"'It's very significant indeed, it's the world's first natural colour film and the fact that it's a Brit who invented it is fantastic.'
Bryony Dixon, curator of silent film at the British Film Institute (BFI) National Archives, said the 1902 footage was of international significance for the cinema world.
The films were made by Edward Raymond Turner from London who patented his colour process on 22 March, 1899. Some of the footage features Mr Turner's children in the garden of their home in Hounslow."
(12 September 2012, BBC News)
The world's first colour moving pictures dating from 1902 have been found by the National Media Museum in Bradford after lying forgotten in a tin for 110 years.
"Butcher's Hook is (or perhaps that should be will be) a three-member design studio and gallery based in an old butcher's shop in London's Portobello. The studio has been formed by Benio Urbanowicz, James Coltman, Josh Blanchett and Dan Jones, students from Kingston and LLC, all of whom graduate this summer. ...
In order to introduce themselves to the local populace, Butcher's Hook set up a digital display using an old Nintendo Wii remote, custom made Infa-Red yellow pencils, a wireless doorbell, a printer and a few extra ingredients.
'We gave away free art made by the user themselves, with the option to receive a digital copy sent to them,' they say. 'We had a great weekend, where over 150 people got involved, through their own choice... and every single one went home to find our business cards printed on the back of their own masterpiece.'
As well as launching their studio, Butcher's Hook has also entered the project into the D&AD Student Awards in response to the brief Make Your Mark."
Posted by Creative Review, 4 April 2012, 16:13
"Welcome to BFI InView. Here you will find over 2,000 non-fiction film and television titles from the 20th century to the early 21st. InView is easily searchable, comprehensively catalogued and clearly organised under six main Themes, each with an introductory essay by an academic historian."
(British Film Institute, 2009)
"Today the BFI announces the completion of Phase One of a ground breaking project to give academics, teachers, students and researchers free online access to hundreds of hours of film and television. Available through the BFI National Archive these clips tell the complex social, economic and political history of Britain in the 20th century.
Funded by JISC as part of its digitisation programme, 'BFI InView: Moving Images in the Public Sphere' comprises more than 600 hours of full-length films and television programmes, alongside over 8,000 pages of related documents that have been digitised and made exclusively available to colleges and universities via a dedicated website. Accessible through federated access management, meaning users can view the materials with a single sign-on, the BFI InView site is easily searchable with materials catalogued and organised under six main categories: education, health, the environment, immigration, race and equality, industry and economy, law and order"
(BFI National Archive, 29 May 2009)
"Imagine that you have just got home late from a long day of work only to be confronted by an endless list of chores. You drag yourself and an old bag of dirty clothes to the laundromat around the corner. Suddenly some young film-maker is putting a camera in your face and asking you about your laundry, your life and your ever-fading childhood dreams. At first you want to be left alone-get out of my face! But after a while you relax. It feels good to talk and it feels good to listen. On your way home, you keep thinking about the stories you told and the ones you heard. Your mind just keeps on spinning...
The scenario of the short film ‘Laundrette’ transforms an anonymous public space into a dynamic one where stories are swapped and strangers are given faces. The film also acts as a remarkable metaphor for what Narratives for Europe wants to become: an open space where significant stories can be voiced, echoed and debated. Selected from the media collection of ECF’s Youth and Media programme, ‘Laundrette’ was awarded ‘Best Documentary’ at the BFI Futures Film Festival 2011 in London. You can watch this film and other shorts on ECF’s VIMEOchannel.
The BFI recruited this video and is one of the 6 partners of the Doc Next Network. This network functions as the core of the Youth & Media Programme of the European Cultural Foundation (ECF). Doc Next is a unique movement of independent cultural and media organisations working with young people and media in the UK, Spain, the Netherlands, Poland, Turkey and Scandinavia."
(European Cultural Foundation)
"Launderette": Director - Bertie Telezynski, Producer - Johnny Orme, Producer - Mark Davies, Cinematographer - Alex Nevill, Cinematographer - Rachel Lewis, Editor - Louis Rossi, Sound - Liam Cook