Which clippings match 'Jeffrey Zeldman' keyword pg.1 of 1

100+ Years of Design Manifestos

"Since the days of radical printer–pamphleteers, design and designers have a long history of fighting for what's right and working to transform society. The rise of the literary form of the manifesto also parallels the rise of modernity and the spread of letterpress printing. ...

The original list was largely drawn from Mario Piazza's presentation at the Più Design Può conference in Florence, though I've edited and added to it. I've also incorporated links where I was able to find them."

(John Emerson, 22 July 2009, Social Design Notes)

http://backspace.com/notes/2009/07/design-manifestos.php

TAGS

Albe Steiner • Alberto Marangoni • Allan Chochinov • anti-manifesto • Antonio Sant Elia • architecture • Arts and Crafts Movement • Bauhaus School • Blair Enns • Bruce Mau • Bruce Sterling • Bruno Taut • Danish design • De Stijl • Dean Allen • design manifesto • Dieter Rams • Dogme 95 • El Lissitzky • Ellen Lupton • Filippo Tommaso Marinetti • Futurism • Gelsomino DAmbrosio • Giancarlo Iliprandi • Gianfranco Torri • Giovanni Anceschi • Giovanni Baule • Giovanni Lussu • GNU • good design • graphic design • Guy Debord • Icograda • infographics • Jeffrey Zeldman • Karim Rashid • Kathleen Hanna • Ken Garland • Laszlo Moholy-Nagy • letterpress printing • literary form • manifesto • Manuel Lima • Mario Piazza • Mark Goldman • Marke Hamburg • Michael Erard • Mitch Goldstein • Noah Scalin • pamphleteer • Patrik Schumacher • Pierre Bernard • Pino Grimaldi • publishing • radical rethinking • Scandinavian Design Council • Society of the Spectacle (Guy Debord) • typography • Umair Haque • un-manifesto • Walter Gropius • Warren Berger • William McDonough • William Morris

CONTRIBUTOR

Liam Birtles

Tim Brown: advocating a universal typography

"The web is universal, so we should practice a typography that is equally universal. By focusing on traditional typographic principles, embracing progressive enhancement, and understanding how fonts, CSS, web–enabled devices, and user contexts coexist, we can reevaluate what it means to successfully set type – and inform the decisions we make about typefaces, font sizes, and white space. Let's practice future–friendly, responsive typography."

via Deb Polson [http://livingdata.tumblr.com/post/58980870798/for–my–advanced–web–design–students–the–little]