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Which clippings match 'Artists' keyword pg.1 of 6
13 FEBRUARY 2014

Souvenirs From Earth: TV Channel for Film & Video art

"SOUVENIRS FROM EARTH is an international Cable TV station, currently broadcasting in France and Germany, presenting a 24h art program, based on Video art, Film, Visual art, Music, Installations and Performances.

Founder Marcus Kreiss and Curator Alec Crichton conceived this channel as a platform where artists of different sensibilities can find a high–end environment to experience new forms of distribution and presentation. Our production section also produces comissioned and free video art."

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Alec Crichton • alternative cultural initiatives • ambient art • art programme • artistsarts and culture channelavant-garde artists • cable TV station • Captain Kirk • digital revolutionfine artFranceGermany • immersive form • independent cultural initiativesinstallation art • Marcus Kreiss • media art • moving wallpaper • Nam June Paik • new aesthetic possibilities • new forms of distribution and presentationonline televisionperformance art • projection technologies • souvenir • Souvenirs From Earth (television channel) • special interest programmes • television channel • TV broadcast • TV stationvideo art • video painting • video paintings • videokunst • visual art

CONTRIBUTOR

Simon Perkins
11 DECEMBER 2013

Nicolas Bourriaud: Postproduction

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amateur cultural productionartistsboundary-crossing • collective story • consumerismcontemporary artcritical discoursecultural and social relationscultural technology • culture of use • database as cultural formDIYDIY craftsDJforms • historised • Hunter College • Jerome Sans • Ludwig WittgensteinMarcel Duchamp • network on signs • new audio theory • new modes of production • newness • Nicky Enright • Nicolas Bourriaud • paths through culture • post • post-productionproduser • programme forms • protocols of usereinterpretationrelational aestheticsremix culturesamplerscriptible • site of navigation • social and cultural forms • sociality • tabula rasa • the new • theory of substantial formstoolsusevisual artwork of art • zone of activity

CONTRIBUTOR

Liam Birtles
16 MARCH 2013

Constructing Models for Practitioner-Based Research

"This paper considers differing understandings about the role and praxis of practitioner–based research for the arts. Over more than a decade the nexus between theory and practice has been a point of debate within the contemporary arts school both in Australia and overseas. This paper attempts to reveal ways of approaching this issue from within and across the disciplines. Discussions with colleagues from the arts representing fields as diverse as music, visual arts, creative writing, women's studies, dance and theatre studies indicate that the research principles explored, albeit briefly, here have resonance for each of these disciplines. Consequently, in an attempt to be broadly relevant for these diverse fields I have chosen to position the model as practitioner–based. Within this widened context I will be exploring the different ways in which studio–based practitioners and academics conceptualise the processes and characteristics of research in the arts and professional practice. However, as this is still work in progress, my exemplars will largely reflect my own field of the visual arts. Further research will enable this model to expand.

Presented is a way to conceptualise and explain what we do as studio–based researchers in the arts. In so doing I am recognising that contemporary practices in the arts reflect a meridian era of evolution, which requires us to be articulate practitioners. This includes being able to analyse and write about our practice in sophisticated ways. I see practitioner–based research and the resultant exploration of personal praxis as a way to achieve this. What I propose is that as artists we open up a larger domain by recontextualizing and reinterpreting aspects of standard mainstream research processes, looking at the resemblances, the self–resemblances and the differences between traditional and practitioner–based research methods as a logic of necessity."

(Robyn Stewart, 2001)

TEXT Vol Vol 5 No 2 October 2001 [http://www.griffith.edu.au/school/art/text/]

TAGS

2001academics • articulate practitioners • artists • arts fields • arts researchcontemporary artscontemporary practicescreative artscreative practicecreative writingdanceinvestigative praxis • logic of necessity • music practice • personal praxispractitioner-based research • practitioner-based research methods • praxisprofessional practicerecontextualisationresearch in the arts • research principles • research processesRobyn Stewartstudio practicestudio-based enquiry • studio-based practitioners • studio-based researcher • TEXT (journal) • theatre studies • theory and practicevisual artswomens studies

CONTRIBUTOR

Simon Perkins
16 MARCH 2013

Cycling74 Perspectives: Alex Stahl, Paul Dresher, and Schick Machine

By Marsha Vdovin and Ron MacLeod for Cycling '74.

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2009 • Alex Stahl • artistsaudioCycling 74 • interactive music performance • interactive performanceinteractive visualisation • Marsha Vdovin • Max (software)Max/MSP • Max/MSP/Jitter • multimediamusic compositionmusic loopsmusic making technology • Paul Dresher • percussionpercussion instrument • percussionist • Ron MacLeod • Schick Machine • signal processing • visual media • visual programming

CONTRIBUTOR

Simon Perkins
21 NOVEMBER 2012

Start the Week: Art and Design with Antony Gormley and Ron Arad

"On Start the Week, Andrew Marr explores how Britain trains the artists and designers of the future. Christopher Frayling and Sarah Teasley celebrate the 175th anniversary of the Royal College of Art, the world's oldest art and design school. But one of its former teachers, the industrial designer Ron Arad argues for a broader arts education which doesn't split sculpture from painting, architecture from design. And the artist Antony Gormley redefines the limits of sculpture and building."

(Start the Week, 2012, BBC Radio 4)

BBC Radio 4: Start the Week, duration: 43 minutes, first broadcast: Monday 19 November 2012.

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175th anniversary2012Andrew MarranniversaryAntony Gormleyarchitectureart and designart and design schoolart schools • art training • artistsBBC Radio 4BBC Radio 4 • besottedness • broader arts education • celebrationChristopher Fraylingcreative capacity developmentcreative sectorcultural valuedesign trainingdesigners • do work • English BaccalaureateGovernment School of Design • history of art schools • liberal educationpaintingresearch through practice • Robin Darwin • Ron Arad • Royal College of Art • Sarah Teasley • sculptureStart the Week • think work • trainingUK

CONTRIBUTOR

Simon Perkins
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