Not Signed-In
Which clippings match 'Specificity Of Print' keyword pg.1 of 1
03 SEPTEMBER 2014

Umberto Eco: The Virtual Imagination

"But many internet programs suggest that a story is enriched by successive contributions. … This has sometimes happened in the past without disturbing authorship. With the Commedia dell'arte, every performance was different. We cannot identify a single work due to a single author. Another example is a jazz jam session. We may believe there is a privileged performance of 'Basin Street Blues' because a recording survives. But there were as many Basin Street Blues as there were performances. ... There are books that we cannot rewrite because their function is to teach us about Necessity, and only if they are respected as they are can they provide us with such wisdom. Their repressive lesson is indispensable to reach a higher state of intellectual and moral freedom."

(Umberto Eco, 7 November 2000)

1

TAGS

2000authorial signatureauthoritative workauthorship • Basin Street Blues • biographybooks • books-to-be-read • booksellersbookstoresCinderella • closed universe • Commedia dellarte • comprehending languagecomputers • copying machine • e-bookelectronic literatureencyclopaediaend of booksend of print • enriched by successive contributions • every performance is different • evolving formfairy talefatefolioFranz Kafkafuture of the book • god passed over • grammatical rulesheroeshypertexthypertext fiction • hypertextual programme • hypertextual structures • Immanuel Kant • infinite possibilities • infinite texts • intellectual freedom • intellectual needs • jazz jam session • Les Miserables • library catalogue • linear narrative • linearityLittle Red Riding Hoodmanuscripts • moral freedom • Napoleon Bonapartenatural language • necessity • new forms of literacy • obsolete form • open work • Penguin edition • photocopierprint on demand • printed books • printed version • privileged performance • publishing houses • publishing modelreaderly textsreading • reading process • revisionscanningselectionshift to digital • single author • specificity of print • systems and text • tailored consumer experience • texts which can be interpreted in infinite ways • theories of interpretation • tragic beauty • tragic literature • Umberto Eco • unlimited texts • utilitarian value • Victor Hugo • War and Peace • Waterloo • William Shakespeare

CONTRIBUTOR

Simon Perkins
15 AUGUST 2013

Print is Flat, Code is Deep: The Importance of Media-Specific Analysis

"Many critics see the electronic age as heralding the end of books. I think this view is mistaken. Books are far too robust, reliable, long–lived, and versatile to be rendered obsolete by digital media. Rather, digital media have given us an opportunity we have not had for the last several hundred years: the chance to see print with new eyes and, with that chance, the possibility of understanding how deeply literary theory and criticism have been imbued with assumptions specific to print. As we continue to work toward critical practices and theories appropriate for electronic literature, we may come to renewed appreciation for the specificity of print. In the tangled web of medial ecology, change anywhere in the system stimulates change everywhere in the system. Books are not going the way of the dinosaur but the way of the human, changing as we change, mutating and evolving in ways that will continue, as a book lover said long ago, to teach and delight."

(Katherine Hayles, 2004)

Katherine Hayles (2004). "Print is Flat, Code is Deep: The Importance of Media–Specific Analysis" Poetics Today, Volume 25, Number 1, Spring 2004, pp. 67–90.

1

TAGS

2004analogue and digital • analogue resemblance • bookscodecritical enquirycritical practices • cyborg reading practices • digital coding • digital media • distributed cognitive environments • electronic age • electronic hypertext • electronic literature • embodied entities • emergent property • end of booksend of printevolving form • instantiation • interpretation of signsKatherine Haylesliterary criticismliterary theorymaterialitymedia ecologiesmedia specificity • media-specific analysis • medial ecology • medium specificitymutabilitynatural languageobsolete medium • physical characteristics • physical specificity • recombination • renewed appreciation • signification • signifying strategies • somnolence • spaces to navigate • specificity of printtextstransformable • versatile medium • women in cultural theory

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.