Not Signed-In
Which clippings match 'Analogue Media' keyword pg.1 of 1
06 JULY 2013

XFR STN (Transfer Station) at the New Museum in New York

"The New Museum is accepting requests from the public for digital preservation of artist–produced moving image and born–digital content. Appointments for transfer and recovery are available from July 17 through September 8, 2013, transfers occur as part of the exhibition/lab 'XFR STN' ...

All moving image materials that are digitized as part of the exhibition will be made publicly available by the New Museum on the Internet Archive, a nonprofit institution whose mission includes offering 'free and open access to all the world's knowledge' and to provide permanent access for researchers, historians, scholars, people with disabilities, and the general public to cultural heritage collections. All artists submitting moving image materials will be able to download preservation–grade digital versions of their materials from the Internet Archive. Born–digital materials that are digitized as part of the exhibition can be made available by the New Museum on the Internet Archive at the artist's discretion. As part of 'XFR STN,' selections from the digitized content posted on the Internet Archive will be informally screened in the exhibition galleries."

Fig.1 Matthew Geller answering phones during the live call–in segment of Cara Perlman's End of the World show, produced for Potato Wolf, a project of Colab TV, ca. 1978

1

TAGS

2013 • aging material • analogue and digital formatsanalogue mediaarchivingaudiovisualBetacam SPborn-digitalcompact disccultural collecting organisationscultural heritagecultural heritage collectionsdigital artefactsdigital formatdigital heritagedigital preservationdigital video • digital videotape • digitisation project • digitisation services • early recording technologyfloppy diskInternet Archive • Iomega Jaz • Iomega Zip • media capture • media distributionmedia formatmedia past • media recovery • media storage • MiniDV • Monday/Wednesday/Friday Video Club • moving image transfer • MWF • New Museum of Contemporary ArtNew YorkNTSCobsolete mediumpreservation • preservation moving image materials • preserving the pastrecent past • Sony Hi8 • technology convergence • U-Matic • VHSvideo archivevideo artists • video transfer • videotape • visual arts • XFR STN

CONTRIBUTOR

Simon Perkins
10 FEBRUARY 2013

Pre Certification Video

"A 'pre-cert video' (Pre-Certification) is any videotape (or laserdisc/CED) issued in the UK before the introduction of the 1984 Video Recordings Act.

Pre-cert videos were not required by law to be submitted to the BBFC so the era was unregulated, leading to many uncut releases of videos which would have fallen foul of the BBFC's strict guidelines, and would therefore have been censored if submission to the board was a legal requirement.

However, whilst many of the larger respectable companies simply issued their previously BBFC certificated cinema releases onto video to play safe as they feared there was bound to be a clampdown at some stage, some of the smaller independent companies decided to take advantage of the unregulated video rentals market by issuing 'strong uncut' versions depicting graphic violence and gore. A whole barrage of titles previously banned by the BBFC from getting a cinema release suddenly ended up uncensored on home video.

What began as a bill drafted by little known Luton Tory back bencher Graham Bright was made law after he and the tabloid press (most notably The Daily Mail) had successfully whipped the media into a frenzied hysteria over so-called 'video nasties'. Ban the Sadist Videos! was one of the more famous headlines they ran. When the bill was made law it became a legal requirement that all videotapes must be submitted to the BBFC for classification (and possible cuts).

The pre-cert video era is best remembered (amongst horror fans in particular) for the ensuing 'video nasty' debacle in which a selection of 72 videotapes were singled out and prosecuted by the DPP (Director of Public Prosecutions) under Section 2 or Section 3 of the OPA (Obscene Publications Act). Of these, 39 titles were deemed by the courts to be obscene and it's those titles which formed the final 'Video Nasties list."

1

TAGS

1984analogue mediab-moviebad tastebanned • Betamax • British Board of Film Classification (BBFC) • Capacitance Electronic Disc (CED)censorship • cinema release • collectiblesDaily Mail • DiscoVision • exploitation films • exploitation movies • film classification • gore • Graham Bright • graphic violencehome video • LaserDisc • legislationmisogyny • Music and Video (magazine) • nostalgia • Obscene Publications Act (OPA) • obscenityobsolete medium • Popular Video (magazine) • pre-cert video • pre-cert video era • pre-cert videos • pre-certification video • rare video releases • SelectaVisionsexploitation • shocksploitation • slasher • slasher film • sleaze • teensploitation • Television and Home Video (magazine) • UK • unregulated industry • VCR (N1500) • VCR (N1700) • VHS • Video 2000 • Video Business (magazine) • Video Cassette Recorder (VCR) • Video Cassette Recording • Video Compact Cassette (VCC) • video distribution • video nasties • video nasty • Video News (magazine) • Video Recordings Act • video releases • video rental • video rentals market • Video Retailer (magazine) • Video Review (magazine) • Video The Magazine • Video Today (magazine) • Video Trade Weekly (magazine) • Video Viewer (magazine) • Video Week (magazine) • Video World (magazine) • videocassette • videocassette recorder • VideoDisc • videotapes

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.