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Which clippings match 'Paper' keyword pg.1 of 6
17 APRIL 2014

Jean Tinguely: Art, Machines and Motion

"Jean Tinguely exhibited in a show titled 'Art, Machines and Motion' at the Kaplan Gallery, London, in November 1959. In conjunction with that exhibition, Tinguely held a conference and performance at the Institute of Contemporary Art on November 16 titled 'Static, Static, Static! Be Static!' During the event, 1.5 km of paper drawn by two cyclists on his meta–matic bicycle were spread through the audience while Tinguely read his theory of movement and machines simultaneously heard on radio in Paris."

(Rosemary O'Neill, p.159)

Rosemary O'Neill (2011). Total Art and Fluxus in Nice. "Art and Visual Culture on the French Riviera, 1956–1971: The Ecole De Nice", Ashgate Publishing Limited.

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TAGS

1959abstract artanarchicart exhibition • Art Machines and Motion (exhibition) • auto-generateavant-garde artistsbicycleBritish Pathecontraptiondo-it-yourself • Ewan Phillips • generative artgenerative compositional techniqueInstitute of Contemporary Artsinteractive artironicJean Tinguely • Kaplan Gallery • kinetic sculptureLondonmachine aestheticmachinesmechanical device • meta-matic bicycle • meta-maticsmid 20th-centurymotion • movement and machines • moving machinesnewsreel • Nouveau Realistes • paperParisplayfulradiorobot artrobotised assemblagessculptorsculpture • speed sculpture

CONTRIBUTOR

Simon Perkins
15 APRIL 2014

Henri Matisse: The Cut-Outs at Tate Modern

Tate Modern: Exhibition, 17 April–7 September 2014

"Henri Matisse is a giant of modern art. This landmark show explores the final chapter in his career in which he began 'carving into colour' and his series of spectacular cut–outs was born. ...

In his late sixties, when ill health first prevented Matisse from painting, he began to cut into painted paper with scissors to make drafts for a number of commissions. In time, Matisse chose cut–outs over painting: he had invented a new medium. ...

For the first time ever, we are broadcasting live into cinemas around the country with an exclusive film about the exhibition. Matisse Live offers an intimate, behind–the–scenes view of the artist via beautiful footage of the works, interviews with his friends plus rare archive footage of Matisse at work."

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CONTRIBUTOR

Simon Perkins
30 DECEMBER 2013

Honeycomb technique form accordion-like paper sculptures

Works by Li Hongbo, created from paper, glue. Shown in 2012 at the Dominik Mersch Gallery, Australia.

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TAGS

2012 • accordion-like • artistBeijing • bendable • brilliant artifice • concertina • craft process • craft techniquecraft techniquescrafting • decorations • designer • detailed folding • Dominik Mersch Gallery • Expandable Slinky Art • flexiblegeometric formsgeometry • glue • gluing • honeycomb structure • honeycombed paper • interactive artwork • interlocking pattern • intricacy • Li Hongbo • material effectsmaterial interventionsmaterial modes of engagementpaper • paper design • paper folding • paper gourd • paper sculpture • paper-based form • papercraftrepeating formrevelationsculptural form • slinky • slinky-like sculpture • stacking • stretching honeycomb • structural formtactile experience • uncoiling • visual effect • visual illusionvisual paradoxvisual spectaclevisual transformationwhite paper

CONTRIBUTOR

Simon Perkins
29 DECEMBER 2013

Some have always distrusted new things...

"Skepticism is not new to education. Emerging technologies are often viewed with fear and resistance. Just look at some of the history surrounding educational change.

'Students today can't prepare bark to calculate their problems. They depend upon their slates, which are more expensive. What will they do when the slate is dropped and it breaks? They will be unable to write.'–Teachers Conference, 1703

'Students today depend upon paper too much. They don't know how to write on a slate without getting chalk dust all over themselves. They can't clean a slate properly. What will they do when they run out of paper?'–Teachers Association, 1815

'Students today depend upon store–bought ink. They don't know how to make their own. When they run out of ink, they will be unable to write words or cipher until the next trip to the settlement. This is a sad commentary on modern times.'–Rural American Teacher, 1929

'Ballpoint pens will be the ruin of education in our country. Students use these devices and then throw them away! The American virtues of thrift and frugality are being discarded. Business and banks will never allow such expensive luxuries.'–Federated Teacher, 1959"

(Michael Bloom, Professional Associates for Consultation and Training)

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1703 • 1815 • 19291959 • authentic practices • authenticity of thingsballpoint pen • bark • chalkconservative attitudesconstantly evolving technological platformcultural understanding of technologydistruste-learning • educational change • emerging technologiesfear of technologyinstrumental conception of technologylearning and teachinglooking backwards to the futureluddite • meaningful learning experiences • mistrust • naive perspectives • no batteries requiredorthodoxypaperparadigm shiftpen and inkpen and paper • resistance to change • resistant behaviourritualskeptical perspective • skepticism • slatestudent learning • teacher professionalism • teachingtechnical skilltechnological advancementstechnology and its impacttechnology as neutraltraditional processtraditional techniques • try out new ideas • unhealthy suspicion • use of technology

CONTRIBUTOR

Simon Perkins
29 APRIL 2013

Colourful cut-out card illustrations by Eiko Ojala

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CONTRIBUTOR

Simon Perkins
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