Not Signed-In
Which clippings match 'Spectacular Society' keyword pg.1 of 3
18 NOVEMBER 2016

Moby & The Void Pacific Choir: Are You Lost In The World Like Me?

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CONTRIBUTOR

Simon Perkins
05 DECEMBER 2015

Life Smartphone: a commentary on smartphone dependence

"Min Alxe, a student at the China Central Academy of Fine Arts, created 'Life Smartphone,' a darkly funny commentary on our culture's smartphone dependence. It shows different characters moving through the world and dying gruesome deaths while not paying attention to what's around them."

(Max Plenke, 08 May 2015)

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TAGS

20152D animationaddiction • adverse health effects • animated short filmbehavioral addictionblack humour • China Central Academy of Fine Arts • compulsive behaviourcultural commentarydystopian futureengrossing activityepisodic structure • extended phone use • Life Smartphone (2015) • Min Alxe • morbidnasty mishapsour relationship with technologyout of controlparody • poor posture • prolonged phone use • selfiesmartphone dependencespectacular society • text neck • textingtxtingunhealthy behaviourvignette

CONTRIBUTOR

Simon Perkins
15 NOVEMBER 2015

The hipster as the postmodern dandy

"The hipster is, concurrently, developing into a form of youth subculture, though at present in a limited sense. Many of the tropes and defining characteristics of teenage tribalism are being draped in hipster attire, but with little of the angst-ridden and socio-economic preliminaries at the base of earlier subcultural trends and movements, such as skinheads, goths and punks (or some recipe based thereon). Without a solid, or at least only slightly shifting, base in materiality and social context, the attire of this set of genuinely disenfranchised youth is sign only; the woolly hat and the running shoe are talismans devoid of any intended meaning; the world seems flooded with signs without symbolism, with younger converts to the hipster 'style' aping their ape forebears. The sign has, in this context, lost its original referent and become 'hyperreal' (Baudrillard, 1994, p.1). The 'real' origin of the sign's meaning has been lost, or buried under meaningless affectation; the borrowing and commodification of a modern exoticism; that of various minority or 'retro' alternative fashions and attitudes. In reference to subcultural groups, Hebdige notes that 'humble' objects can be magically appropriated; 'stolen' by subordinate groups and made to carry 'secret' meanings' (1979, cited in Haralambos and Holborn, 2004, p.808). This explains the way punks could style safety pins into a new context, and teddy boys could subvert the traditional connotations of Edwardian formality – the coded meanings that charge such appropriated style-objects amounted to a kind of resistance to the ruling order, be that signified by the state or in the 'square' world of the mainstream. Each subculture is in some way 'spectacular', in that it creates a spectacle and intends to be noticed. The hipster is daily losing this status, as s/he becomes overloaded with signifiers (aesthetic surface) and has become divorced from the collective; there is no need for internal reinforcement against a subordinating external force when one has such a slippery class composition. The hipster is not oppressed, and purports to signify the pinnacle of individual choice and cultural savoir faire (though this position is problematized by the amoebic development of a youth subculture with roots in working class communities). The hipster's resistance is not to social subordination but to modernity itself, to a meaning-deficit brought on by a loosely defined, insecure mainstream culture that is less and less able to provide collective ontological sustenance. Perhaps the youth-hipster is an attempt to introduce a degree of collectivity in order to partially overcome alienation and inwardness, though this does not excuse the continued loss of substance and meaning in style and aesthetic value."

(Michael Reeve, 2013, Academia.edu)

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2013 • appropriated style-objects • boredomcommodificationcontagious assemblages • cultural bricolage • cultural codescultural resistance • cultural savoir faire • dandyism • Dick Hebdige • disaffected youth • disenfranchised youth • dressing up • Edwardian formality • facial hair • fashionable fad • hipster attire • hipster fashion • hipster girl • hipster style • hipster subculture • Holborn • identity performanceindividual choice • Jack Kerouac • Jean Baudrillardliminality rites • loss of meaning • loss of substance • Martin Holborn • meaningless affectation • Michael Haralambos • modern exoticism • plaid shirt • popular culturesocial contextsocial inventionsocial norms • social subordination • spectacular societystyle • subcultural groups • subcultural trends • talismanteddy boy • teenage tribalism • universe of regularised mutual responseurban clothing • urban fashion • youth subculture

CONTRIBUTOR

Simon Perkins
12 OCTOBER 2015

Social media platform affordances promote phatic communication

"Facebook, for example, encourages phatic communication through sociable add-ons like 'vampire bites', 'zombies', 'hot potatoes' and automating messages encouraging participation between friends in quizzes, film taste reviews and the like.[6] Furthermore, Facebook's new 'beacon' technology creates an environment where one's online purchases and interests get relayed to one's network of friends through automated communication. Twitter encourages phatic communication through the imposed limits of the medium itself. The 160 character limit for messages creates brevity in communication. The lack of a private messaging facility, promotes generic 'announcements' over dialogue or targeted conversation. "

(Vincent Miller, 2008, p.398)

[6] For example, a typical automated message such as ''Mr X' has challenged you to a movie quiz' suggests a personal invitation to compete. However, it is usually the case that if 'Mr X' has participated in a movie quiz, you will, by default, be automatically 'challenged' to the quiz, by virtue of being friends with 'Mr X'.

Miller, V. (2008). "New Media, Networking and Phatic Culture." Convergence: The International Journal of Research into New Media Technologies 14(4): 387–400.

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2008 • activity patterns • announcements • automated communication • automated messagesbrevitycharacter limitconstant connection • conversation for its own sake • Facebookfriendship networks • generic announcements • grooming talking • hot potatoe • I share therefore I am • imposed limits • linguisticsmedium limitationonline activitiesonline followersperformativitypersonal interests • phatic communication • phatic communion • phatic expression • phatic speech • relationship communication • self-disclosureshare your interestssharing personal informationsharing platformshow and tellsmall talk • sociable add-on • social groomingsocial practices • social task • spectacular society • speech act • status updatethe mediumTwitterutterances • vampire bite • Vincent Miller • zombie

CONTRIBUTOR

Simon Perkins
15 JUNE 2015

Sexting becoming the norm for teens: advice for parents

"A new campaign which aims to give parents the tools to deal with their children sexting is being launched by the National Crime Agency's CEOP Command. The campaign tackles the issues which arise from young people sending self-generated nude or nearly nude images and videos – commonly known as sexting."

(UK National Crime Agency, 15 June 2015)

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20152D animationad campaignadolescents • blackmail • body awarenessbody politics • Child Exploitation and Online Protection Centre (CEOP) • child protection • cyber crime • digital youthdisplay of sexualitygraphic sex actsidentity performancein real life (IRL) • information for parents • internet saftey • National Crime Agency (NCA) • National Cyber Crime Unit (NCCU) • nearly nude images • normalising over-sharing • online protection • oversharing • photo sharing • posting images • posting onlinepractical advicepsychosocial maturationpublic service announcement • revealing images • risquesafety educationself-esteemselfiesextingsexual depictionssexualised depictionssocial consequencesspectacular society

CONTRIBUTOR

Simon Perkins
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