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Which clippings match 'Lauren Berlant' keyword pg.1 of 1
11 DECEMBER 2013

Visceral Theory: Affect and Embodiment

"How can we think or write theory in the wake of poststructuralism? For a number of recent thinkers, one possible answer arrives in the often slippery category of affect, in the attempt to return theoretical attention not only to material conditions but specifically to the body and the intensities that traverse it. Such theorists are critical of the elevation of language over visceral, lived experience and interested in the ways that affects circulate publicly or are transmitted contagiously. 'The skin,' writes Brian Massumi, 'is faster than the word.' In different ways, they theorize affect–which they distinguish from emotion or feeling–as a per–personal and pre–linguistic entity about which they nonetheless attempt to speak. This class will constitute a joint experiment in how to think, write, and deploy the concept or concepts of affect. Readings will include selections from Baruch Spinoza, Sigmund Freud, Gilles Deleuze and Félix Guattari, Brian Massumi, Kathleen Stewart, Teresa Brennan, Lauren Berlant, Eve Kosofsky Sedgwick, and others. No prior reading will be assumed, but a willingness to struggle with and through nonlinear and experimental writing (both alone and with the group) will be an absolute necessity."

(Abby Kluchin)

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TAGS

Abby Kluchin • affect • affect theoryBaruch Spinozabody • Brian Massumi • differanceembodimentemotion • Eve Kosofsky Sedgwick • feelingFelix GuattariGilles Deleuzeintensities • Kathleen Stewart • Lauren Berlant • material conditions • per-personal entity • poststructuralism • pre-linguistic entity • Sigmund Freudskin • slippery category • Teresa Brennan • theorise affect • visceralvisceral experiencevisceral theory

CONTRIBUTOR

Liam Birtles
30 MAY 2013

When Is Now? The Historical Present in Creative Practice

Thursday 27th June 2013, 10:00am – 4:30pm, Waterside 2, The Watershed, Bristol, UK.

"This one–day symposium explores the historical present in creative practice. In a cultural climate that valorizes the 'now' what does it mean to occupy the present moment? Our aim is to examine the present tense of creative practice as itself historical as opposed to understanding it as the end point of a linear chronological line. The symposium is motivated by a desire to pay attention to the atmospheric 'thickness' of the present tense in art, media and design practices and to imagine what kinds of experience can be articulated when what Lauren Berlant calls the 'ongoingness' of life is slowed down and brought into visibility. The symposium includes papers on the historical present in relation to painting, sound, photography, film, digital media and video."

TAGS

2013 • Betty Nigianni • Caroline Molley • chronological line • chronological sequencecontemporary presentcreative practice • Deborah Withers • design practicedigital media • Dot Rowe • film • Frank Bowling • historical present • historical understanding • inventing history • Jerry Walton • Katie Davies • Lauren Berlantlinear • linear timeline • media practicemomentmoments • moving sound • now • ongoingnesspainting • Peter Wright • photography • present moment • present tense • repetition • Rose Butler • School of Arts (UWE) • simultaneitysnapshotsoundstill imagesymposium • thickness • Tony Oursler • UKUniversity of the West of England • UWE • videovisual culture • Visual Culture Research Group (UWE)

CONTRIBUTOR

Simon Perkins
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