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Which clippings match 'Experimental Musical Instrument' keyword pg.1 of 1
14 NOVEMBER 2014

Yaybahar: an experimental hypnotic acoustic instrument

"Yaybahar is an electric–free, totally acoustic instrument designed by Gorkem Sen. The vibrations from the strings are transmitted via the coiled springs to the frame drums. These vibrations are turned into sound by the membranes which echo back and forth on the coiled springs. This results in an unique listening experience with an hypnotic surround sound. What you hear in this performance is captured in realtime without any additional effects and with no post audio processing."

(Görkem Şen, 2014)

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2014 • acoustic instrument • bowed instrument • coiled springs • didgeridoo • didjeridu • drone music • drum membrane • echo • echo sound • experimental musical instrument • frame drums • Gorkem Sen • hypnotic acoustic instrument • hypnotic effect • hypnotic surround sound • inventor • melodic effect • membrane • membranes • metal drum • musical instrumentpersistence of soundreverberation • reverberations • sitar • sound decaystring instrument • stringed instrument • strings • Turkish musician • unique listening experience • vibrating strings • vibrations • Yaybahar

CONTRIBUTOR

Simon Perkins
15 MARCH 2014

Organ of Corti (2010-11) an experimental acoustical intervention

"Organ of Corti is an experimental instrument that recycles noise from the environment. It does not make any sound of its own, but rather it attempts to draw our attention to the sounds already present by framing them in a new way. Named after the organ of hearing in the inner ear, it uses the acoustic technology of sonic crystals to accentuate and attenuate frequencies within the broad range of sound present in road traffic or falling water. By recycling surplus sounds from our environment, we hope to challenge expectations of what might constitute a piece of music by adding nothing to the existing soundscape but rather offering new ways of listening to what is already there. This instrument is a device that, for us, rematerializes our experience of sound, inviting us to 'listen to ourselves listen'."

(Frances Crow and David Prior)

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2011 • acoustic properties • acoustical experimentacousticsambient soundarchitectural conjecture • architectural interventions • architectural speculation • David Prior • design research project • experimental acoustical intervention • experimental music • experimental music composition • experimental musical instrumentexperimental soundexploratory projects • Frances Crow • interdisciplinary investigationlandscape futures • Liminal (partnership) • listening • music production • noisenoise pollutionorgan • Organ of Corti • persistence of sound • PRS New Music Award • public sound art • research and consultancy • site-specific interventionssonic artssonic environment • sound and music environments for exhibition • sound artsound artistsound designsound experimentssound performancesound sculpture • sound walk • soundscape • spatialised sound installations • spatialised soundscapes • speculative researchUKurban experienceurban landscapeurban speculationuser paths

CONTRIBUTOR

Simon Perkins
07 DECEMBER 2013

A history of colour organs and visual music

"'The early history of this art was driven by an interest in color. In the eighteenth century, a Jesuit priest, Louis Bertrand Castel, invented the first color organ. Others, including D.D. Jameson, Bainbridge Bishop, and A. Wallace Rimington, created color organs through the next century [2]."

(Maura McDonnell, 2002)

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1730 • 1742 • 18th century • Alexander Scriabin • Alexander Wallace Rimington • amplitudeanalogue correspondence • Arnaldo Ginna • Audiovisual Environment Suite (AVES) • Bainbridge Bishop • Bruno Corra • clavecin oculaire • Clavilux • colourcolour and music • colour and sound • colour light • colour music • colour organ • colour tone • coloured light • coloured notes • compositioncorrelative analogue • D.D. Jameson • experimental instrument • experimental musical instrumentFernand Leger • Fred Callopy • Georg Telemann • GesamtkunstwerkGolan LevinHans Richter • harpsichord • Harry SmithhueinventionJames WhitneyJohn Whitneykeyboard • Lejf Marcussen • Len Lye • Leopold Survage • light organ • Louis Bertrand Castel • Luigi RussoloMan RayMarcel Duchamp • Mary Ellen Bute • Maura McDonnell • music historymusical instrumentNorman McLaren • Ocular Harpsichord • organOskar Fischinger • Paul Friedlander • piano style keyboard • pitch to hue • projected light • Prometheus (mythology) • rhythmiclight • Roy De Maistre • soundStan Brakhagesynaesthesia • synesthesia • Thomas Wilfred • timbre • tone colour • Viking Eggelingvisual music • Wallace Rimington • Walter Ruttmann • Wurlitzer

CONTRIBUTOR

Simon Perkins
27 JUNE 2013

Letritia Kandle's pioneering 1937 National Grand Letar

"This new instrument, known as the 'Grand Letar,' is the invention of Letritia Kandle shown here playing it. She designed it and had it built specially for her. The instrument as 26 strings and a lighting effect that is very new and novel, being he first instrument to change color while it is played.

The string grouping used on the I 'Grand Letar' which has complete harmony has been studied and developed by Miss Kandle over a period of six years, the development being derived from an eighteen string triple–neck Hawaiian guitar which he also designed and had built for her. Miss Kandle has played coast to coast programs over NBC and has done electrical transcription work for RCA. She also has had her own string ensemble for which she did all the arranging.

Miss Kandle demonstrated this instrument at the recent manufacturers convention in New York City."

(Down Beat, 1937)

"Designs New 24 String Guitar", Down Beat Chicago, October, 1937 [http://1.bp.blogspot.com/–RWXEdfUowkI/UKYBHr–Te2I/AAAAAAAABd0/1lOE20w_nC8/s1600/LetritiaDownBeatArticle.jpg]

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1937Chicagodevice • Down Beat (magazine) • electric guitar • electric sound production • experimental musical instrumentguitar • Hawaiian guitar • industrial designinnovationinventor • Letritia Kandle • musicmusic historymusical instrument • National Grand Letar • NBC • New York Citypioneering women • RCA Records • women in music

CONTRIBUTOR

Simon Perkins
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