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Which clippings match 'Television Network' keyword pg.1 of 1
23 DECEMBER 2013

Comux: sustainable local TV based on a community ownership model

"Comux UK was created in 2011 by Ed Hall. In 2013 it was awarded the licence by Ofcom to operate the digital transmission infrastructure. Comux offers an equitable, cost–efficient and community–driven approach to provide a wide range of services to local TV broadcasters in the UK.

We believe our approach creates a commercially sustainable and robust solution to the unique challenges facing local TV operators, and has the potential to provide an attractive return to the licence holders, and to the local TV industry as a whole. In particular we believe our model addresses the key challenge that local TV faces, which is the financial barrier to launching and successfully maintaining a local TV channel."

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TAGS

2011Birminghambroadcast media • broadcast media network • broadcasting • Canis Media • community ownership model • Comux UK • digital infrastructure • digital switchover • digital terrestrial television • distribution infrastructure • Ed Hall • EPG • Ericsson Ltdfreeviewlocal audienceslocal televisionlocal television stationlocal TVlocal TV station • multiplexing • national network • network modelOfcom • playout • television networktelevision productiontelevision programmingTVTV channelTV stationUK

CONTRIBUTOR

Simon Perkins
24 AUGUST 2013

Kevin Spacey: television has entered a new golden age

"He said Netflix ... had proved one thing: 'The audience wants control. They want freedom. If they want to binge–as they've been doing on House of Cards–then we should let them binge.

'We have learned the lesson that the music industry didn't learn: give people what they want, when they want it, in the form they want it in, at a reasonable price, and they'll more likely pay for it rather than steal it. Well, some will still steal it, but I believe this new model can take a bite out of piracy.'

But if the medium was to continue in this rich vein, TV executives would have to adapt to the way viewers want to binge on their favourite programmes on the internet or by watching DVD box sets, Spacey said.

Younger viewers no longer saw any difference between watching TV and online. 'For kids growing up, there's no difference between watching Avatar on an iPad or watching YouTube on a TV and watching Game of Thrones on their computer. It's all content. It's all story,' he said."

(John Plunkett and Jason Deans, 22 August 2013, The Guardian)

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TAGS

1950s1980s • Aaron Paul • AMC • AMC Networks • American Beauty • American Movie Classics (AMC) • art formaudience • binge • Breaking Bad (television) • broadcasterbroadcasting • Bryan Cranston • cable channel • cable televisioncharacter-driven stories • cliff-hanger • complex characterisation • control • David Fincher • demassificationdemassified media • DVD box set • Edinburgh Television Festival • Game of Thrones (television) • golden age • HBO • Hill Street Blues • Home Box Office (HBO) • Homeland (television) • House of Cards • iPad • Jack Lemmon • Kevin Spacey • Mad Menmusic industryNetflixOrson Wellespilot episode • programme maker • risk averserisk-taking • sense of total abandon • small screenstorytellingtechnological changetelevision channeltelevision networktelevision programming • The Sopranos (television) • The Usual Suspects • TV • video-streaming service • YouTube

CONTRIBUTOR

Alex Shutti
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