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Which clippings match 'Intertextuality' keyword pg.1 of 3
21 JUNE 2013

Photobombing: foregrounding the constructed reality of photographic scenes

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breaking the fourth wallconstructed reality • diminish • distracting attentiondistracting behaviourdistraction • divert attention • extradiegeticfocus • foregrounding constructedness • grab our attentionhuman behaviourhumourintertextuality • non-diegetic • out of the spotlight • photobomb • photobombing • photographic portraitplayfulnessprankreflexive foregroundingreflexivitysnapshotssurprise • the space of the photograph • trivialisationundermine • upstage • upstagingworld of the image

CONTRIBUTOR

Simon Perkins
22 NOVEMBER 2012

Louvre chase scene with Bugs Bunny, Daffy Duck and Elmer Fudd

Extract from "Looney Tunes: Back in Action" (2003)

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2003 • A Sunday Afternoon on the Island of La Grande Jatte (1884) • art gallerybreaking the fourth wall • Bugs Bunny • cartoon characterschase sceneDaffy DuckEdvard Munch • Elmer Fudd • extradiegeticGeorges Seurat • Henri de Toulouse-Lautrec • humourintertextuality • Jerry Goldsmith • Looney TunesLouvremetatheatricality • moulin rouge • Moulin Rouge La Goulue (1891) • paint by numbers • paintingspointillismremediationSalvador Dalisurrealist style • The Persistence of Memory (1931) • The Scream (1893)world of the image

CONTRIBUTOR

Simon Perkins
24 JULY 2012

Pencil drawn evolution by Spanish production house Boolab

"boolab is a production house dedicated to motion graphics, animation (2D and 3D) and the development of other visual techniques, both traditional and cutting or bleeding edge. It came into being in 2004 within the framework of Booker, an advertising production house in the field of live–action, founded in 1996. Initially, boolab was envisaged as an in–house lab for research into new audiovisual languages, but it soon set its sights beyond the company walls. Success was not long in coming, and it rapidly developed into what it is today – a production house that is a benchmark in audiovisual innovation throughout Spain and Europe."

(Boolab)

Fig.1 Pilot: 'Evolution' – boolab, uploaded by boolab Plus 1 year ago.

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199620082D animationanimationanimator as creatorBarcelona • Boolab (production house) • character animationcreative experimentscreative practicedesign craftdrawingdrawing on paperevolution • Evolution (animation) • hand-drawnillustrationintertextualityline drawingmotion graphics • Motionographer (magazine) • pen and inkpen sketchesproduction company • production house • quick sketch • Spainstop-frame animationtraditional animationtraditional techniquesvisual communicationvisual designvisual narrativevisual simplicity

CONTRIBUTOR

Simon Perkins
29 JUNE 2012

College for Creative Studies: 1 in 5 Teenagers Will Experiment With Art

"College for Creative Studies's (CCS's) 'PSA' campaign, launched in September, has recently gone viral with more than 1,000,000 hits and shares on various social networking and blogging sites including Facebook and Twitter. Created by advertising agency, Team Detroit (Dearborn, MI), the campaign loosely parodies popular anti–drug campaigns from the 1980s and 90s. This light–hearted approach is intended to help recruit potential students to CCS...

'We understand that applying to an art and design College requires a serious commitment on the part of students and families. There is a competitive entry process and we offer students a rigorous education while providing graduates with a solid career trajectory,' says CCS President Richard L. Rogers. 'With this campaign we are able to convey a serious message in an amusing manner. We are grateful to Team Detroit for spearheading this great effort with their stellar pro–bono work. It is particularly impactful that CCS alumni Vic Quattrin, Brandi Keeler and Michael Burdick helped to develop the campaign.'

The entire campaign is supported by a fully–integrated marketing effort including print, broadcast, outdoor, cinema and online advertisements with the tagline, 'Talk to your kids about art school: a message from the College for Creative Studies.' It went viral due to a post from the Tulsa Oklahoma based Philbrook Museum of Art's Facebook page.

'As an institution that strongly embraces social media and its growing potential, we are always looking for compelling content to share with our online communities. This campaign certainly struck a chord with us on a humorous level, but it is the underlying sentiment and advocacy for the arts as a viable career path that made this campaign special. It was such a pleasure to play a part in this viral phenomenon,' says Online Communities Manager Jeff Martin, Philbrook Museum of Art."

(College for Creative Studies, Detroit)

[The 'PSA' campaign exploits the visual vernacular of public information campaigns such as the Drug Abuse Resistance Education (D.A.R.E.)]

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1980s1990s2011ad campaignadvertising campaignadvocacy for the arts • anti-drug campaign • anti-drugs • art and designart and design careersart and design collegeart and design schoolart studentsarts advocacyBFA • broadcast campaign • career path • career trajectory • CCS • cinema campaign • College for Creative Studies • compelling content to share • DARE • Detroit • Drug Abuse Resistance Education • fully-integrated marketing • gone viralhumourintertextuality • lighthearted • marketing campaignMFA • online advertisements • online campaign • outdoor campaign • parody • Philbrook Museum of Art • print campaign • pro bono • PSApublic informationpublic service announcementrecruitment • students and families • talk to your kids about art schoolTeam Detroit • Tulsa Oklahoma • vernacular • viable career path • viral marketingvisual vernacularwent viral

CONTRIBUTOR

Simon Perkins
21 MARCH 2011

Mise en Abyme: the mirror in the text

"In a work of art, I rather like to find thus transposed, at the level of the characters, the subject of the work itself. Nothing sheds more light on the work or displays the proportions of the whole work more accurately. Thus, in paintings by Memling or Quentin Metzys, a small dark convex mirror reflects, in its turn, the interior of the room in which the action of the painting takes place. Thus, in a slightly different way, in Velasquez's Las Meninas. Finally, in literature, there is the scene in which a play is acted in Hamlet; this also happens in many other plays. In Wilhelm Meister, there are the puppet shows and the festivities in the castle. In Fall of the House of Usher, there is the piece that is read to Roderick, etc. None of these examples is absolutely accurate. What would be more accurate, and what would explain better what I'd wanted to do in my Cabiers, in Narcisse and La Tentative, would be a comparison with the device from heraldry that involves putting a second representation of the original shield 'en abyme' within it."

(Lucien Dällenbach, 1977 via Once I Metablog on Metafiction)

Dällenbach, Lucien (1977). 'The Mirror in the Text'. Chicago: The University of Chicago Press.

Fig.1 Diego Velázquez 'Las Meninas'

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1656 • Andre Gide • Diego Velazquez • Fall of the House of Usher • Hamlet • Hans Memling • heraldic shield • heraldry • infinite regressionintertextualityLas Meninasmeta-painting • metablog • metafiction • metaplay • metatheatre • metatheatricalitymirrormise-en-abyme • Quentin Metzys • recursionreflexivityrepetitionrepresentation • Wilhelm Meister • William Shakespearework of art

CONTRIBUTOR

Simon Perkins
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