"Animate Projects, with support from the Jerwood Charitable Foundation, invites UK-based artists and animators to submit proposals for films that - in a broad sense - explore, question, subvert or confound our expectations of art and the 'digital'.
To apply, read the guidelines and download the submission form from the Opportunities section. The deadline for proposals is 4pm, 24 August 2011.
The Digitalis Commissions are part of Digitalis, a strand of activities for 2011 that focus on the potential of the digital space as a site for artistic production."
Fig.1 Teaser for "AnimateTV - 20 Years of Experimental Animation from the UK" (DVD features acclaimed works by key figures in British artists’ animation, including Phil Mulloy, Paul Bush, Sarah Cox, Tim Macmillan, Run Wrake, Petra Freeman, Ruth Lingford, Jonathan Hodgson, AL and AL, Keith Piper, Andrew Kötting, Semiconductor, Chris Shepherd, David Shrigley, Stephen Irwin and Simon Faithfull).
Fig.2 Young-Hae Chang Heavy Industries (2008). "I'm Sucking on a Tailpipe in Seoul"
"Yep, the royal family has banned the ABC's satirical coverage of the royal wedding, only days before it goes to air, despite initially placing no restrictions on the coverage. While the wedding screens on ABC1 on Friday night, The Chaser team was planning to broadcast its own light-hearted look at the spectacle on ABC2.
Over the Easter weekend, restrictions were put in place - banning use of the wedding footage 'in any drama, comedy, satirical or similar entertainment program or content'. While The Chaser coverage has been banned, channels Nine and Ten are still planning to use commentators such as Dame Edna Everage as part of their coverage. Clarence House, the private office of the Prince of Wales, has gone as far as to warn other media outlets not to supply a feed to The Chaser team. Hopefully they'll still manage to use new social media tools to get the word out on Friday night."
(Adam Turner, 27 April 27 2011, digihub.watoday.com.au)
"In 2007 NZ On Air initiated the NZ On Screen project as an integral part of its digital strategy. Since 1989 NZ On Air has funded over 15,000 hours of local television production. Much of this content, as well as thousands more hours supported by broadcasters, film investors and other funding sources, is not easily accessible to the public.
NZ On Screen is unlocking the treasure chest, providing access to the wealth of television, film, music video and new media produced in NZ, along with knowledgeable background information."
(New Zealand on Screen)
Fig.1 Murphy, G. (1981). Goodbye Pork Pie. Aotearoa New Zealand, NZ Film.
Fig.2 Tamahori, L. (1994). Once Were Warriors. Aotearoa New Zealand, New Zealand Film Commission
Fig.3 Ballantyne, A. (2009). The Strength of Water. Aotearoa New Zealand, NZ Film.
"This article briefly describes the current status of R&D on the 'Super Hi-Vision' television system in Japan. The R&D efforts on Super Hi-Vision are intended to explore the next-generation television system to succeed HDTV at some point in the future, and it consists of ultra-HD images and three-dimensional multichannel sound. The conceptual ideas behind the research project and the status of the technological developments are described. The collaboration between various EBU Members and NHK is also mentioned."
(Masayuki Sugawara, 2008, EBU Technical Review)