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Which clippings match 'Rejection' keyword pg.1 of 1
29 SEPTEMBER 2014

The Wooden Leg (1994)

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TAGS

16mm19942D animation • acceptance • artificial limb • Arts University Bournemouth • babybedbedroom • Bill Hopkins • black and white • black ink • British animation • childbirth • Darren Doherty • disabilitygirlhand-drawnjealousy • leg • line drawing • Mike Taylor • Nick Smith • pen and inkPeter Doherty • Peter Parr • Peter Stansfield • phantomprosthetic legrejectionreplacementromantic love • Steve Harvey • Stuart Cox • Tai Shum • The Wooden Leg (1994) • Tony Wilson • twig • woman • wooden • wooden leg

CONTRIBUTOR

Simon Perkins
11 JULY 2013

Isidore Isou's influential Venom and Eternity

"This experimental film ('Venom and Eternity') by Isidore Isou constitutes the Letterist manifesto of film. Rejecting film conventions by 'chiseling' away at them, Isou introduced several new concepts, including discrepancy cinema where the sound track has nothing to do with the visual track. In addition, the celluloid itself was attacked with destructive techniques such as scratches and washing it in bleach. Causing a scandal at the 1951 Cannes Film Festival, this film was later introduced in the United States where it influenced avant–garde film makers such as Stan Brakhage."

(Internet Archive)

Fig.1 Isidore Isou (1951). Traité de bave et d'éternité. Venom And Eternity.

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1951 • anarchism • artistic expressionavant-garde cinemaavant-garde film maker • bleach • celluloidcinema • cinema is dead • cinematic conventionsconventionsdeath of cinemadeath of the authordeface • destructive techniques • discrepancy cinema • Eric Rohmer • experimental filmformal workformalismGuy Debord • influential practitioners • influential worksInternet Archive • Isidore Isou • Jean Cocteau • letterist manifesto • lettrism • lettrist movement • Maurice Scherer • rejectionRomanian • Romanian filmmaker • scratches • situationism • situationistStan Brakhagestock footagesync sound • Venom and Eternity (1951)

CONTRIBUTOR

Simon Perkins
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