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13 MAY 2015

Sonia Delaunay: a retrospective exhibition at the Tate Modern

Tate Modern: The EY Exhibition: Sonia Delaunay, 15 April – 9 August 2015.

Sonia Delaunay. Hélice, décoration pour le Palais de l’Air, Exposition Internationale des Arts et Techniques, Paris 1937. © Pracusa 2013057. © Skissernas Museum, Lund, Sweden/Emma Krantz.

Project de Tissu Simultané n°25, France, 1924, gouache, donated by Sonia Delaunay 5 June 1966, © Les Arts Décoratifs.

Sonia Delaunay (1885-1979). “Rythme couleur” (1964), oil on canvas, Paris, musée d’Art moderne.

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2015 • abstraction and figuration • art exhibitionart simultanecolourconcentric circles • contrasting colours • dynamism • Ernst and Young • female artistFrench paintergeometric formsgeometric patternhue • living sculpture • modernist paintingmovementpainter • painting exhibition • patchwork quiltpattern • pure colour • retrospective exhibitionsimultaneismSonia DelaunayTate ModernUkrainianvibrant colourvisual abstraction

CONTRIBUTOR

Simon Perkins
28 DECEMBER 2014

The beautiful decorative patterns of faux tribal masks

"The young Dutch designer starts each of his creations on the basis of a material experiment. This enables him to discover production techniques and aesthetic developments. The result lies within unusual and attractive patterns, colours and structures. ... His love for materials has given birth to a passion for textiles that have a strong impact on his creations and pushed him to imagine a series of bizarre masks, in 2010; masks that are to Matisse, 'a characteristic sign of our essence'."

(The Red List)

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2010abstract forms • aesthetic developments • aesthetic objectsanimal resemblances • animal-mask • Bertjan Pot • carpetcolour • colour combinations • colourful designs • costume designcraft and materialscraftingdecorative artsdecorative sewingdesign craftDutch designfabric • faux tribal art • geometric designs • geometric patterns • handicraft • human face • maskmask-making • material experiment • material practicesmaterials investigationnaive stylepastiche • production technique • rope • rope masks • sewing and craft • sewn together • stylised formstextile artstextile design • The Red List • vibrant colourvisual patternzoomorphism

CONTRIBUTOR

Simon Perkins
14 SEPTEMBER 2014

A personal project to introduce a daughter to the Hungarian alphabet

"This book is the result of a very personal project aiming to introduce a little girl to the 44 letters of the Hungarian alphabet.

Illustrations were carefully designed so that every subject that appears in this book is something she's currently very much interested in. So in one way this book is not just a tool but also a diary documenting a four–year–old little girl's world in the summer of 2013 on an island in the Mediterranean Sea.

On the other hand though, hopefully it will also serve as an equally exciting source of knowledge and inspiration for anyone interested in language or design.

Ez a könyv egy személyes ajándék, aminek elsődleges célja, hogy megismertessen egy kislányt a magyar ábécé 44 betűjével.

Lgyekeztem min den itt előforduló illusztráció úgy elkészíteni, hogy azok az ő pillanatnyi érdeklődési körét legjobban tükrözzék. Így bizonyos szempontból ez a könyv nem csak egy eszköz, hanem napló is, ami, dokumentája egy négy éves kislány világbát 2013 nyarán, egy földközi – tengeri szigeten.

Másrészről viszont, remélhetőleg legalább enynyire izgalmas forráa lesz mindenki más számára is, akit egyszerűen csak érdekel a nyelv vagy a képek világa."

(Anna Kövecses, 2013)

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2013 • abeces konyv • alphabetalphabet book • Anna Kovecses • Blurb (self-publishing) • book illustrationbright colourschildrens bookchildrens book illustrationcolour fielddiary • early education • editorial designflat colourflat spaceFutura (typeface)Hungarian • Hungarian alphabet • Hungarian language • illustration • magyar • modernist aestheticsnostalgic tribute • preschool education • Reykjaviksans-serif typefaceself-publishing • stimulating imagination • teaching language • vibrant colourwomen illustratorsyoung girl

CONTRIBUTOR

Simon Perkins
13 AUGUST 2013

Sonia Delaunay and the Art Simultané

"Together, the Delaunay [Sonia and Robert Delaunay] start a research on color that will be the essence, the content and the form but also the line of a new painting for a non–figurative art. Influenced by the Fauvism, she first presents works whose subjects and models are marked, slashed by the brutality of the shades. Creative perfection to aim at, the music offers to the artists, at this time, the philosophical assessment that will underlie their respective works. Powerful associations of rhythms and melodies, the compositions gather in the idea of 'simultaneous' what makes a new challenge for poets and painters. Sonia Delaunay then progressively develops a lyrical use and signification of the color, close from cubism, between rhythm and shade. Repetitions of forms, structures but also colors, her paintings take a direction all her artistic propositions will follow."

(Ozarts Etc, 3 December 2011)

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abstract artabstract artists • art and fashion • art simultanecar • Citroen • colour • colour and fashion • colour and light • colour blocking • contrasting colour • costume designcubist and abstract artcubist conceptionsdesign formalismdesignerfabricfashion design • Fauvism • female artistgeometric designsmodern artmodern womanmodernist aestheticsmodernist paintingmosaicmovement-imagemulti-disciplinary • multi-disciplinary artist • mural • non-figurative art • paintingpatchworkpatchwork quiltpatternrepetitionRobert DelaunaysimultaneismsimultaneitySonia Delaunaytextile design • textiles design • theatrical stage design • theatrical staging • Tissus Delaunay • vibrant colourvisual abstractionvisual artistvisual contrastvorticismwomen artistswomen in art and designzig-zag

CONTRIBUTOR

Simon Perkins
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