electro–I was hugely into Afrika Bambaataa at the time–but I added a bit of jazz and a nice melody. I used an Emu Emulator, an early type of sampler that had a two–second limit when it came to doing samples. That's why the hook was 'N–n–n–nineteen'. It was the only bit of the narrative that made sense in two seconds."
(Interviews by Dave Simpson, The Guardian, 24 September 2012)
"Having languished in obscurity for many years, '60s US duo Silver Apples are now being widely recognised as pioneers of electronica, thanks to their ground–breaking work in melding psychedelic rock with primitive oscillators. At the time, certain switched–on tastemakers such as John Lennon and sometime collaborator Jimi Hendrix sang their praises, but it's been in latter years, with the likes of Beck, the Beastie Boys, Stereolab and Portishead's Geoff Barrow all acknowledging their influence, that the band's renown has grown. Despite having released only two albums during their first flush of creativity, it seems that Silver Apples' electronically enhanced, wigged–out pop has cast a long shadow. 'It's extremely rewarding as an artist that the documents of activity that I did all those years ago are being thought of as references by other musicians,' says the band's singer/electronicist Simeon today. 'It just astonishes me that it's taken on this kind of importance.'"