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Which clippings match 'Minimalist Art' keyword pg.1 of 1
20 JULY 2014

Mechnical sound works from commonplace industrial objects

"The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the 'artificial' and the 'organic'. It's an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns."

(Statements about Zimoun: Tim Beck http://www.zimoun.net/about.html)

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TAGS

acoustic hum • artistic research • Bern • cacophony • chaotic forces • commonplace industrial objects • commonplace objects • complex behaviours • elegant systems • functional materials • generative systems • hum • industrial objects • installation artintricacykinetic sculpturekinetic sound sculpture • lifeless matter • mechanical rhythmmechanism • mechnical sound works • minimalist art • minimalist constructions • multiples • noise • ordered system • orderly patternspatternprimitive oscillatorsquasi autonomous creaturesrepetitionrhythm oscillator • rhythmic pattern • robotic artroboticsrule systemsimple rules • sonic chaos • sound and motion • sound artsound artistsound installationsound pieces • sound production • sound sculpture • sound works • structural simplicity • swarm behaviourswarming • synthetic structures • visual chaos • Zimoun

CONTRIBUTOR

Simon Perkins
07 MARCH 2014

Artist's spoof Ladybird book provokes wrath of Penguin

"An artist and comedian [Miriam Elia] has been told by the publisher Penguin that her new satirical art book breaches its copyright, and if she continues to sell copies it could use the courts to seize the books and have them pulped. ...

Elia's version sees them visiting an exhibition at a modern art gallery and grappling with existential questions about the nature of Tracey Emin–style conceptualist work, much of it peppered with distinctly adult imagery."

(Gareth Rubin, 2 March 2014, The Guardian)

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1950s2014adult imageryart and designart galleryart gallery experienceartistartworkballoonballoon dog • Balloon Dog (Orange) • book illustrationBritish artcanvaschildrens bookchildrens book illustrationconceptual artcontemporary artcontemporary art exhibitionscopyright • crucifix • empty room • feminist parodygod • God is dead • guiltinflatable • Jane • Jeff Koons • Ladybird Book • minimalist art • Miriam Elia • modern artmother • Mummy • NietzschenihilismparodyPenguin Random Housepenis • personal sacrifice • Peter • prettyreductionism • sacrifice • satiresexTate ModernThe GuardianTracey EminUKvagina • We Go To The Gallery (book)

CONTRIBUTOR

Simon Perkins
06 SEPTEMBER 2011

Riduan Tomkins' formal use of figuration

"Figuration itself is not inconsistent with the Modernist tradition since, even the most abstract of Modernist work makes references to things outside itself, yet, of all the features in Tomkins' work, the distinctive way in which he uses figuration seems to set it apart from the rest. Giacometti–like (although informed by Picasso and Matisse) troupes of figures edge around the paintings always playing some formal role but never solely in virtue of their form, scale, colour or location. Typically they point, both literally and figuratively, to formal elements in the Works, including, curiously enough, each other – but they also fly on trapezes, hold safety nets, dance and strike poses. None of the figures, however, are merely incidental to formal issues and although interdependent with them they have, as well, a life of their own. This invites interpretation, at least to the extent that we find ourselves reflecting on how and why the figures appear to us as they do – like mute vandevillians whose master, Tomkins, having rendered them onto some flattened proscenium, orchestrates their participation in a frozen theatrical tragicomic tableau. However, we cannot know the purpose of such entertainments beyond their capacity to intrigue and amuse us."

(Ted Bracey, 1987)

2) Ted Bracey (1987). Robert McDougall Art Gallery [now Christchurch Art Gallery Te Puna o Waiwhetu].

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abstraction • Alberto Giacometti • Aotearoa New Zealandauthentic residueChristchurchcolour fielddancedesign formalismfigurationfiguresfigures in spaceflat spaceflat surface • flattened proscenium • formformal elements • formal issues • frozenHenri Matisselegitimacyminimalist artmodernismmodernist traditionPablo Picassopainting • pentimenti • pentimento • proscenium arch • reflexive aesthetic practices • Riduan Tomkins • scale • School of Fine Arts • strike a pose • tableautableau vivant • Ted Bracey • theatricaltragicomictrapezeUniversity of Canterbury • vaudeville • visual language

CONTRIBUTOR

Simon Perkins
16 SEPTEMBER 2008

Clay Ketter: Gulf Coast Slabs

"A show of new work by the American artist Clay Ketter opened in London this week at Bartha Contemporary. Ketter, who has lived in Sweden for over 20 years, is renowned for creating art works through the investigation of construction techniques. His work on the surface has a beautifully minimalist aesthetic, but the real interest lies beneath the layers in a "truth to materials" approach and the perfection of the process."

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TAGS

architecturebuilt space • Clay Ketter • construction techniqueserasure • Gulf Coast Slabs • layeredLondonmaterialsminimalismminimalist artpalimpsestsurfacevisual abstraction

CONTRIBUTOR

Simon Perkins
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