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Which clippings match 'Water' keyword pg.1 of 3
23 MARCH 2013

The Environment Nexus: WATER, ENERGY, FOOD

"Nexus thinking is a new way of thinking that recognises the crucial interdependence of water, energy and food - a relationship that forms the core of the Environment Nexus project. This new IIEA video explores the deep interconnections between the three essential resources and highlights the need for nexus thinking to help meet the world’s needs, as it grows from 7 to 9 billion by 2050."

(The Institute of International and European Affairs, 20 February 2013)

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TAGS

20132050agricultureanimated presentationbio-ethicscall to actionclimateenergyenergy consumption • Environment Nexus • environment policy • environmental issuesEU • European Parliament • European Parliament Environment Nexus • foodfood productionfood security • global energy demands • global energy use • global interdependence • IIEAinfographics • innovative ways • Institute of International and European Affairs • integrated approaches • interdependenceIrelandmeatmeat productionnew thinkingnexuspolicy makersresource management • steak • sustainabilitysustainable consumptionsustainable futurevegetarianismwaterworld energy consumptionworld population

CONTRIBUTOR

Simon Perkins
16 JANUARY 2013

Call to Order: the pretentious sterility of culture

"In a masterstroke of design, the curator of Chaos and Classicism, Kenneth Silver, chose a work of art to illustrate the Nazi annexation of neoclassicism that at first glance is anything but threatening. The Four Elements by Adolf Ziegler decorated the walls of Hitler's Munich apartment. A member of the Nazi Party, Ziegler was charged by Hitler in 1937 to stage-manage the purge of modern art in the notorious Exhibition of Degenerate Art. Ziegler's depiction of four nude women who symbolize fire, earth, air and water, the four elements of nature recognized in antiquity, personifies little but the pretentious sterility of culture under the Third Reich. Yet, it is the perfect embodiment of the banality of evil."

(Ed Voves, 4 October 2010)

Fig.1 Adolf Ziegler, The Four Elements: Fire, Water and Earth, Air, (Die vier Elemente. Feuer, Wasser und Erde, Luft), before 1937, Oil on canvas, three panels, left to right: 170.3 x 85.2 cm, 171 x 190.8 cm, and 161.3 x 76.7 cm, Bayerische Staatsgemäldesammlungen, Sammlung Moderner Kunst in der Pinakothek der Moderne, Munich.

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TAGS

1937Adolf Hitler • Adolf Ziegler • air • antiquity • banalitycall to orderchaos and classicismclassical beautyclassical formcorrectioncultural productionEarth • elements • emasculation • essential elements of artessentialismExhibition of Degenerate Artfascismfire • Kenneth Silver • masterstroke of design • modern artmodernismMunichnatureNazi • Nazi Party • neoclassical revivalneoclassicism • nude women • pretentious sterility of culture • purificationpurity • racial purity • return to order • sterility • The Four Elements • Third Reichwaterwork of art

CONTRIBUTOR

Simon Perkins
03 NOVEMBER 2012

Experimental typography: light refracted through water droplets

Ruslan Khasanov (2012) Lumen type: experimental typography.

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TAGS

2012 • aberration • animation • bokeh • dappled light • dustetherealeveryday lifeexperimental techniquesexperimental typeexperimental typographyexperimentation • flicker in the light • glimmer • letterform exerciseslight • light refraction • liquid type • Lumen type • magnifying glass • mirror surface • nostalgic elegance • optical distortion • out-of-focus • Ruslan Khasanov • russian designer • scratches • small drops of water • tiny letters • typetypography • visual properties • water • water droplet

CONTRIBUTOR

Simon Perkins
08 APRIL 2012

Big Question: Feast or Famine?

"The world population is growing by 75 million people each year. That's almost the size of Germany. Today, we're nearing 7 billion people. At this rate, we'll reach 9 billion people by 2040. And we all need to eat. But how? That's a critical issue the IonE tackles in our first Big Question video.

At the same time, agriculture is a major contributor to climate change and will suffer as an industry from the consequences."

(Institute on the Environment, 2009, University of Minnesota)

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TAGS

2009 • 2040 • agricultureanimated presentation • Aral Sea • call to actioncarbon dioxide • cereal crops • climate change • computer models • consequencesconsumption • consumption trends • cows • critical issue • current technologies • desertecology • ecosystems • famine • fertilizer • food • global environmental systems • global populationglobal water crisisgrain production • green revolution • greenhouse gases • greening the desert • H2O • human activities • human civilization • human-caused emissions • Institute on the Environment • Jonathan Foley • land use • late 20th century • livestock • meatmethane • nitrous oxide • over-fertilized fields • populationpopulation growthrainforestresource management • rice • Robert Zeigler • ruminant animals • Stanley Wood • sustainability • The Inconvenient Truth • The Other Inconvenient Truth • University of Minnesota • University of Wisconsin • waterworld population

CONTRIBUTOR

Simon Perkins
06 MARCH 2012

Home: a call to action to halt global warming

"In the past 200,000 years, humans have upset the balance of planet Earth, a balance established by nearly four billion years of evolution. We must act now. It is too late to be a pessimist. The price is too high. Humanity has little time to reverse the trend and change its patterns of consumption.

Through visually stunning footage from over fifty countries, all shot from an aerial perspective, Yann Arthus-Bertrand shows us a view most of us have never seen. He shares with us his sense of awe about our planet and his concern for its health. With this film, Arthus-Bertrand hopes to provide a stepping-stone to further the call to action to take care of our HOME.

HOME is the first film that has been made using aerial-only footage. The film marks artist-activist Yann Arthus-Bertrand's feature film directorial debut.

HOME the movie is carbon offset. All of the CO2 emissions engendered by the making of the film are calculated and offset by sums of money that are used to provide clean energy to those who do not have any. For the last ten years, all the work of Yann Arthus-Bertrand has been carbon offset."

(Yann Arthus-Bertrand)

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CONTRIBUTOR

Simon Perkins
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