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Which clippings match 'Audio Art' keyword pg.1 of 1
17 MARCH 2017

Documentary About Avant-Garde Pioneer Tony Conrad

"Experimental artist Tony Conrad is known for his innovative works in performance art, music, video, and fine art as well as his contribution to arts education as a longtime media professor at The University of Buffalo. A former Harvard math student himself, Conrad is widely considered to be a pioneer of minimalism, media criticism, drone pop, and noise music thanks to his lifelong dedication to deconstruction, abstraction, and self-empowerment."

(Erin Dennison, cinemathread)

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TAGS

abstractionAndy Warholaudio artavant-garde artistsavant-garde film makeravant-garde music • avant-garde pioneer • deconstructiondrone music • drone pop • experiential musicFaust (band)filmmaker • German counterculture • influential artists • Jon Cale • media criticismminimalismNew York City • noise music • Outside the Dream Syndicate (1973) • pioneering filmmaker • pioneering musician • psychoactive consequences of repetition • repeating patternrepetition • sequential repetition • structural film • structural filmmaking • The Flicker (1966) • Tony Conrad • Tyler Hubby • Velvet Underground

CONTRIBUTOR

Simon Perkins
11 SEPTEMBER 2014

The Virtual Choir

American composer Eric Whitacre has made several pieces using Youtube to invite participants to sing his works. This TED talk demonstrates how he can also achieve this with a live audience and remote singers.

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CONTRIBUTOR

Mik Parsons
27 JULY 2013

Audio Foundation: Alt.Music

"Organised by committees in every major city in NZ under the Audio Foundation, Altmusic is an ongoing series of audio events, regularly bringing a vital injection of contemporary and avant–garde sound art from around the world to New Zealand.

As a turning cog in a thriving local audio art culture, Altmusic has, since 2001, offered a concentrated gathering point where New Zealand's audio art and experimental music scenes can cross wires with those from other centres (and other peripheries). At the same time Altmusic gives audiences the opportunity to share space with audio artists at the very pinnacle of their field, and previous years have seen programmes of performers who tour rarely and are highly regarded around the world.

Altmusic is listening with an eclectic breadth across a range of sonic trajectories, with programmes including artists investigating the embodied nature of performance and the place of live media within sound culture and some of the world's most respected pioneers of electronic music.

Altmusic does not offer a unifying framework, into which a genre ('sound art' 'noise' etc) is neatly packed, rather it attempts to disclose an–often clamorous – discursive space, in which ongoing debate as to what comprises an innovative art of sound can be publicly articulated. Aligned to such utterance is the experiential listening space which is the ground where sound art thrives, and where you, as listener, are given a chance, via the live context, to re–imagine spectatorship as participation."

(Sally Ann McIntyre)

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TAGS

2001 • Alastair Pettitt • Alt.Music • Andrew Clifford • Andrew McMillan • Aotearoa New Zealand • Artspace (NZ) • audio art • audio art culture • audio artists • audio events • Audio Foundation (NZ) • avant-garde music • Bruce Russell • Chris Cudby • contemporary sound art • drone musicelectronic music • experiential listening space • experiential musicexperimental music • Glenda Keam • Jeff Henderson • Joeseph Nunweek • Jon Bywater • live context • live media • Nigel Wright • noiseoral history • outsider music • Philip Dadson • Rachel Shearer • radio art • Richard Francis • Rosy Parlane • Sally McKintyre • Sam Hamilton • Sean Kerr • sonic artistsonic artssoundsound art • sound culture • sound performance • Stefan Neville • Tim Coster • Zita Joyce • Zoe Drayton

CONTRIBUTOR

Simon Perkins
30 SEPTEMBER 2008

Gary Hill: exploring the intertextuality of image, sound, speech, and language

"[Gary] Hill's early works investigated synthesized imagery, ecological subjects, and post–minimal political statements (Hole in the Wall, 1974). Hill's works exploring the intertextuality of image, sound, speech, and language emerged in the late 70s and early 80s, such as Soundings (1979) and Around and About (1980). Hill has gained an international reputation for his video art tapes and installations."

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CONTRIBUTOR

Simon Perkins
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